Resultado para "Edgar Allan Poe" em Todas as categorias

"O Corvo" é sem dúvida um dos contos mais famosos e perturbadores de Edgar Allan Poe. A história começa em uma noite sombria e tempestuosa, quando um homem solitário, mergulhado em tristeza e saudade, é visitado por um corvo misterioso. Atormentado pela perda de sua amada Leonora, ele começa a conversar com o pássaro, que sempre responde com a mesma frase: "Nunca mais". Essa repetição atormenta ainda mais o homem, evocando sua tristeza e despertando suas piores emoções. Este livro conta ainda com outros dois poemas consagrados de Poe: "Annabel Lee" e "Ulalume".

The times of the Spanish Inquisition. A prisoner awaits the verdict of the cruel judges. His hopes for freedom—much like burning candles—rapidly diminish. He is sentenced to death and confined in a chamber that resembles a tomb. The vision of impending death terrifies him, causing him to lose consciousness several times. The image of the Father of Time painted on the ceiling, along with the deadly pendulum and a mysterious well, does not help in finding solace or preparing for death.

Combinando a sensibilidade gótica do século XIX de Edgar Allan Poe com uma visão interna ousada, os contos de Lovecraft prenunciam um século psiquicamente conturbado. Situado em uma paisagem da Nova Inglaterra descrita de modo minucioso e historicamente fundamentada, suas histórias angustiantes exploram o colapso da sanidade sob o peso dos eventos caóticos. O universo de Lovecraft é um mundo de sombras onde a realidade e o pesadelo se entrelaçam e a redenção ninguém sabe de onde vem.

Los crímenes de la calle Morgue, también conocido como Los asesinatos de la calle Morgue o Los asesinatos de la rue Morgue, es un cuento del género policíaco y de terror del escritor estadounidense Edgar Allan Poe, publicado por primera vez en la revista Graham's Magazine, de Filadelfia, en el mes de abril de 1841. Se trata del primer relato de detectives propiamente dicho de la historia de la literatura, es decir, la primera historia sobre detectives que reúne todos los elementos que más tarde van a retomarse como característicos de las novelas policiales.

Un joven matrimonio lleva una vida hogareña apacible en compañía de varios animales domésticos, entre ellos un misterioso gato negro. Todo cambia cuando el marido empieza a dejarse arrastrar por la bebida. El alcohol le vuelve irascible y en uno de sus accesos de furia acaba con la vida del animal.

This audiobook includes a mixture of single and dramatized renditions of the following 16 classic stories.

The chilling classic that inspired the new Netflix horror drama, "The Fall of the House of Usher". Venture, if you dare, into the House of Usher... The narrator visits his friend, Roderick Usher in his decaying mansion, only to witness the harrowing unravellings of Usher's mind and the dark family secrets lurking beneath the crumbling ancestral home. A classic tale of gothic horror that has haunted readers for generations.

First published in an 1842 literary annual The Gift: A Christmas and New Year's Present for 1843, "The Pit and the Pendulum" takes place during the Spanish Inquisition and follows the plight of a prisoner in a cell that has a pit and a pendulum. Unlike many of Poe's short stories, "The Pit and the Pendulum" does not rely on any supernatural elements to inspire fear but instead uses the narrator's heightened sensory experiences to do so.

Nevermore…Nevermore…Nevermore. Ever since Edgar Allen Poe penned those words to paper in 1845, the infamous response of the raven has continued to echo throughout history. The poem has become so familiar that we know it in our bones. From the memorable opening line—Once upon a midnight dreary—Poe paints a bleak scene that swiftly catapults us to the depths of heartbreak and grief.

The poem by Edgar Allan Poe, first published on January 29, 1845, in the New York Evening Mirror. The poet read it publicly for the first time in a literary salon hosted by his friend Anne Lynch Botta .The work is noteworthy for its distinct, rhythmic, melodic sound, linguistic stylization, and a sense of horror. It tells of a mysterious visit that a speaking raven makes to a man in despair after the loss of his beloved, portraying the slow process of the unfortunate man descending into madness.

The tale of murder and terror, told by a nameless homicidal madman, influenced later stream-of-consciousness fiction and helped secure the author’s reputation as master of the macabre. The narrator relates with relish his murder and dismemberment of an old man. Poe’s revelation of the narrator’s madness is a classic study in psychopathology.

Mit den Mädchen hat es die Natur auf Das, was man im dramaturgischen Sinne, einen Knalleffekt nennt, abgesehen, indem sie dieselben, auf wenige Jahre, mit überreichlicher Schönheit, Reiz und Fülle ausstattet, auf Kosten ihrer ganzen übrigen Lebenszeit, damit sie nämlich, während jener Jahre, der Phantasie eines Mannes sich in dem Maße bemächtigen könnten, dass er hingerissen wird, die Sorge für sie auf Zeit Lebens, in irgend einer Form, ehrlich zu übernehmen; zu welchem Schritte ihn zu vermögen, die bloße vernünftige Überlegung keine hinlänglich sichere Bürgschaft zu geben schien.

In a Paris newspaper, there appears a report of an extraordinary crime committed on the Rue Morgue. The police are unable to solve the case. Intrigued, Dupin decides to conduct his own investigation.

Un uomo anziano ossessionato dall'amore della sua vita, la bella e colta Ligeia, viene travolto dagli eventi all'improvvisa morte di questa. Si risposa, ma il ricordo dell'amata non scompare, tanto che alla morte della seconda moglie avviene qualcosa di inspiegabile... "Sul mio onore, non mi riesce di ricordarmi come quando e persino dove feci la conoscenza di lady Ligeia. Da allora sono passati molti anni, e il molto soffrire mi ha indebolito la memoria."

En una fría medianoche, el narrador, angustiado por la pérdida de su amada Leonora, recibe la inesperada visita de un misterioso cuervo. El ave, con su único y ominoso "Nunca más", se convierte en un símbolo del tormento incesante del narrador y de su lucha por encontrar significado en su sufrimiento. La obra maestra de Poe combina elementos góticos y un ritmo hipnótico para crear una atmósfera de desesperación y locura, invitando al lector a un viaje inolvidable por los oscuros recovecos del dolor humano y la obsesión.

In the realm of literature, few names evoke a sense of dark and mysterious beauty quite like that of Edgar Allan Poe. As we delve into this collection of some of his most haunting works, we embark on a journey into the enigmatic depths of Poe's mind, where the line between sanity and madness blurs, and the specters of fear and dread loom large.

The blue, veiled eye of an old man is an object that drives the main character to madness. Every time he sees it, aggression and a desire to murder arise within him. He decides to commit a crime. He carefully plans it, and for a week, every night, he peeks into the adjacent room where the old man lives and observes him silently so as not to wake him up - he keeps repeating that he cannot be considered a madman because in his opinion, no madman would plan a murder with such precision.

Hans Pfaall - diese frühe Science Fiction-Geschichte Edgar Allan Poes diente Jules Verne als Inspiration für seine Romane Von der Erde zum Mond und Reise um den Mond! Nur dass Hans Pfaall für diese Reise nicht aus einer Kanone abgefeuert wird - sondern in einem luftdichten Kautschukballon.

"The Masque of the Red Death", originally published as "The Mask of the Red Death: A Fantasy", is an 1842 short story by American writer Edgar Allan Poe. The story follows Prince Prospero's attempts to avoid a dangerous plague, known as the Red Death, by hiding in his abbey. He, along with many other wealthy nobles, hosts a masquerade ballwithin seven rooms of the abbey, each decorated with a different color. In the midst of their revelry, a mysterious figure disguised as a Red Death victim enters and makes his way through each of the rooms.

Das Motiv des Doppelgängers ist in der Schauerliteratur nicht wegzudenken. Auch Poe hat sich dieses Motivs bedient - in dieser Erzählung aus dem Jahre 1839. William Wilson ist der Erzähler der Geschichte, doch behauptet er, diesen Namen nur zu verwenden, da sein tatsächlicher Name allzu sehr mit Blut besudelt sei… Doch plötzlicht taucht noch ein zweiter William Wilson auf, der dem ersten fast bis aufs Haar gleicht - bis auf einen kleinen Unterschied.