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Matt Scudder is well and truly off the booze, but he still spends time with some of his old drinking pals including Mick Ballou. Mick is worried - a garage full of bourbon has been ripped off and two of his henchman killed in cold blood. Micks wants Scudder to look into it - he reluctantly...

A deranged, derelict, crazed Vietnam vet has been arrested for gunning down successful young lawyer Glenn Holtzmann at a corner phone booth on 11th Avenue—and the suspect's brother wants unlicensed private investigator Matthew Scudder to prove the madman innocent. But Scudder's curiosity and dedication are leading him to dark, unexplored places in his own heart…and to passions and secrets that could destroy everything he loves. In this unmerciful metropolis, no one is truly innocent—including Matthew Scudder.

The hooker was young, pretty...and dead, butchered in a Greenwich Village apartment. The prime suspect, a minister's son, was also dead, the victim of a jailhouse suicide. The case is closed, as far as the NYPD is concerned. Now the murdered prostitute's father wants it opened again--that's where Matthew Scudder comes in.

Small-time stoolie Jake "The Spinner" Jablon made a lot of new enemies when he switched careers from informer to blackmailer. And the more "clients," he figured, the more money - and the more people eager to see him dead. So he's greedy but scared, and he turns to his old acquaintance Matthew Scudder, who used to pay him for information back in Scudder's days as a cop. Scudder's his insurance policy - if anything happens to "The Spinner," Scudder can check up on the people who wanted him dead. No one is too surprised when the pigeon is found floating in the East River....

Jerry Broadfield thinks he's a good cop. But now he's been charged with extortion - and his former buddies in the NYPD would like to see him laid out on a morgue slab for squealing to a committee on police corruption. Suddenly, he's got a lot of enemies, and when a dead call girl turns up in his apartment, his troubles get even bigger. Broadfield screams "setup," but nobody believes him - except ex-policeman, now unlicensed PI Matthew Scudder. Because Broadfield turned traitor no cop is going to give Scudder any help with this investigation, so Scudder's on his own.

Lawrence Block's talent for creating colorful characters, sophisticated dialog, and engaging atmosphere has earned him many awards: the title of Grand Master, three Edgar Awards, four Shamus Awards, and a Nero Wolfe Award. One of his most popular series follows the adventures of the suave bookseller and crook, Bernie Rhodenbarr. Bernie's sweetheart has dumped him. But although his heart is broken, he hasn't lost his love for fine books - or for an occasional discrete burglary.

After appraising the worth of a rich man's library—conveniently leaving his fingerprints everywhere in the process—Bernie finds he's the cops' prime suspect when his client is murdered.

All of a sudden the streets of your city are so overpopulated with security cameras and closed-circuit TV that you have to lock yourself in the bathroom to have an undocumented moment. And locks, which used to provide the recreational pleasure of a moderately challenging crossword puzzle, have become genuinely pickproof. 

A truly unprecedented literary achievement by author and editor Lawrence Block, this newly-commissioned anthology of 17 superbly-crafted stories, each inspired by the paintings of Edward Hopper. Contributors include Stephen King, Joyce Carol Oates, Robert Olen Butler, Michael Connelly, Megan Abbott, Craig Ferguson, Nicholas Christopher, Jill D. Block, Joe R. Lansdale, Justin Scott, Kristine Kathryn Rusch, Warren Moore, Jonathan Santlofer, Jeffery Deaver, Lee Child, and Lawrence Block himself.

On the border between El Paso, Texas and Juarez, Mexico, five lives are about to collide - with fatal results. This is MWA Grand Master Lawrence Block at his rawest and most visceral, a bloody, bawdy, brutal story of passion and punishment - and of lines that were never meant to be crossed - available for the first time in 50 years!

For 14 years, five-time Edgar winner and MWA grandmaster Lawrence Block wrote a monthly column on fiction for Writers Digest magazine. These columns yielded four books regarded as classics: Telling Lies for Fun & Profit, Spider Spin Me a Web, The Liar's Bible, and now, The Liar's Companion. Listen to The Liar's Companion and gain inspiration to create outstanding fiction.

An MWA Grand Master and a multiple winner of the Edgar, Shamus, and Maltese Falcon awards, Lawrence Block’s reflections and observations come from over a half century as a writer of best-selling crime fiction. Several of his novels have been filmed, most recently A Walk Among the Tombstones, starring Liam Neeson.

Five-time Edgar winner and MWA grand master Lawrence Block wrote a monthly column for the Writers Digest magazine for 14 years. The Liar's Bible consists of previously uncollected columns, chosen to illuminate the often dimly-lit path of the writer of fiction.

The craft of writing is a lot like spinning a web: You take threads and weave them skillfully together, and only you know where this intricate network of twists and turns begin and how it will end. Now, with Lawrence Block's expert advice, you can learn this art of entrapping your reader in a maze of fascinating fiction. Spider, Spin Me a Web is the perfect companion volume to Block's previous book on writing, Telling Lies for Fun and Profit, which Sue Grafton noted "should be a permanent part of every writer's library".

From the revered The New York Times best-selling author comes a touching, insightful, and humorous memoir of an unlikely racewalker and world traveler. Lawrence Block is the author of bestselling novels featuring unforgettable characters such as the hit man Keller, private investigator Matthew Scudder, burglar Bernie Rhodenbarr, and time traveler Evan Tanner. But much before he became an author, he was a walker.

Unlike many advice-givers, Block doesn't tell you what book to write, or the one and only way to write it. He holds that every novel is different, and so is every novelist; his aim is to give you the tools to enable you to find your own way.

Cold War superspy Evan Tanner lost the ability to sleep on a battlefield in Korea. So where the heck has he been since the '70s? Frozen. Cryogenically. A Tanner-sicle. Which he never thought would happen when he walked into a basement in Union City, New Jersey, more than a quarter century ago. Now he's unthawed and ready to rumble, and his somewhat addled, former super-secret boss, "the Chief", is glad his favorite operative's active again.

To escape punishment for a murder he didn't mean to commit, insurance man Don Barshter has to take on a new identity: Nathaniel Crowley, ferocious up-and-comer in the New York mob. But can he find safety in the skin of another man...a worse man...a sinner man?

I can trace the origin of A Week as Andrea Benstock to two distinct sources. The first inspired my attempting the book, while the second inspired its form. Let me consider the second first. In 1949, the Belgian author Georges Simenon published a novel called - well, who knows what he called it, but the English translation bore the title - Four Days in a Lifetime. I must have read it sometime in the late 1950s, because what I recall of the experience is that I was in my parents’ house on Starin Avenue at the time.

Martin H. Ehrengraf, dapper and diabolical, may be Lawrence Block's darkest creation. He's the defense attorney who never sees the inside of a courtroom, because all his clients are innocent - no matter how guilty they may seem. Some even believe themselves to be guilty: They remember pulling the trigger, or wiring the dynamite to their spouse's car, or holding the bloody blade. But things have a way of working out when Martin Ehrengraf is on the case.