“[A] radiant debut collection . . . Tran is brilliant at evoking the ways in which the strata of selfhood illuminate one another . . . mesmerizing, multi-part poem[s] […]articulate, revise, and juxtapose the tales that compose Tran’s identity: Vietnamese parents exiled by the American war, remnants of Buddhist faith, landscapes harried by fiery Santa Ana winds, coming of age as transgender and queer, and the speaker’s attraction to men who are, by turns, gods, masters, and perpetrators of unspeakable violations . . . Tran’s poetry finds its desideratum in the eternal pursuit of self-transcendence.” —The Poetry Foundation

“[E]very so often, a true masterwork seemingly springs forth fully formed as if the goddess Athena, armor flashing and sword raised. Paul Tran’s full-length collection, All the Flowers Kneeling, arrived ready for war. This is an exquisitely crafted labyrinth of a book . . . Each poem stands proudly on its own but also perfectly connects to the narrative arc . . . Tran transmogrifies the grotesque to the gorgeous, the victim to the victor, the oppressed to the liberated.” —Electric Literature 

“[A] remarkable book dealing with sexual assault and a survivor’s hard-won journey toward recovery . . . For the speaker, each poem is a step away from a metaphorical death, the realm of silence and shame . . . the reader [comes] to believe that this young survivor will prevail, defined not by the wrongs done to them, but by the courage of their coming forward and giving language to the unbearable . . . [A speaker] says, ‘Yours isn’t just a story about survival...Yours is a story about love.’ The poignant pronouncement summarizes the book perfectly, and it is quite moving to witness the speaker arrive at that truth through self-empowerment and self-love.” —San Francisco Chronicle