Barbieland
The Unauthorized History
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Narrado por:
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Cassandra Campbell
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De:
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Tarpley Hitt
The secret history of Barbie and what Mattel has done to keep her on top.
For nearly seven decades, Mattel billed Barbie as the first adult doll—a revolutionary alternative to the baby dolls before her, which had treated little girls as future mothers rather than future women. But Barbie was no original. She was a knockoff: a nearly identical copy of a German doll now erased from the narrative in favor of Mattel’s preferred version of history. It was Barbie’s first secret but far from her last.
In the “brilliant” (New York magazine) Barbieland, the long-hidden backstory of the world’s most famous doll is finally exposed. After snuffing out her predecessor, Barbie climbed to the throne of global girlhood and stayed there, fending off rivals with a mix of strategic marketing, government influence, ruthless litigation, and covert tactics worthy of a classic spy novel.
This “must-read” (John Jeremiah Sullivan, author ofPulphead) ride through the underbelly of American business pulls back the curtain on the corporate titans, cultural influencers, and toyland rivals who shaped this icon’s world—from flawed founder Ruth Handler to convicted Wall Street fraudster (and improbable Barbie savior) Michael Milken to the Bratz doll empire, which once put the brand on life support.
Through investigative reporting, global archival research, and interviews with key players from across the Barbie extended universe, Barbieland lays bare the unseen—and so often absurd—work that made Mattel a multibillion-dollar business and turned Barbie into an institution: a symbol as synonymous with American soft power as Coca-Cola and McDonald’s french fries.
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Resumo da Crítica
"Golden Voice narrator Cassandra Campbell explores Mattel’s dark side in this unauthorized history that exposes spying, copyright infringement, and the true origins of Barbie. Hitt’s investigative reporting asserts that Barbie’s creator, Ruth Handler, was often ruthless. Handler claimed that the inspiration for Barbie came from her daughter, but Barbie was a near-identical copy of a German doll that was created four years prior to Barbie’s debut. Hitt argues that while Handler faced sexism herself, she chose corporate profit over supporting women and minorities. Campbell invokes emotion where appropriate, as when she uses a barbed tone for Handler’s remarks about people she hated and a flat voice to capture her matter-of-fact, uncaring attitude. Campbell’s pace and tone let the writing shine."
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