It is a very rare thing to witness the beginning of a writer’s career and know without a doubt that the first little book is going to launch a worldwide craze, a la J.K. Rowling or Stephenie Meyer. Such is the terrifying yet enviable position of Veronica Roth, who sold this debut novel to a HarperCollins imprint before she even finished college. She also sold the film rights to Summit Entertainment, owner of the Twilight film saga, on the strength of pre-publication buzz alone. The first in a planned series, Divergent is beyond question the best thing to happen to young adult literature in a very long time. More realistic than Harry Potter and less moony-eyed than Twilight, Roth has crafted a world and a protagonist that are easily engrossing and definitely worthy of our long-term attention.

Part of the credit for such charm belongs to narrator Emma Galvin, herself somewhat a newcomer. The young upstart has already garnered praise for her interpretations of Winter’s Bone, the first book spin-off from the Glee television series, and Stephenie Meyer’s recent novella. Galvin is genuinely edgy and emotive, not a trace of sugar to be found in the dialogue or her rendering of it. She captures the bold but conflicted spirit of the main character, Tris, with convincing personality and a real sensibility for the fast-pacing learning curve into which Tris launches the year she turns 16. After being raised in a clan whose primary characteristic is its devotion to selflessness, Tris defects, choosing a life of bravery from among the five factions that comprise her dystopic Chicago. She must pledge the faction, and go through several rounds of training eliminations before becoming a true Dauntless.

Tris is a complex, down-to-earth character with a lot of soul searching to do — in a clan where hobbies include jumping from moving trains and tossing knives at small objects resting on the heads of friends, and there are no second chances. Veronica Roth has built a remarkable situation with strong potential for a longevity that will remain fresher than the sum of its parts, and Emma Galvin has this bull of a new series firmly by the horns. This book is confidently going places far beyond the fanatical mindlessness of young adult marketing, and in a hot minute, grownups will not have to feel one iota of shame for having fallen in love with it alongside their less discerning teenagers. —Megan Volpert