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Hades, Argentina
- A Novel
- Narrado por: Christian Barillas
- Duração: 10 horas e 24 minutos
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Sinopse
VCU CABELL FIRST NOVELIST AWARD FINALIST
CENTER FOR FICTION FIRST NOVEL PRIZE LONGLIST
“A debut novel as impressive as they come. Tough, wily, dreamlike.” —Seattle Times
A decade after fleeing for his life, a man is pulled back to Argentina by an undying love.
In 1976, Tomás Orilla is a medical student in Buenos Aires, where he has moved in hopes of reuniting with Isabel, a childhood crush. But the reckless passion that has long drawn him is leading Isabel ever deeper into the ranks of the insurgency fighting an increasingly oppressive regime. Tomás has always been willing to follow her anywhere, to do anything to prove himself. Yet what exactly is he proving, and at what cost to them both?
It will be years before a summons back arrives for Tomás, now living as Thomas Shore in New York. It isn’t a homecoming that awaits him, however, so much as an odyssey into the past, an encounter with the ghosts that lurk there, and a reckoning with the fatal gap between who he has become and who he once aspired to be. Raising profound questions about the sometimes impossible choices we make in the name of love, Hades, Argentina is a gripping, ingeniously narrated literary debut.
Resumo da Crítica
“It is not always ‘us versus them.’ It is the ‘me versus me’ that plays out in individuals as they wrestle with what it means to do the right thing.... Loedel draws the line of complicity ever closer...asking readers to consider at what point the witness becomes victimizer.... [He] continually works to erase the notion that only the evil commit evil acts, which adds to the horror. How do ‘ordinary men’ become instruments of a repressive state?” (Los Angeles Times)
“This haunting historical novel...weaves betrayal and sacrifice so intricately that one cannot be disentangled from the other” (The New Yorker)
“Elegant, searching.... Amid echoes of the Orpheus myth and swirls of magic...a descent into an underworld of memory and brutality.” (O, The Oprah Magazine)