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Held
- A Novel
- Narrado por: Anne Michaels
- Duração: 4 horas e 29 minutos
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Sinopse
A breathtaking and ineffable new novel from the author of the international best sellers Fugitive Pieces and The Winter Vault—a novel of love and loyalty across generations, at once sweeping and intimate
1917. On a battlefield near the River Escaut, John lies in the aftermath of a blast, unable to move or feel his legs. Struggling to focus his thoughts, he is lost to memory as the snow falls—a chance encounter in a pub by a railway, a hot bath with his lover on a winter night.
1920. John has returned from war to North Yorkshire, near a different river. He is alive but still not whole. Reunited with Helena, an artist, he reopens his photography business and tries to keep on living. But the past erupts insistently into the present, as ghosts begin to surface in his pictures: ghosts with messages he cannot understand.
So begins a narrative that spans four generations of connections and consequences that ignite and reignite as the century unfolds. In radiant moments of desire, comprehension, longing, and transcendence, the sparks fly upward, working their transformations decades later.
Held is affecting and intensely beautiful, full of mystery, wisdom, and compassion, a novel by a writer at the height of her powers.
Resumo da Crítica
“I was blown away by the scale, beauty, weave and thinking of this book . . . It dances with words, time and ideas in a way that seems to reinvent everything I know about the novel . . . and it’s such a transporting read too. It’s exquisite—I am in awe.”—Rachel Joyce, author of Miss Benson’s Beetle
“Held may be one of the most romantic books I’ve ever read . . . Gorgeous . . . Surprisingly expansive . . . Hauntingly beautiful . . . The whole novel is spiked with little detonations of awe . . . Michaels publishes novels so deliberately that each one entrances readers of a new decade.”—Ron Charles, Washington Post
“This episodic, philosophical novel orbits a group of loosely connected characters living between 1917 and 2025 . . . Throughout, characters ponder the boundaries between the physical and the ineffable, the mortal and the spiritual.”—The New Yorker