No Is Not a Lonely Utterance Audiolivro Por Sara Ahmed capa

No Is Not a Lonely Utterance

The Art and Activism of Complaining

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No Is Not a Lonely Utterance

De: Sara Ahmed
Narrado por: Sara Ahmed
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Sobre este título

Brought to you by Penguin.

A moving exploration of the solace and power of listening in an unjust world, from the author of The Feminist Killjoy Handbook

‘Behind many disasters are unheard complaints’
To complain is an intimate, dangerous act. Whether it’s speaking up about racism in the workplace or taking a stand against sexual harassment at university, the act of complaining to an institution can leave you isolated and undermined, all while the original injustice remains unresolved. Time and time again, we see these unanswered complaints compound to disastrous effect.

In No is Not a Lonely Utterance, Sara Ahmed dissects the anatomy of a complaint, revealing how institutions create hostile environments that stigmatize complainers, and charts a way we can listen to grievances with ‘feminist ears’: going beyond mere validation and seeking instead to address the root causes of injustice and inequality.

Weaving together testimonies from various walks of life, Ahmed shows us what we learn about the ways institutions exercise their power when complaints are raised, and indeed what we learn about our capacity to collectivize and create social bonds through complaint. In doing so, she inspires us to create better environments for our life’s work.

© Sara Ahmed 2025 (P) Penguin Audio 2025

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Resumo da Crítica

A must-read . . . Ahmed does an excellent job of calling the reader to action whilst pointing out that solidarity and resistance look like different things to different people (Ashley)
Remarkable . . . has the potential to generate real change. In a world that is so turbulent and unpredictable, this book is the hope that so many people are searching for (Ellie Johnson)
Praise for Sara Ahmed (-)
Sara Ahmed always has her finger on the pulse of the times (Angela Davis)
A brilliant feminist thinker... Ahmed moves from scene to scene with clarity, rage, and joy, building through each refrain to mark the brutal violence of everyday encounters (Judith Butler)
Clever and generous... has a talent for bringing her readers with her, without ever dumbing down or sugar-coating her politics, love of theory, or lived experience as a queer woman of colour (Zora Simic)
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