Providence
The Beginning After the End, Book 11
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Providence
Narrado por:
Travis Baldree, Elizabeth Evans
Compre agora por R$ 154,99
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Narrado por:
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Travis Baldree
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Elizabeth Evans
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De:
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TurtleMe
Sobre este áudio
It is no easy thing, to give a person—any one person—the ability to rewrite the truth of power in this world. How could any one being hold in their hands the key to fate and not succumb to the inevitable corruption of such a thing?
Arthur Leywin's quest for the power he knows only as Fate becomes even more pressing as his most dangerous foes gain a terrible new power. When the war between the dragons of Epheotus and the basilisks of Alacrya erupts across Dicathen, the people Arthur cares about most find themselves trapped in a clash of deities. The only way to master Fate and protect them, though, is to place them directly in harm's way in the ultimate gambit.
©2025 TurtleMe (P)2025 Podium AudioMain Points Summary:
-> Dual narration structure remains flawed — narrators are split by chapters, not characters, leading to mismatched voices despite strong performances.
-> Large portions of the story feel like filler, stretching minimal plot progression across excessive pages.
-> Absence of a strong hook or satisfying cliffhanger for the first time in the series.
-> Cecilia’s arc ends without emotional or narrative payoff.
-> Few genuinely intriguing developments, but overshadowed by pacing and content issues.
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A Long Walk to Nowhere
Book 11 of The Beginning After the End unfortunately reads like a padded installment designed more for output than for impact. While my attachment to the protagonists and some side characters kept me turning pages, the content itself often felt hollow — as if I’d just read a thousand pages of mostly dispensable material. The pacing suffered badly; plot beats that could’ve been covered in a few chapters were drawn out into sprawling detours that added little to the core narrative.
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Narration: Talent Wasted on a Flawed Structure
The narrators themselves delivered strong, engaging performances — no complaints about their voices or acting. The real issue was the production choice: splitting narration by chapter rather than by character gender or POV. This meant male narrators still did female voices and vice versa, making the whole “two narrators” setup feel pointless. The quality was there, but the structure was misguided.
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When Pacing Kills Tension
What made earlier volumes exciting — especially the early books — was their balance of story progression and emotional hooks. Here, much of that energy is gone. Instead of a climactic ending or a twist that leaves you hungry for the next book, this volume simply… stops. There’s no cliffhanger, no burning question to carry forward — just the dull thud of a narrative losing momentum.
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– SPOILER SECTION –
Cecilia: A Letdown of Epic Proportions
Since early in the series, Cecilia has been my least favorite character — a consistent source of frustration due to her actions toward the protagonist and others. This book should have been her reckoning, a moment where her downfall carried weight and catharsis. Instead, she quietly accepts that she was wrong, faces no real consequences, and slips into a happy life. No battle. No symbolic defeat. No emotional release for readers who’ve invested years waiting for justice.
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The Bigger Problem: Plot Without Lasting Impact
Even the few surprises — like the reveal about how the Alacrins were controlled — couldn’t offset the fact that most major events felt reversible or inconsequential. Conflicts were introduced only to be undone or rendered irrelevant, leaving the overall story arc barely advanced compared to the previous book.
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Final Thoughts
This was the first time in the entire series where I finished a volume feeling like I could have skipped it without missing much. The heart that once made The Beginning After the End shine feels buried under drawn-out pacing, diluted plotlines, and choices that prioritize output over quality. Unless the next installment delivers a serious course correction, my connection to the series may not survive another thousand pages of “nothing.”
Too many fillers and disappointments
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