"A compulsive page-turner with shades of Donna Tartt’s The Secret History peopled by a new generation." (Catherine Steadman, New York Times best-selling author of Something in the Water)

Named one of the Best Books of the Year by Good Housekeeping

In her first weeks at Hawthorne College, Malin is swept up into a tight-knit circle that will stick together through all four years. There’s Gemma, an insecure theater major from London; John, a tall, handsome, wealthy New Englander; Max, John’s cousin, a shy pre-med major; Khaled, a wisecracking prince from Abu Dhabi; and Ruby, a beautiful art history major. But Malin isn’t like the rest of her friends. She’s an expert at hiding her troubled past. She acts as if she shares the preoccupations of those around her - dating, partying - all while using her extraordinary insight to detect their deepest vulnerabilities and weaknesses.

By Senior Day, on the cusp of graduation, Malin’s secrets - and those of her friends - are revealed. While she scrambles to maintain her artfully curated image, her missteps set in motion a devastating chain of events that ends in a murder. And as fragile relationships hang in the balance and close alliances shift, Malin must test the limits of what she’s capable of to stop the truth from coming out.

In a mesmerizing novel that peels back the innumerable layers of a seductive protagonist, debut author Cambria Brockman brings to life an entrancing story of friendship, heartbreak, and betrayal.

Praise for Tell Me Everything

“Gripping...Brockman paints an unnerving portrait of the power people hold over one another - especially as they blur the line between protective and obsessive.” (Time) 

"At once a complex thriller and antihero origin story, Cambria Brockman’s riveting debut is a true page-turner." (Lisa Lutz, New York Times best-selling author of the Spellman series and The Passenger) 

"The aptly named Malin, as smart as she is misanthropic, narrates this tale of collegiate rivalry - we see the Maine campus and her flawed friends through her disaffected eyes, even as she conceals the details of what has left one of them dead. In this dark romp through a world of privilege and petty slights, it’s hard not to get caught up in the question of which of the characters is doomed, and who is most responsible." (Caite Dolan-Leach, author of Dead Letters)