The Association of Small Bombs Audiolivro Por Karan Mahajan capa

The Association of Small Bombs

A Novel

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The Association of Small Bombs

De: Karan Mahajan
Narrado por: Neil Shah
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Sobre este título

National Book Award Finalist

Winner of the New York Public Library Young Lions Fiction Award

Winner of the American Academy of Arts & Letters Rosenthal Family Foundation Award

Winner of the Anisfield-Wolf Award

Winner of the Bard Fiction Prize

One of the New York Times Book Review’s Ten Best Books of the Year

One of Granta’s Best Young American Novelists

A Washington Post Notable Fiction Book of the Year

PEN Center USA Literary Award Finalist for Fiction

Simpson Family Literary Prize Finalist

Shortlisted for the DSC Prize for South Asian Literature

Longlisted for the FT/Oppenheimer Emerging Voices Award

Named a Best Book of the Year by: Buzzfeed, Esquire, New York magazine, The Huffington Post, The Guardian, The AV Club, The Fader, Redbook, Electric Literature, Book Riot, Bustle, Good magazine, PureWow, and PopSugar

“Wonderful. . . . Smart, devastating, unpredictable. . . . I suggest you go out and buy this one. Post haste.”—Fiona Maazel, The New York Times Book Review

“Brilliant.”—Sam Sacks, The Wall Street Journal

“[Mahajan’s] eagerness to go at the bomb from every angle suggests a voracious approach to fiction-making.”—The New Yorker

One of the most celebrated novels of recent years, The Association of Small Bombs is an expansive and deeply humane novel that is at once groundbreaking in its empathy, dazzling in its acuity, and ambitious in scope

When brothers Tushar and Nakul Khurana, two Delhi schoolboys, pick up their family’s television set at a repair shop with their friend Mansoor Ahmed one day in 1996, disaster strikes without warning. A bomb—one of the many “small” bombs that go off seemingly unheralded across the world—detonates in the Delhi marketplace, instantly claiming the lives of the Khurana boys, to the devastation of their parents. Mansoor survives, bearing the physical and psychological effects of the bomb. After a brief stint at university in America, Mansoor returns to Delhi, where his life becomes entangled with the mysterious and charismatic Ayub, a fearless young activist whose own allegiances and beliefs are more malleable than Mansoor could imagine. Woven among the story of the Khuranas and the Ahmeds is the gripping tale of Shockie, a Kashmiri bomb maker who has forsaken his own life for the independence of his homeland.

Karan Mahajan writes brilliantly about the effects of terrorism on victims and perpetrators, proving himself to be one of the most provocative and dynamic novelists of his generation.

©2016 Karan Mahajan (P)2025 Penguin Audio
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Resumo da Crítica

National Book Award Finalist

“Wonderful. . . . Smart, devastating, unpredictable, and enviably adept in its handling of tragedy and its fallout. If you enjoy novels that happily disrupt traditional narratives—about grief, death, violence, politics—I suggest you go out and buy this one. Post haste.”—Fiona Maazel, The New York Times Book Review

“Brilliant. . . . Mr. Mahajan’s writing is acrid and bracing, tightly packed with dissonant imagery. . . . The Association of Small Bombs is not the first novel about the aftermath of a terrorist attack, but it is the finest I’ve read at capturing the seduction and force of the murderous, annihilating illogic that increasingly consumes the globe.”—Sam Sacks, The Wall Street Journal

“[Mahajan’s] eagerness to go at the bomb from every angle suggests a voracious approach to fiction-making, a daring imaginative promiscuity that moves beyond the scope of his first, very good novel, Family Planning. . . . Tragedy deepens Mahajan’s range. In the first few pages of his new novel, he renders the spectacle of the bombing with a languid, balletic beauty, pitting the unhurried composure of his prose against the violence of the events it describes. . . . Mahajan has a cinematic attunement to the spectacle of disaster, and he often focuses on the minor rather than the grandiose, to eerie effect.”—Alexandra Schwartz, The New Yorker

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