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The Confessions of Young Nero
- Narrado por: Steve West, Susan Denaker, Katharine Lee McEwan
- Duração: 19 horas e 48 minutos
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Sinopse
The New York Times best-selling and legendary author of Helen of Troy and Elizabeth I now turns her gaze on Emperor Nero, one of the most notorious and misunderstood figures in history.
Built on the backs of those who fell before it, Julius Caesar's imperial dynasty is only as strong as the next person who seeks to control it. In the Roman Empire, no one is safe from the sting of betrayal: man, woman - or child.
As a boy Nero's royal heritage becomes a threat to his very life, first when the mad emperor Caligula tries to drown him, then when his great-aunt attempts to secure her own son's inheritance. Faced with shocking acts of treachery, young Nero is dealt a harsh lesson: It is better to be cruel than dead.
While Nero idealizes the artistic and athletic principles of Greece, his very survival rests on his ability to navigate the sea of vipers that is Rome. The most lethal of all is his own mother, a cold-blooded woman whose singular goal is to control the empire. With cunning and poison, the obstacles fall one by one. But as Agrippina's machinations earn her son a title he is both tempted and terrified to assume, Nero's determination to escape her thrall will shape him into the man he was fated to become - an emperor who became legendary.
With impeccable research and captivating prose, The Confessions of Young Nero is the story of a boy's ruthless ascension to the throne. Detailing his journey from innocent youth to infamous ruler, it is an epic tale of the lengths to which man will go in the ultimate quest for power and survival.
Resumo da Crítica
“George’s reconstruction of the man, in terms both of his public life and private character, is more than a revisiting of fact: It’s a subtle exploration of identity and the insidious effects of power.... ‘Confessions’ is all about identity: How is it made, lost, reinvented?... Margaret George occupies that blurry space between history and fiction. And between Tacitus and Margaret George, I rather think it’s George’s account that is not only most sympathetic but most truthful.” (Diana Gabaldon, Washington Post)
“Margaret George has performed about the most audacious act imaginable for a historical novelist - an epic work of fiction not merely sympathetic to Nero, but told largely in his own voice. I applaud. And so, I imagine, does that connoisseur of the arts Nero, watching from Elysium.” (Steven Saylor, author of Roma: The Novel of Ancient Rome)
"Margaret George has an incredible talent in that she can stand in the shoes of her protagonist and speak in his or her voice.” (Barbara Taylor Bradford, author of The Cavendon Luck and A Woman of Substance)