The Hatbox Letters
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The Hatbox Letters
Narrado por:
Martha Irving
Compre agora por R$ 70,99
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Narrado por:
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Martha Irving
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De:
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Beth Powning
Sobre este título
It is in this house, surrounded by heirloom gardens and the gentle sounds of a river, that Kate Harding, 52, faces her second winter since the untimely death of her husband. Her children, now grown, are living away, and Kate is truly on her own. In her living room are several hatboxes filled with letters and other ghostly ephemera, recently brought by her sister from the attic of their grandparents’ 18th-century Connecticut house. Their sweet mustiness tinges the air and makes Kate dream of her childhood and of her beloved grandparents. She remembers the sense of permanence and refuge that she felt in their apple-scented world, as well as, more recently, with her husband. As she begins to read the hatbox letters, she discovers that what to a child seemed a serene and blissful marriage was in fact founded on a tragic event. As Kate’s eyes clear to the truth of the past, a new tragedy unfolds, and her own house, filled with the shared detritus of marriage and motherhood, becomes the refuge where Kate can connect the strands of her unravelled life.
In The Hatbox Letters — which is both sad and exhilarating, touching and illuminating — Beth Powning offers readers an unforgettable story of love, grief and renewal, both past and present, as well as her extraordinary perceptions of the natural world.
Excerpt from The Hatbox Letters
The birds rise with a muted thunder, their wings serrate the light. For an instant, a peregrine falcon zigzags through the flock. Then it drops from the belly of the rising bird-cloud. In its talons is a sandpiper, crumpled like a ball of paper. It is hard to decide which drama to observe, the escape of the falcon with its prey or the flock’s display as the birds rush seaward like a single entity, a ballooning flame that rises and falls, expands and implodes, one instant silver and the next black. The flock speeds back towards the beach, passes close to the watchers, makes a dazzling turn, fast as thought. Then, with a diminishing roar, the birds waver, their legs drop, stretch. They touch down. They fluff their feathers, Kate observes, the way humans pull coats up around necks after a shock. Trying to put ourselves back as we were.
Resumo da Crítica
“The writing is highly sensual, painterly even, vividly portraying the natural world and its changing seasons.… [T]he depth of detail feels appropriate, mirroring the deliberate pace of Kate’s recovery and regeneration. Powning’s subject here is no less than the relationship of life and death, and she engages it with rigour and grace.”
—Quill & Quire
Advance praise for The Hatbox Letters:
“Beth Powning reminds us of the essential links and threads that bind family and loved ones, past generations to future. In gentle prose, she illuminates passages through grief, yet the novel is studded with vitality. A story of unexpected endings and new beginnings — of life surging forward.”
—Frances Itani
“Like Annie Dillard, Beth Powning is a keen observer of the natural world. In language both erotic and exact, she explores the conflicting emotions of love and loss in a novel redolent with memory and the truth of experience, hard won.”
—Joan Clark
“Beth Powning’s language is lush with stunning images that linger long after the reading experience — and with soothing insights, especially of the healing potency available in family histories and connections with friends. She takes us by the hand and leads us through the landmines of grief. We can trust her: she knows the way back to the safety of emerging hope and belief in renewal.”
—Marjorie Anderson, co-editor, Dropped Threads
Praise for Shadow Child and Seeds of Another Summer
“Tenacious, unsparing, in anguish sometimes, but mostly with moving lyricism, Beth Powning pursues and completes what she calls her ‘apprenticeship in love and loss’, a long and not easy journey that we all, women and men, in our way, try to carry through.”
—Ernest Hillen, author of Small Mercies: A Boy After War
“Beth Powning’s. . .pure, powerful prose lure us into [its] embrace, laying bare our desire for a union with the natural world. This is the work of a gifted artist.”
—Courtney Milne, author of Prairie Skies
—Quill & Quire
Advance praise for The Hatbox Letters:
“Beth Powning reminds us of the essential links and threads that bind family and loved ones, past generations to future. In gentle prose, she illuminates passages through grief, yet the novel is studded with vitality. A story of unexpected endings and new beginnings — of life surging forward.”
—Frances Itani
“Like Annie Dillard, Beth Powning is a keen observer of the natural world. In language both erotic and exact, she explores the conflicting emotions of love and loss in a novel redolent with memory and the truth of experience, hard won.”
—Joan Clark
“Beth Powning’s language is lush with stunning images that linger long after the reading experience — and with soothing insights, especially of the healing potency available in family histories and connections with friends. She takes us by the hand and leads us through the landmines of grief. We can trust her: she knows the way back to the safety of emerging hope and belief in renewal.”
—Marjorie Anderson, co-editor, Dropped Threads
Praise for Shadow Child and Seeds of Another Summer
“Tenacious, unsparing, in anguish sometimes, but mostly with moving lyricism, Beth Powning pursues and completes what she calls her ‘apprenticeship in love and loss’, a long and not easy journey that we all, women and men, in our way, try to carry through.”
—Ernest Hillen, author of Small Mercies: A Boy After War
“Beth Powning’s. . .pure, powerful prose lure us into [its] embrace, laying bare our desire for a union with the natural world. This is the work of a gifted artist.”
—Courtney Milne, author of Prairie Skies
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