The Lady and the Unicorn
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The Lady and the Unicorn
Narrado por:
Robert Blumenfeld, Terry Donnelly
Compre agora por R$ 93,99
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Narrado por:
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Robert Blumenfeld
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Terry Donnelly
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De:
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Tracy Chevalier
Sobre este título
Paris, 1490. A shrewd French nobleman commissions six lavish tapestries celebrating his rising status at Court. He hires the charismatic, arrogant, sublimely talented Nicolas des Innocents to design them. Nicolas creates havoc among the women in the house—mother and daughter, servant, and lady-in-waiting—before taking his designs north to the Brussels workshop where the tapestries are to be woven. There, master weaver Georges de la Chapelle risks everything he has to finish the tapestries—his finest, most intricate work—on time for his exacting French client. The results change all their lives—lives that have been captured in the tapestries, for those who know where to look.
In The Lady and the Unicorn, Tracy Chevalier weaves fact and fiction into a beautiful, timeless, and intriguing literary tapestry—an extraordinary story exquisitely told.©2004 Tracy Chevalier; (P)2004 Penguin Audio and BBC Audiobooks America
Resumo da Crítica
"Tracy Chevalier has invented another juicy backstory to a great work of art…a lively, sexy, and thoroughly entertaining novel." —Entertainment Weekly
"Subtly rendered, surprisingly complex characters…a novel notable for its human warmth." —The New York Times Book Review
"Tracy Chevalier has spun a story as richly detailed as the medieval tapestries on which it’s based…a fascinating novel." —Milwaukee Journal Sentinel
"Tracy Chevalier's approach to fiction is so methodical that she threatens to turn writing about art into science." —The New York Times
"Subtly rendered, surprisingly complex characters…a novel notable for its human warmth." —The New York Times Book Review
"Tracy Chevalier has spun a story as richly detailed as the medieval tapestries on which it’s based…a fascinating novel." —Milwaukee Journal Sentinel
"Tracy Chevalier's approach to fiction is so methodical that she threatens to turn writing about art into science." —The New York Times
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