The Paris Trilogy
A Life in Three Stories
Falha ao colocar no Carrinho.
Tente novamente mais tarde
Falha ao adicionar à Lista de Desejos.
Tente novamente mais tarde
Falha ao remover da Lista de Desejos
Tente novamente mais tarde
Falha ao adicionar à Biblioteca
Tente outra vez
Falha ao seguir podcast
Tente outra vez
Falha ao parar de seguir podcast
Tente outra vez
Assine e ganhe 30% de desconto neste título
R$ 19,90/mês após o teste gratuito de 30 dias. Cancele a qualquer momento.
Curta mais de 100.000 títulos de forma ilimitada.
Ouça quando e onde quiser, mesmo sem conexão
Sem compromisso. Cancele grátis a qualquer momento.
Compre agora por R$ 74,99
-
Narrado por:
-
Hillary Huber
Sobre este título
Resumo da Crítica
‘This is valuable writing. It has immense vitality. You will encounter a female narrator whose direct and bright-eyed stare at the world, and herself, is without shame or faux modesty. At the same time, it is also a deep study of existence, at various ages and stages in life.’
‘The ‘movements’ of The Paris Trilogy thrum with life, sparkle with insight. It was an exhilarating read. I’ve never encountered a more perfect depiction of how the world shrinks when you understand that you’re a ‘girl’, rather than a ‘person’.’
‘Colombe Schneck writes with bracing intelligence and lucidity; she sees the world, and herself, with hard won clarity. A brave, beautiful, uncommonly tender book about love, death, sex and survival.’
‘Seventeen mines a trauma all too common for women and is published at a time when France has just enshrined abortion rights in their constitution. I found it a tale of frank retrospection, a mature woman looking back on her naive self with love and respect. It is immensely readable and still sadly relevant. Give it to every young woman you know.’
‘Whether she’s writing about passion or perfecting the front crawl, there’s a frankness to Schneck’s meditations on womanhood – crisply translated here by Lauren Elkin and Natasha Lehrer – that is electrifying.’
Schneck, translated by Lauren Elkin and Natasha Lehrer, also shares Ernaux’s plain style: simultaneously intimate and detached.
Ainda não há avaliações