A favourite band of mine from back in the very early days, a copy of this incredible live show has recently made its way back into the Blues With A Feeling record library and I’m beyond excited to be featuring this album for you this week.

Plus tracks from the latest releases by Buddy Guy, Jimmy Burns, Mike Henderson, Shirley Johnson, Kirk Fletcher, Bily Branch & The Sons of Blues, Fiona Boyes & The Fortune Tellers feat. Hubert Sumlin and Raphael Wressnig.

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“Blues Is My Wailin' Wall is the debut album by the American musician Mighty Mo Rodgers, released in 1999. Rodgers referred to his music as "nu bluez"; he was also working on a master's thesis titled "Blues as Metaphysical Music (Its Musicality and Ontological Underpinnings)". He initially released the album on his label, North Star Records, in December 1998. Rodgers supported the album with a North American tour. He was nominated for a W. C. Handy Award for "Best New Artist Debut".

Exclaim! wrote that the album "is no revivalist camp ... but a richly musical charge that recalls the work of the late Curtis Mayfield... Rodgers' deep, warm vocals embrace gospel and R&B, and his voice alternates between a powerful growl and a gentle caress across arrangements designed around solid hooks that first seduce the listener before driving home their message."The Daily Herald noted that, "where most contemporary blues songs are riffs built around hogging guitar solos, Rodgers brings a literate, philosophical punch to the genre."The Edmonton Journal said that "slices of soul, dips into R&B, some rootsy roadhouse arrangements and a voice that has lived every lyric, amounts to an impressive 11 songs.”

Long a favourite of mine, I’m excited about featuring this remarkable record for you this week.

Plus new releases from Buddy Guy, Roomful of Blues, Billy Branch & the Sons of Blues, Alexis P Suter Band, Mike Henderson, Fiona Boyes & the Fortune Tellers feat Hubert Sumlin, Monster Mike Welch, Jimmy Burns, Shirley Johnson, Tom Hambridge, Raphel Wressnig, Darren Watson and Kirk Fletcher.

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“Walter “Wolfman” Washington, a New Orleans guitarist and singer… played his mix of funk, blues, soul and jazz in the city’s clubs for six decades.

A quintessential local luminary, Mr. Washington held down long-running weekly residencies at clubs including the Maple Leaf and d.b.a, where he recorded a live album with his band, the Roadmasters, that was released in 2013. He was also a member of a durable trio, with the keyboardist Joe Krown and the drummer Russell Batiste Jr., that released “Live at the Maple Leaf” in 2008.

Between New Orleans gigs, Mr. Washington toured clubs, particularly around the South, and worked an international circuit of blues clubs and festivals.

Mr. Washington’s guitar playing was lean, light-fingered and harmonically rich, conveying a relaxed authority as it teased and jabbed. His voice could convey flirtatiousness, amusement, heartache or wily agility, and his syncopated phrasing was as close to jazz as to traditional blues, leaping easily into falsetto or letting loose a vulpine howl.”

Its long been an ambition of mine to spend some time featuring this incredible musician Walter “Wolfman” Washington and this week, its all coming together as I feature this incredible release “Funk Is In the House” .

Plus new releases from Buddy Guy, Mike Henderson, Billy Branch & The Sons Of Blues, Candice Ivory, Kirk Fletcher, The Alexis P Suter Band, Monster Mike Welch, Roomful of Blues, GA 20, Darren Watson, Shirley Johnson and Raphael Wressnig.

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“Young blues guitar slinger teams up with rough-hewn soul singer from the Motor City for a set of rockin’ blues in a kind of Stevie Ray Vaughan-meets-Rod Stewart (or maybe, more accurately, David Lee Roth) vein. Most of this will appeal more to rock fans than hardcore blues fans, although straight shuffles like “Face Down In The Blues” and Bangham’s slow blues instrumental “My Turn To Talk” should register with both camps. Bangham also scores big points with guitar fanatics with his revved-up Hammond B-3 organ-fueled instrumental romp, “Kid Stuff.”

A favourite album of mine for many reasons, I can’t wait to feature this wonderful release with you this week. And to add a little something, I invited Kid Bangham himself to join me for a chat about this record, his first following his departure from the Fabulous Thunderbirds.

Plus glorious new releases from Buddy Guy, Mike Henderson, Billy Branch & the Sons Of Blues, Roomful of Blues, Raphael Wressnig and Alexis P Suter Band.

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“The Sky Is Crying gathers ten previously unreleased tracks that Stevie Ray Vaughan and Double Trouble recorded between 1984’s Couldn’t Stand The Weather and 1989’s In Step, their final album before Vaughan died in a helicopter crash. Mobile Fidelity has released all five recordings, including the debut, Texas Flood, on outstanding SACDs (Analogue Productions has the vinyl covered).

Though each of these recordings displays Vaughan’s jaw- dropping talent, The Sky Is Crying most reveals the many styles he soaked up like a musical sponge. Check out Vaughan’s jazz chops on Kenny Burrell’s “Chitlins Con Carne,” and Hendrix’s “Little Wing,” arguably this collection’s most staggering achievement, alternately whisper-sweet and screamingly fierce.

Other tips of the hat are to Muddy Waters, Lonnie Mack (“Wham”), Elmore James, and Albert King (the title track), yet each song is pure, unleashed SRV. The sound is big, bold, up front, and clean as a whistle. Vaughan’s different tonal shadings—from warmly purring, to raggedly distorted, to wasp-tailed sting, plus a rare acoustic turn on the gorgeous closer, “Life By The Drop”—are all superbly captured, and the drums and bass have plenty of clarity and wallop. A brilliant musical document…if a sad reminder.”

With what would been Stevie’s birthday last week, I’m excited to feature for you this extraordinary collection of songs on Blues With A Feeling this week.

Plus new releases from Buddy Guy, Mike Henderson, Fiona Boyes & The Fortune Tellers feat Hubert Sumlin, Billy Branch & the Sons Of Blues, Monster Mike Welch, Kirk Fletcher, The Alexis P Suter Band, Jimmy Burns & Soul Message Band, Shirley Johnson, Chris Wilson, Tom Hambridge, Kent Burnside, Raphael Wressnig and Mud Morganfield.

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Like the force of nature that she was, GRAMMY-winning Koko Taylor, the undisputed "Queen of the Blues," was in a league of her own. With her exuberant, deeply soulful, good-time style and her tough-as-nails band, she could be counted on to make the reluctant fans dance and the quiet ones jump for joy. When Taylor passed in June of 2009, the world lost a musical icon. "Koko Taylor," according to Rolling Stone, was "the greatest blues singer of her generation."

With Koko Taylors birthday falling this week, I couldn’t resist the urge to feature for you, her 2000 release for Alligator Records Royal Blue.

Plus new releases from Buddy Guy, Roomful Of Blues, Tom Hambridge, Monster Mike Welch, Candice Ivory, The Alesis P Suter Band, Kent Burnside, Billy Branch & The Sons Of Blues, Mud Morganfield, Mike Henderson, Kirk Fletcher and Raphael Wressnig.

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“Recorded in Chicago's Cook County Jail on a hot fall day in 1970 and released the following year, the recording of this historic event was named #499 on Rolling Stone's list of the 500 Greatest Albums of All Time, hitting #1 on the Billboard R&B charts, #3 on the Jazz charts and #25 on the Top 200. One of several live albums King released, it features a selection of his best-known songs. Includes "How Blue Can You Get?", "Please Accept My Love" and his signature classics "The Thrill Is Gone" and "Every Day I Have The Blues".

Couldn’t be happier to be featuring this incredible record with you this week, in honour of BB’s 100th birthday.

Plus new releases from Buddy Guy, Roomful Of Blues, Johnnie Johnson, Mike Henderson, Billy Branch, Alexis P Suter Band, Kirk Fletcher, Monster Mike Welch, Mud Morganfield, Tom Hambridge, Jo Harman, GA 20, Raphael Wressnig, Chris Wilson and Kent Burnside.

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“No way was Dr. John was going to let Katrina pass into history without saying what he had to say. But no way could anyone have seen this coming. City That Care Forgot is at once the most fervent, acerbic, livid music Mac Rebennack has ever made; the most eloquent and probably the funkiest, too. Dr. John has never been one for grand statements or even topicality, but he’s rightfully, righteously pissed.

His city, his people, those who made New Orleans home and love it as much as he does, were knocked down hard, but not out: that’s his message. “All you gotta do is want it bad enough,” he repeats in “You Might Be Surprised.” Others have said it in music since the catastrophic events, but perhaps none with as much clarity, force, optimism, fight and, ultimately, love. He wanted this record to be an event, so Dr. John brought in some heavies to augment his regular band: Eric Clapton is swampy and biting on three tracks; Terence Blanchard blows his trumpet with a heart full of soul on two. Willie Nelson lends his voice, Ani DiFranco hers.

But it’s not the visitors who get noticed here; it’s the singer who names names and points fingers and demands closure. Dr. John may be the first artist ever to rhyme hurtin’ and Halliburton, but in this “second battle of New Orleans,” as he calls the city’s efforts at resurrection, in this place of “‘drowning victims’ full of bullet holes” (extra quote marks his-to indicate major skepticism), there is care after all.

It comes from those, like Dr. John, who refuse to see their home die, and it’s all wrapped up in quintessential NOLA music that leaves no doubt this city’s still got plenty of living to do.” Jeff Tamarkin

With it being 20 years in August since Hurricane Katrina wreaked havoc on New Orleans, I thought it was long overdue for me to feature this classic album.

Plus new releases from Buddy Guy, Maria Muldaur, Janiva Magness, Mike Henderson, Candice Ivory, Kirk Fletcher, Alexis P Suter Band, Raphael Wressnig and Kent Burnside.

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