Power pop legend Matthew Sweet has had a rough go of it lately, suffering a debilitating stroke last year while setting out on tour, and it’s possible that he may never play music again. So today’s episode is both a bittersweet tribute to his career and a joyous celebration of his music, which is exactly the emotional tightrope that his 1991 cult classic Girlfriend walks from start to finish. Sweet recorded this album during the interim between going through a painful divorce and meeting his now-wife, and while his lyrics aren’t strictly autobiographical, the album’s 15 songs run the gamut from desperate yearning (“Don’t Go,” “You Don’t Love Me”) to pure ebullience (“I’ve Been Waiting,” “Girlfriend”). And it’s all topped off with crisp, direct production that evoked Crazy Horse and the Beatles’ Revolver during a period when many rock albums were soaked in reverb and drained of personality. So kick back as Rich, Phil, and returning guest Libby Cudmore deconstruct and consume an album that’s perfect in so many ways.

Cohosts: Rich Bunnell, Phil Maddox, Libby Cudmore

Complete show notes: https://discordpod.com/listen/166-matthew-sweet-girlfriend-1991

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Creedence Clearwater Revival’s 1969 album Willy and the Poor Boys sounds like something out of 1965, or even 1865 - but definitely not the heavy, psychedelic late 1960s. But even though CCR’s music feels like it's outside of time - or maybe because of it - it became the soundtrack of a generation. Ben, Amanda, and Rich make the case that Willy and the Poor Boys should be pulled down from the cultural wallpaper and appreciated as the fresh, crackling music it still is.

Cohosts: Ben Marlin, Rich Bunnell, Amanda Rodgers

Complete show notes: https://discordpod.com/listen/165-creedence-clearwater-revival-willy-and-the-poor-boys-1969

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Support the podcast! https://www.patreon.com/discordpod

Shut up, already. Damn! Prince was one of the most interesting popular artists of the late 20th and early 21st centuries, and Sign o’ the Times from 1987 was the culmination of one of the most interesting periods in a career full of interesting periods. After various circumstances caused him to abandon a double album (Dream Factory), and other circumstances caused him to abandon a single album (Camille) that he didn’t plan to release under his own name, he initially tried to release a triple album before Warner Bros. made him cut it down to a double. Sign o’ the Times (the resulting double album) has its fair share of hits, yet it’s also messy in a way that appeals to many critics and fans but has also left many people puzzled by some of Prince’s decisions. This episode’s panel has three outright fans of the album (John, Mike, and Rich) and one moderate skeptic (Ben), and this combined with the album’s sprawl results in a lengthy but incredibly dense discussion. Prince was somebody who could appeal to many different people for many different reasons, and in this episode we make a case for why he’s worth digging into beyond a handful of ubiquitous radio hits.

This episode covers Disc 2; find Disc 1 in your podcast app if you haven't already!

Cohosts: John McFerrin, Rich Bunnell, Mike DeFabio, Ben Marlin

Complete show notes: https://discordpod.com/listen/164-prince-sign-o-the-times-1987

Discord & Rhyme's merch store: http://tee.pub/lic/discordpod

Support the podcast! https://www.patreon.com/discordpod