British producer, songwriter, guitarist, and engineer, Sean Genockey reflects on touring the world as guitarist with Moke in the late ‘90s, before making his name as a producer and engineer, and provides an insight into his recent work at Metropolis studios with Irish indie rock band New Dad, and Ronnie Wood. He also explains why he recently installed Genelec 8351B monitors in his studio.

Liverpool-based singer-songwriter St Catherine’s Child speaks to Headliner about the release of her debut album, This Might Affect You – a powerful catharsis about the drawn-out loss of her father to illness.

Austin-based artist Taylor Rae delves into her new album, The Void, produced by Grammy-winning artist/producer Eric Krasno. The anticipated follow-up to her acclaimed debut Mad Twenties, The Void is filled with the most personal songs of her career.

After dropping out of the Berklee College of Music and deciding a career in music wasn’t going to happen, Avery Lynch began uploading covers and songs for fun to TikTok, and quickly realised music wasn’t done with her yet. Having signed with Sony and with her new EP on the way, she chats to Headliner about new single, Lasting Effects and making raw and honest music with her producer boyfriend in their tiny home in Los Angeles.

Milkie Way and Sam Matlock are Wargasm, a duo with a sound that comprises nu-metal, hardcore and electronic. They met and bonded over a shared love of Limp Bizkit, and a few years later had frontman Fred Durst guest on their track Bang Ya Head. Following their 2023 debut album release Venom, Wargasm have parted ways with record labels and have released Vigilantes. The duo discuss their latest single for the band’s new independent era.

UK singer-songwriter Jack Garratt reflects on the ups and downs of his career so far, wanting to quit music altogether, and delves into the inspiration and making of his new album, Pillars, which will be available in August 2025.

Supervising sound editor, Nina Hartstone reflects on her journey from the cutting rooms at Pinewood Studios as a trainee, to where she is today, and delves into her sound design and ADR work on 1994’s Interview with a Vampire, 2013’s Gravity, Bohemian Rhapsody, and 2023’s Saltburn (including *that* plug scene), and Black Mirror's Black Museum episode. She also explains why Genelec speakers have been her monitors of choice throughout her career.

Having worked together as assistants to film composer veteran Lorne Balfe for several years, Max Aruj and Alfie Godfrey have had their biggest career breakthrough yet on the Final Reckoning, the latest, and possibly last, movie in the Mission: Impossible franchise. They chat to Headliner about the huge undertaking of scoring the film, creating the music for its two jaw-dropping set pieces, and rubbing shoulders with superstar lead actor Tom Cruise.