Alas, we have neared the end of our exclusive "FEMALE" August season, and we've taken this chance to usher in this close with a special guest.

Laura and Ryan know next to nothing about the work of John Waters, which is both abhorrent and indicative of our glaring ignorance. That's why we invited Josh, who basically said we should have invited someone else if we wanted to talk about John Waters.

Either way, enjoy this deepish dive into FEMALE TROUBLE and the revelation we'll be uncovering far more of his work in the future!

Who knows how far this episode will reach with something like "FEMALE" in the title, huh? Oh, we're only joking, YOU know why.

In part 2 of our "August-Where-We-Cover-Films-With-Female-in-The-Title", we're looking at Susan Streitfeld's FEMALE PERVERSIONS. A film of theatrical quality and its own distinct style, it may not appeal to everyone. It may alienate others, and generate wonderment for some. It's hard to argue that the film has something to offer within the scope of exploring woman creatives and voices in cinema.

Just watch out for the one-and-only Clancy Brown shine for no more than 3 scenes and basically Philip Seymour Hoffman this!

We're hitting August, and it's all about the FEMALES: which means we're covering films with "FEMALE" in the title. And if you couldn't get enough of individuals assuming someone else's identity in one episode, wait until you get your eyes on SINGLE WHITE FEMALE.

Following in the footsteps of THE TALENTED MR. RIPLEY, we replace opulence and popularity with questionable haircuts. They really test the limits of Bridget Fonda's attraction factor by giving her a haircut similar to Guy Gardner's from SUPERMAN, but you will be surprised how well this hair performs.

There's very little to say about this film that hasn't been said already as one of the prime examples of the Erotic Thriller genre. This is a good one!