This week, Frizz and Bob continue the tale of Jeff Wayne's ultimate passion project, his musical version of The War of the Worlds. Frizz poured Talisker single malt and Bob pours Green River Bourbon while we talk about modern tours and computer generated whackiness and finally get into the tracks themselves. We'll open the cylinder of music theory and orchestration and learn just how brilliant the writing on this record was.

(To be read in a dramatic voice)

No one would have believed...
... that a tale so vast- of death, alien destruction, heat rays, Phil Lynott, and the Moody Blues- could be told through orchestral prog rock, synths, and frying pans. Yet today, Frizz and Bob pop open Quest's End Paladin Whiskey & Ardbeg Uigedal Scotch to bring you PART ONE of Jeff Wayne’s Musical Version of The War of the Worlds- a British sci-fi marvel that, for decades, has been misunderstood and mostly unseen by the American eye. In this first chapter, we set the stage: The backstory. The architects of the sound. The players of this curious sonic war. The chances of you missing this are a million to one, they said. Yet, here you are. Next week... the invasion begins.

Join us as we dig into the enigmatic and unpredictable Radiohead. Bob cracks open Old Grandad 114 and Frizz spices it up with Mason's of Yorkshire's Pear and Pink Peppercorn Gin, as we learn the origin story of one of the most influential bands of the last 30 years- starting with their refusal of a record deal, to the guitar noise on "Creep" and finally to their legacy defining album, In Rainbows. We dive into the tracks that allowed the band to have a revolutionary pay what you want model that became a pot of gold, reminisce about uncommon concert experiences, and praise the insane mathematics of Radiohead.