ATF experts analyzed the scattered remains: a nine-inch-long, one-inch-wide pipe encased in a wooden box, secured with nails, rubber bands, screws, epoxy, three-quarter-inch black plastic tape, and half-inch filament tape. The explosive was two types of smokeless powder packed in the pipe. The makeshift trigger resembled a child’s plaything: a nail tensed by several rubber bands. Opening the handcrafted wooden box released the nail, which struck match heads, igniting the powder. Curiously, one end of the pipe was closed with a wooden stopper. The device was built from scavenged materials—hand-forged nails, reclaimed screws, items others might discard. Thus, the Junkyard Bomber emerged.

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Griffin would put the blame for our environmental problems on excessive individual freedoms. Actually, most of the problems are direct or indirect results of the activities of large organizations; namely corporations and governments. It is these organizations, after all, that control the structure and development of society. Perhaps the most unfortunate thing that has ever happened to individual Liberty was its being used as an excuse for the misdeeds of huge corporations. Now the evils perpetrated by these highly collectivist organizations are blamed on individual liberty

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They are then escorted into the gas chamber, often under heavy security, and secured to a chair with restraints around their wrists, ankles, waist, and chest to prevent movement. A stethoscope or other monitoring device is typically attached to their chest, extending outside the chamber so a physician can listen for the cessation of heartbeat or breathing, which signals death. Once the convict is secured, the chamber is sealed shut, creating an airtight environment. The execution team, located in a separate control room, activates the mechanism to initiate the gas. In the classic cyanide gas method, a container of sulfuric acid is placed beneath the chair, and a lever is pulled or a switch flipped to drop cyanide pellets or crystals into the acid. This chemical reaction produces hydrogen cyanide gas, a colorless, odorless, and highly toxic substance that interferes with the body’s ability to use oxygen, binding to hemoglobin and preventing it from carrying oxygen to tissues and organs.

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Tsutomu Miyazaki liked to taunt the parents of his victims with chillingly silent phone calls or postcards containing gloating messages. He left a box on the doorstep of the parents of his first victim, four-year-old Mari Konno. Inside were fragments of charred bone, ten baby teeth and photographs of the clothes their daughter had been wearing the day she disappeared. Typed on a single piece of paper were the chilling words ‘Mari. Bones. Cremated. Investigate. Prove’. He was taunting those searching for him and shattering the lives of those left behind to mourn

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Mullin didn’t fit the killer mold. This clean-cut ex-flower-child looked more like he’d stumble over a peace rally than a murder scene. Cops might’ve sneered at hippies, but they didn’t peg them—or guys like Mullin—for bloody rampages. At first, his calm vibe seemed like he’d play ball. They figured prying answers out of him about that day’s madness would be a breeze. That illusion shattered fast. Mullin bolted up from his chair, barking “Silence!” like some deranged king. It actually worked—the detective froze long enough for Mullin to tilt his head and listen to whatever ghost was whispering in his ear. Inside, Mullin was a mess, a tangle of broken wires and crossed signals. He’d shown a itch to spill his guts before, like when he’d bent Father Henri Tomei’s ear, but it was a messy urge, full of knots. On some faint, flickering level of sense—if you could call it that—he knew he’d been caught with blood on his hands. Jail loomed, and he got that much.

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The blade sliced her open, her flesh separating with a cold precision, skin and fat sliding apart as if they’d been primed to rupture all along. Blood saturated everything—her dress, the grass, his hands, the knife—a predictable mess, though far worse was still to come. He set the knife aside and forced his fingers into the incision, pushing past the spasming muscle that gripped his wrist with the tautness of a worn elastic sheet. Inside, he grasped something solid yet rubbery, with a slight yield to it. He tugged hard, extracting the organ from the abdominal breach he’d carved, its odd, irregular shape further distorted by his clamping hold. It remained connected at both ends to the obscured tangle of organs still housed within her, serving as an initial point for further exploration. Two crude cuts with the knife detached it completely, and it began leaking at once—not blood, but a bitter, foul-smelling substance

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The police approached the Mullin family home, their knocks echoing like the tolling of a death knell through the silent house, surrounded by uncollected mail, a silent testament to absence. Imagining the worst, they prepared to breach this fortress of solitude, fearing Herb had taken his own life in some final, desperate act. As they made arrangements for a warrant, a neighbor emerged, a ghoul from normalcy, to explain that no amount of knocking would summon the Mullins, for they had escaped to the tropical paradise of Hawaii, oblivious to the storm brewing back home.

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Herb began experimenting with drugs, initially using marijuana to soothe his anxiety. However, he soon recognized its impact on his intellectual sharpness, which was crucial for his self-image as the "most likely to succeed." He switched to hallucinogens, particularly LSD, becoming so enamored with it that he inked a tattoo across his stomach advocating for its legalization.

While these drugs offered him new perspectives on reality, they also intensified his underlying mental health issues. Marijuana had already influenced his mood and stability, but LSD pushed him into deeper paranoia and persistent hallucinations. During this period, Herb's worldview began to crystallize, shaped by voices in his head that commanded him to act, often against his will, giving him a twisted sense of purpose.

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