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On this episode of the podcast, we discuss Joni Mitchell’s 1971’s LP Blue, regarded by most critics as a masterpiece and consistently is listed on best of lists of the greatest albums ever made.

A bit of a sea change for Mitchell, incorporating jazz stylings in both her phrasing and the music, it’s sparse on instrumentation, yet the songs feel full largely due to Mitchell's own vocals.

Created just after her breakup with Graham Nash and during her relationship with James Taylor, Blue explores the various facets of relationships from love, to insecurity, to disappointment, and contains some of the most poignant and personal lyrics ever composed.

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It's a listener pick! On this episode we look at one of the most influential musical groups of the twentieth century - Sly and the Family Stone, and their 1970 LP There's a Riot Goin' On.

By 1970, Sly Stone and his band had already had a huge impact on modern music. It was a mixed-race and mixed-gender band that spoke of love and harmony among all people. Hits like "Everyday People," "Dance to the Music," and "Stand" had gained the band crossover success and spawned numerous copy cats. However, by the time work had begun on There's a Riot Goin' On, the band was beginning to splinter. Sly was under increasing pressure by militant groups like the Black Panthers to make his music more "black" and he began to find solace in drugs and isolation.

Forgoing the usual input from his band, Sly wrote, arranged, and recorded most of There's a Riot Goin' On himself. He brought in outside musicians, such as Billy Preston and Ike Turner to give the songs added dimension. The resulting LP was the big bang for the fledgling genre of funk and an album that is consistently regarded as one of the best and most influential albums ever made.

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This week we discuss Ian Hunter and his 1979 LP You're Never Alone with a Schizophrenic. Hunter worked a long time to find success. His band Mott the Hoople were instrumental in advancing glam rock by giving it a rougher edge. David Bowie was such a fan of the band that he even gave them the song "All the Young Dudes" which became the title track for their most popular album, which he also produced. Hunter eventually left Mott the Hoople to concentrate on a solo career and made several albums with Bowie collaborator, and guitarist extraordinaire, Mick Ronson. The results were a series of fine albums, featuring Hunter's (admittedly limited, but expressive voice) against Ronson's classic Marshall stack sound. You're Never Alone with a Schizophrenic not only features Ronson, but several members of Bruce Springsteen's E Street band, grounding the album with a solid foundtion. The song "Cleveland Rocks" became an anthem for the birthplace of Rock-n-Roll and "Ships" was even covered by Barry Manilow, becoming one of his biggest hits. But don't let the Manilow cover fool you, You're Never Alone with a Schizophrenic is chock full of rock and roll energy and is considered by many as Hunter's crowning achievement.

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