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Este volume da coleção Clássicos do Medo reúne cinco obras-primas dos contos de terror e mistério da literatura de língua inglesa.

A second collection of tales from the master of ghost stories, M. R. James, whose stories have for many years inspired the BBC's A Ghost Story for Christmas TV adaptations. This volume includes 'A Warning to the Curious', 'The Stalls of Barchester Cathedral', 'The Mezzotint', and 'A Neighbour's Landmark'.

A spine-tingling collection of classic ghost stories – a perfect way to pass those long winter nights! This set contains "The Tell-Tale Heart" by Edgar Allan Poe, "The Horla" by Guy de Maupassant, "Sredni Vashtar" by Saki, "The Mark of the Beast" by Rudyard Kipling, "Lost Hearts" by M.R. James and "The Furnished Room" by O. Henry.

In engaging, accessible prose, The Story of the Trinity relates the settings, characters, and conflicts that led to the creation of the Nicene Creed, a simple yet beautiful statement of faith that helped early Christians express their beliefs.

M. R. James (1862-1936) was provost of King's College, Cambridge, and Eton College. He was a highly regarded scholar and academic but is today remembered for his ghost stories, which are considered among the finest in the genre. His short novel for children, The Five Jars, is a bewitching fairy tale in the form of a letter to a young friend, telling of the writer's strange experiences after discovering a box containing five jars with labels that indicate the mysterious powers of their contents.

Sir Derek Jacobi reads a collection of tales from the master of ghost stories, M. R. James, whose stories have for many years inspired the BBC's A Ghost Story for Christmas TV adaptations. M. R. James was described as "a man who, in company with Sheridan le Fanu, is the best ghost-story writer England has ever produced".

The powerful sense of evil – darkness, creepy hairy presences, cloaks, hoods, talons and tentacles – pervades these classic ghost stories by M.R. James. A Cambridge scholar himself, James explored what happens when academics dabble in things they don’t understand and unleash forces of which they know nothing.

In the shadowed corners of Barchester Cathedral, a dark and unsettling secret lies hidden, waiting to be uncovered. M. R. James, master of the eerie and the supernatural, weaves a tale of mystery that drips with suspense and an ever-looming sense of dread. The story entangles curiosity with fear as it explores the strange occurrences in a sacred space, offering an atmospheric journey into the unknown. Prepare to be both mesmerized and unnerved by this hauntingly atmospheric tale of forbidden knowledge and the restless dead.

A child's memory, a shadowed path, a glimpse of something that should not be. In A Vignette, M. R. James offers a final brushstroke of quiet terror—intimate, elusive, and disquietingly real. This short, unsettling piece lingers like a half-remembered dream, evoking the moment when the everyday slips into the uncanny. With masterful restraint and emotional undercurrent, James reminds us that the most chilling hauntings are those born in the mind—and never truly forgotten.

In the story, a young, scientifically minded college professor finds an old bronze whistle while exploring the ruins of a Knights Templars' preceptory. That night, he blows on the whistle and a vision comes to him of a dark expanse with a lonely figure in its midst. The sound also appears to call up a gust of wind, but the sensible professor dismisses it as a coincidence. More strange incidents follow, however, to shake his disbelief in the supernatural.

M. R. James was a prolific and hugely successful author, nowc redited with redefining the ghost story form. By abandoning many of the formal gothic clichés of his predecessors and using more contemporary settings, James set the stage for future generations of writers. Originally published in 1904, Oh, Whistle, and I'll Come to You, My Lad is the story of a man who digs up a bronze whistle, which, after blowing it, leads to unexpected consequences.

A picture that changes. A scholar who watches. A nightmare unfolding one shadow at a time. Forget jump scares—this is horror in its most refined form. The Mezzotint is a slow-burn classic where dread creeps in like fog and nothing is ever quite as it seems. M. R. James delivers a ghost story that gets under your skin—and stays there. Mysterious, unsettling, and quietly terrifying.

Something ancient lingers beneath the surface of Castringham Hall. In the stillness of the Suffolk countryside, a presence takes root—silent, watchful, and patient. The Ash-tree is M.R. James at his most unsettling: a precise exercise in creeping dread, where history never rests easy and vengeance grows in shadow.

M. R. James (1862-1936) was provost of King's College, Cambridge, and Eton College. He was a highly regarded scholar and academic in his time but today is remembered for his ghost stories, which are considered among the finest in the genre. Here is one of them: "A Warning to the Curious".

M. R. James (1862-1936) was provost of King's College, Cambridge, and Eton College. He was a highly regarded scholar and academic in his time but today is remembered for his ghost stories, which are considered among the finest in the genre. Here is one of them: "The Ash Tree".

M.R. James (1862-1936) was provost of King's College, Cambridge. and Eton College. He was a highly regarded scholar and academic in his time but today is remembered for his ghost stories which are considered among the finest in the genre. Here is one of them: "The Tractate Middoth".

In one of M.R. James’ creepiest short stories, night of terror plays out with every glimpse at a static picture and the viewer is powerless to prevent a dark figure’s progress. 'The Mezzotint' is taken from the second volume of the Victorian Anthologies Horror series, featuring short stories by classic writers of the spooky, the scary and the supernatural. Guaranteed to give you the shivers, each collection includes familiar and loved creepy tales as well as those less well-known. With music by Benedict Edwards.

Step into the quiet English countryside, where serenity hides shadows, and ancient grounds guard forgotten secrets. In M. R. James's chilling tale The Rose Garden, a simple act—planting roses on a peaceful estate—unearths more than just soil. Whispers in the wind, a cursed corner of land, and a long-buried injustice begin to stir. Elegant, eerie, and steeped in the uncanny, this masterfully told ghost story unfolds with James's signature subtlety and scholarly dread.

On a winter's night, as the old year slips silently into the new, shadows stir in forgotten corners, and the past refuses to rest. In The Experiment, M. R. James once again proves himself a master of quiet horror—where the chill creeps not from the cold, but from something far older, and far less forgiving. Subtle, strange, and unsettling, this is a tale that whispers its secrets, if you dare to listen. Perfect for a solitary listen by candlelight, just as midnight strikes.

A young orphan. A sprawling country estate. A distant relative with unsettling interests. This is a tale where quiet dread builds behind closed doors, and the line between scholarly pursuit and ancient ritual begins to blur. Twelve-year-old Stephen Elliott arrives at Aswarby Hall expecting safety—but the deeper he explores its halls, the more he senses that something watches from the shadows. Whispers of vanished children, strange dreams, and spectral figures at the window speak of a secret both chilling and deliberate.