Títulos em Ensaios

The crônica, a literary genre peculiar to Brazilian newspapers, allows writers, or even soccer stars, to address a wide readership on any theme they like. Chatty, mystical, intimate, flirtatious, and revelatory, Clarice Lispector’s pieces for the Saturday edition of Rio’s leading paper, the Jornal do Brasil, from 1967 to 1973, take the forms of memories, essays, aphorisms, and serialized stories. Endlessly delightful, her insights make one sit up and think, whether about children or social ills or pets or society women or the business of writing or love.

In A Room of One’s Own, Virginia Woolf’s classic six-part essay, the iconic Modernist writer takes on the misogyny of writing, publishing, and creativity in her time. Through the imagined sister of William Shakespeare, who in her argument possesses the same talent and intellect as the famous playwright, Woolf lays out the fundamental truth that one requires room to express creativity and time to explore and see it through. Genius unexpressed is genius nonetheless, and had Shakespeare’s sister the means to make her own art, she would have had the same lasting legacy as her brother.

To overcome a crisis of melancholy after the death of his father, Montaigne withdrew to his country estates and began to write, and in the highly original essays that resulted he discussed themes such as fathers and children, conscience and cowardice, coaches and cannibals, and, above all, himself.

In this ground-breaking book, Gillian Anderson collects and introduces the anonymous sexual fantasies of hundreds of women from around the world (along with her own anonymous fantasy). The fantasies are extraordinary: they are full of desire, fear, intimacy, shame, satisfaction and, ultimately, liberation. From fantasising about someone off-limits to conjuring a scene with multiple partners, from sex that is gentle and tender to passionate and playful, these letters provide a window into the most secret part of our minds.

Almustafa, the prophet of Orphalese, awakes to the fulfillment of his 12-year wish: the arrival of his ship to take him home. Suddenly, he and the rest of the inhabitants are faced with his imminent departure. With the assistance of the seer Almitra, he is first set upon an unexpected course of disclosing his perspectives on life to the inhabitants of Orphalese; a process that holds new insights and realizations even for Almustafa, himself.

In this daring and insightful work, Nietzsche lays bare the hypocrisies at the foundations of our ideas of morality. Considering ideas of good and evil, guilt and conscience, and law and violence along the way, On the Genealogy of Morals takes the listener on a journey through the history of value systems in three masterful essays.

How to Tell When We Will Die expands upon Hedva's paradigm-shifting perspective in a series of slyly subversive and razor-sharp essays that range from the theoretical to the personal―from Deborah Levy and Susan Sontag to wrestling, kink, mysticism, death, and the color yellow.

“What’s our obligation to each other?” asks Jennifer Eli Bowen in this propulsive exploration of community, solitude, and love. Drawing on her experiences as a mother, daughter, and founder of the Minnesota Prison Writing Workshop, the country’s largest and most enduring prison-based literary organization, she examines the wild spectrum of shapes that care can take. She investigates the role of community across the world and in her own neighborhood, driven by a curiosity to uncover what might be gleaned from various vanishments in her own life.

Jayne Anne Phillips grew up in the small town of Buckhannon, West Virginia. The distinctly American landscape of Appalachia—dense with forests and small churches, rich in history and misunderstandings—has been the great setting for her fiction, even as she and her boundless imagination have traveled to other times and places. In these pieces, and in her inimitable first-person voice, at once intimate and wide-ranging, Phillips brings us into her childhood and family, most movingly her mother.

In Adulting for Amateurs, Jess H. Gutierrez marvels at how—we can’t avoid the fact anymore—her cohort, the millennials, are approaching middle age. While 1998 seems like just yesterday, we are now grown-ups who feel like we’re still growing up. And at forty-two, Jess has quite a trove of stories to tell. Jess is leaning into her geriatric millennial years and reflects on how growing up does not necessarily bestow one with maturity.

Science writer Lorraine Boissoneault has been in pain for most of her adult life. Unable to control or make sense of her chronic illness diagnoses, she began describing the ebb and flow of her symptoms as “body weather.” At first an imaginative approach to coping with flare-ups, the phrase has become a waypoint in Lorraine’s explorations of the intimate relationship between our fragile bodies and the fragile world around us.

A constant stream of impoverished women and girls have been, and are being, enslaved and abused in the Asia Pacific region. Slavery is not a historical issue – it’s happening today. History is repeating itself. Through Sylvia Yu Friedman’s work in journalism, counter-trafficking and philanthropy, she has had rare and incredible access to victims of sex trafficking and modern slavery in China, Thailand, Cambodia, North Korea, South Korea, Myanmar and Indonesia.

Elegantly covering topics such as the nature of reality, the power of memory and the priceless value of literature, in this sophisticated collection of essays, Woolf more than ever focuses her attention on the fleeting moments of life that meaningfully shape the human experience. In the title essay, The Moment, she pursues the powerful, albeit brief, moments that enable a potent feeling of being utterly understood, and consequently, wholeheartedly alive.

How do you raise children in a world rapidly being reshaped by climate change? How do our narratives about climate change and care help us or hinder us in our efforts to get it right? Little Apocalypses seeks to explore these urgent questions, helping us navigate the existential predicament of parenting on a planet in crisis.

The concept of motherhood, often idealized as the epitome of unconditional love and nurturing, has been twisted and perverted in various cinematic works to explore darker, more complex human dynamics. Led by Bram Stoker, Shirley Jackson Award, and two-time World Fantasy Award winning editor and acclaimed film professor Danel Olson, the essayists introduce listeners to traditional portrayals of mothers in film and literature, establishing a baseline for understanding how diabolical motherhood deviates from the norm.

In this sharply observed and wryly funny collection of essays on identity, family, and belonging, Mary Walsh takes readers on a rollicking—and sometimes difficult, but never boring—journey through her life. Her subjects range from the heartbreak of growing up next door to her family, to Newfoundland’s vibrant and not altogether happy entry into the Canadian confederation, to the behind-the-scenes of her wildly popular CBC shows.

Every night, a woman tells a story to save her life. Every morning, she lives one more day. The story of Shahrazad and the Sultan goes like this: for one thousand and one nights, with her execution looming, Shahrazad tells a story. Against his wishes, the Sultan is entranced, and delays her punishment so that she can finish it. Her defiant response: I can change the story because I am the story.

For as long as there have been humans, there have been humans trying to catch fish. The two species—fish and man—live in constant tension. One chases the other. One tries to get away. Some of us—author Mark Kurlansky included—are hard-wired for that chase. Guiding readers through the waters and into the mind of the fish, Kurlansky considers who fish are and why they behave the way they do, and along the way delves into the many approaches to catching a fish, their ecology, and the ins and outs of cooking and eating your catch.

Leopold's essays on conservation will open the mind of any listener who gives them a chance. The first part uses essays for each of the 12 months to share the rhythm of life on his restored Wisconsin farmland, and uses the stories to branch into eye opening lessons on the history of man's use and abuse of it. The second part continues using stories from Leopold's experiences in wild places across North America to expand the lessons to a much wider view. The final part of the work seeks to lay out a better path for humanity, using solid logic and deep philosophical questioning.

In this collection of essays, the author of Demon Copperhead and The Lacuna brings to us (out of one of history's darker moments) an extended love song to the world we still have. From its opening parable gleaned from recent news about a lost child saved in an astonishing way, the book moves on to consider a world of surprising and hopeful prospects ranging from an inventive conservation scheme in a remote jungle to the backyard flock of chickens tended by the author's small daughter.