Títulos em Ensaios

“A faithful translation is rare; a translation which preserves intact the original text is very rare; a perfect translation of Montaigne appears impossible. Yet Donald Frame has realized this feat. One does not seem to be reading a translation, so smooth and easy is the style; at each moment, one seems to be listening to Montaigne himself - the freshness of his ideas, the unexpected choice of words. Frame has kept everything.” (Andre Maurois, The New York Times Book Review)

In A Room of One’s Own, Virginia Woolf’s classic six-part essay, the iconic Modernist writer takes on the misogyny of writing, publishing, and creativity in her time. Through the imagined sister of William Shakespeare, who in her argument possesses the same talent and intellect as the famous playwright, Woolf lays out the fundamental truth that one requires room to express creativity and time to explore and see it through. Genius unexpressed is genius nonetheless, and had Shakespeare’s sister the means to make her own art, she would have had the same lasting legacy as her brother.

A world in perfect balance—so claims Emerson in Compensation, an essay that pulses with quiet defiance and deep assurance. No gain without loss, no misstep without lesson, no fortune without its hidden tax. It is neither fate nor blind justice but a living rhythm, an invisible hand that rights every scale, even when human eyes fail to see. Emerson does not preach; he unfolds. The idea seeps in, settles, challenges. His words are not doctrine but a lens—through which prosperity and misfortune reveal themselves as two faces of the same coin.

In this ground-breaking book, Gillian Anderson collects and introduces the anonymous sexual fantasies of hundreds of women from around the world (along with her own anonymous fantasy). The fantasies are extraordinary: they are full of desire, fear, intimacy, shame, satisfaction and, ultimately, liberation. From fantasising about someone off-limits to conjuring a scene with multiple partners, from sex that is gentle and tender to passionate and playful, these letters provide a window into the most secret part of our minds.

The crônica, a literary genre peculiar to Brazilian newspapers, allows writers, or even soccer stars, to address a wide readership on any theme they like. Chatty, mystical, intimate, flirtatious, and revelatory, Clarice Lispector’s pieces for the Saturday edition of Rio’s leading paper, the Jornal do Brasil, from 1967 to 1973, take the forms of memories, essays, aphorisms, and serialized stories. Endlessly delightful, her insights make one sit up and think, whether about children or social ills or pets or society women or the business of writing or love.

Once upon a time, there was a tower on a hill, beyond the dark trees, somewhere north. An octagonal tower on two levels: glass upstairs and stone below, beneath a steep slate roof – a folly, it was said. According to locals, a young woman named Annie who fell ill was confined to the tower by her father for three years and died there, alone. Fascinated by Annie's story, Thea Lenarduzzi attempts to piece the past together in a formidable act of imagination, which, tugging at the strings of the how, why and who of stories, begins to unravel the very idea of storytelling itself.

Everyone told Sinead that having a newborn was a beautiful kind of delirium - a hazy blur of broken sleep and exhaustion, wrapped in euphoria. A life-changing love. Sinead spent every day of her traumatic pregnancy clinging to that sliver of light in the dark. But when Vivie arrived, there was no euphoria, no life-altering love. And nine days after giving birth, Sinead was admitted to the Mother & Baby Unit at Starship Hospital in the grips of severe postnatal depression.

Love Death + Explosives: Thomas Pynchon’s Polipsychology is an essay that addresses the postmodern angle in the reclusive titular author’s writing, challenging listeners to decontextualize the interpretive lens for the literal.

A brand-new collection of 40 original music stories from award-winning storyteller Alex M. Stein. These stories, memories, essays, parables, and passionate rants about records, concerts, heartache, radio, love, and life's unexpected victories take you to school dances, used-record stores, packed concert halls, and empty recording studios to explore the ways music seeps into our bones and propels us through life.

Jens Baggesen's The Labyrinth (1792–93) is a genre-bending and highly personal travel book that follows the young Danish author's journey, made in 1789, from Copenhagen through Germany to the Swiss border at Basel. In its outer form, it follows the conventions of travel writing: describing the cities, landscapes, and notable people encountered on the route, while also offering critical commentary on art, architecture, theater, and literature, mixed with reactions to the unfolding French Revolution.

Where do I belong in a country that has never loved me? What does it mean to be an American? Lauded poet and essayist Chet’la Sebree interrogates these questions as she traverses an America that has always had a fraught relationship with its Black citizens. Her journey takes her from the shores of the Atlantic to the prairies of the Midwest, to the forests of the Pacific Northwest, abroad, and then back again.

Transcendence for Beginners examines life writing and philosophy across certain European and Indian traditions, exploring questions of childhood and mortality, art and religion, beauty and loss. Informed by her experience as a biographer of Søren Kierkegaard and George Eliot as well as her own life, Clare Carlisle asks what one human existence can reveal, and how writing can transmit its truth.

The experience of motherhood is monumental, yet rarely discussed in connection with literary or creative life. How do we navigate the twin devotions of love and art? How does motherhood disrupt the creative process? How does it enhance it? Good Mom on Paper is a collection of twenty essays that goes beyond the clichés to explore the fraught, beautiful, and complicated relationship between motherhood and creativity. Honest and intimate, critical and hopeful, this collection offers solace and joy to creative mothers and asks how we can better support their work.

One day, on a whim, Robert Moor set out to climb a tree near his home—unwittingly embarking on what would become a decade-long, globe-spanning adventure of intellectual and spiritual transformation. Pursuing the hidden wisdom of trees, he scales to the very top of a giant sequoia while filming a nature documentary with David Attenborough; he treks through swamps in Papua to reach a treehouse-dwelling tribe of hunter-gatherers; and he journeys to a remote research camp in Tanzania, where he spends a memorable night sleeping in a chimpanzee nest, seeking to understand our evolutionary history.

Almustafa, the prophet of Orphalese, awakes to the fulfillment of his 12-year wish: the arrival of his ship to take him home. Suddenly, he and the rest of the inhabitants are faced with his imminent departure. With the assistance of the seer Almitra, he is first set upon an unexpected course of disclosing his perspectives on life to the inhabitants of Orphalese; a process that holds new insights and realizations even for Almustafa, himself.

In this daring and insightful work, Nietzsche lays bare the hypocrisies at the foundations of our ideas of morality. Considering ideas of good and evil, guilt and conscience, and law and violence along the way, On the Genealogy of Morals takes the listener on a journey through the history of value systems in three masterful essays.

How to Tell When We Will Die expands upon Hedva's paradigm-shifting perspective in a series of slyly subversive and razor-sharp essays that range from the theoretical to the personal―from Deborah Levy and Susan Sontag to wrestling, kink, mysticism, death, and the color yellow.

“What’s our obligation to each other?” asks Jennifer Eli Bowen in this propulsive exploration of community, solitude, and love. Drawing on her experiences as a mother, daughter, and founder of the Minnesota Prison Writing Workshop, the country’s largest and most enduring prison-based literary organization, she examines the wild spectrum of shapes that care can take. She investigates the role of community across the world and in her own neighborhood, driven by a curiosity to uncover what might be gleaned from various vanishments in her own life.

Jayne Anne Phillips grew up in the small town of Buckhannon, West Virginia. The distinctly American landscape of Appalachia—dense with forests and small churches, rich in history and misunderstandings—has been the great setting for her fiction, even as she and her boundless imagination have traveled to other times and places. In these pieces, and in her inimitable first-person voice, at once intimate and wide-ranging, Phillips brings us into her childhood and family, most movingly her mother.

An Ojibwe elder once counseled Nerburn to "always teach by stories, because stories lodge deep in the heart.'' Using skills learned from Native storytellers as well as a deep reverence for the world's spiritual traditions, Nerburn takes us to an Ojibwe burial, down lonely winter roads, and into landscapes where trees have presence and the earth is made alive by the mystical power of water and light.