Títulos em Epistolar

Upon its first publication in 1846, Poor Folk was an immediate critical triumph. Composed entirely of an exchange of letters between a middle-aged copy clerk and a young seamstress who live on opposite sides of a Petersburg tenement courtyard, the novel explores the emotional and psychological effects of a threatening urban environment on the psyches of poor people struggling to survive.

A meditation on the nature of life and time, Água Viva (1973) shows Lispector discovering a new means of writing about herself, more deeply transforming her individual experience into a universal poetry. In a body of work as emotionally powerful, formally innovative, and philosophically profound as Clarice Lispector’s, Água Viva stands out as a particular triumph.

Lóri, a primary school teacher, is isolated and nervous, comfortable with children but unable to connect to adults. When she meets Ulisses, a professor of philosophy, an opportunity opens: a chance to escape the shipwreck of introspection and embrace the love, including the sexual love, of a man. Her attempt, as Sheila Heti writes in her afterword, is not only “to love and to be loved,” but also “to be worthy of life itself.”

Goodlord is a fictional memoir of habitation, a genre-defying novelistic text that beautifully evokes the people and places of our lives—the spaces of work, those that may or may not be 'home', sites of trauma and ecstasy. Showing all the control of voice one would expect from a poet of her rare skill, Ella Frears has created a book that is as funny as it is harrowing, and beautifully skewers the contemporary housing crisis while questioning the fundamental desires, drivers and disappointments that lie at the heart of our obsession with 'property'.

Years after walking away from the one who once knew him best, Auren Solven discovers a sealed box of unsent letters—each addressed to the one he left behind. The words inside are raw, aching, and unfinished. As Auren reads through each letter, he’s drawn back to the coastal town where their love first lived—and to a quiet reckoning he never allowed himself to feel. As Auren rewrites old letters, confronts unspoken truths, and imagines a reply that may never come, he begins to understand that some love stories aren’t meant to be rekindled—they’re meant to be remembered.

When Jennifer Cole is told she has three months left to live, she knows her life is f--ked. With nothing to lose, she decides it's time to admit to everything she's always longed to say but never dared. She writes three letters: one to her overbearing, selfish sister, one to her spineless, cheating ex-husband, the third to her charming but unreliable ex-boyfriend. At first it feels great to have finally found her voice. But as things start to unravel, she discovers that the truth has its own consequences…

Sara Monteith makes an ideal correspondent for Hugo Jamieson, brother of her lost love Ivo, killed in the war before they could marry. Her neighbours in the lovely Border village of Ravenskirk don't know that Sara has moved here because it's where Ivo and Hugo grew up, but they welcome her warmly. Soon, she's drawn into the active village social scene of tea parties, gardening, carol-singing, and Coronation festivities. Meanwhile she's dodging the judgments of stern Miss Bonaly, defending her helper Madge Marchbanks, befriending kind, practical Elizabeth Drysdale and charming Mrs.

Twenty-something Ruthie Cohen, a data entry minion for a second-tier movie app, spends her days thinking about the kickass meals she’s going to make for her besties, Trish and Lilly, while pining for Dean (sigh, Dean), her vacation fling from six months earlier. Could they have made it work in real life? On top of that, Bubbe Bobby Grace, Ruthie’s beloved and inspiring grandmother, passed away and left Ruthie an inheritance of $62,873.42, along with instructions on how to use it: “Follow your passion, Dollface.”

In the spring of 1898, A. E. (Alexandria) Bartram—a spirited young woman with a love for botany—is invited to join a field study in Yellowstone National Park. The study’s leader, a mild-mannered professor from Montana, assumes she is a man, and is less than pleased to discover the truth. Once the scientists overcome the shock of having a woman on their team, they forge ahead on a summer of adventure, forming an enlightening web of relationships as they move from Mammoth Hot Springs to a camp high in the backcountry.

Mira is a desperate young woman, hired by a wealthy single mother to tutor her lonesome son, Yuchan. But Mira is not who she presents herself to be; she is haunted by the death of her own family and motivated by the dark pulse of vengeance. Yuchan was cruel to Mira’s mother. A kind of cruelty she can’t ever forgive. And then there is Jiwon, the boy’s mother, a bad mother, Mira thinks—or so Jiwon tells herself she must not be. But as Mira spends more time in the family’s sprawling home, she begins to suspect Yuchan is not the culprit she’s after.

When I’m offered a spot in the best business incubator in the world, I jump at the chance. There’s one catch. I have to send letters to the mysterious billionaire who funds the program. It’s a world I don’t belong to. Luckily, I meet Javier Pendleton. He’s alluring, confident, and fits in with this crowd. We get close, dancing and watching fireworks together… Until it’s clear we both want more. He looks at my curves like he craves them, and his serious blue eyes and reluctant smile drive me wild. Soon I can’t hold back— But kissing him is a mistake.

Mary Bennet is the middlest middle child of all time. Awkward, plain, and overlooked, she’s long been out of favor not only with her own family but with generations of readers of Pride and Prejudice. But what was Mary really doing while her sisters were falling in love? Well, what does any bright, hardworking girl do in an age when brains and hard work are only valued if they come with a pretty face? Take to the attic and teach herself to reanimate the dead of course. The world refuses to make a place for peculiar Mary, but no Bennet sister ever gives up on happiness that easily.

Lewis Romayne returns to the family home, Vange Abbey, after a fatal duel in France–the memory of which still haunts him. In an attempt to put the experience behind him, he visits London where he meets Stella Eynecourt, who will become his wife. However, Romayne also comes across the cunning Father Benwell, who is determined to convert him to Catholicism and to regain Vange Abbey for the Church.

Everett and Kincaid present a fictitious chronicle of South Carolina Senator Strom Thurmond's desire to pen a history of African Americans—his and his aides' belief being that he has done as much, or more, than any American to shape that history. An epistolary novel, A History follows the letters of loose-cannon congressional office workers, insane interns at a large New York publishing house, and disturbed publishing executives, along with homicidal rival editors, kindly family friends, and an aspiring author named Septic.

Diary of Felicia Grace Porter is a compelling story told through the diary entries of Felicia, a motivational speaker facing the challenges of love and betrayal. As she prepares to move, Felicia grapples with her feelings for two very different men: her devoted partner, Vohn, and her passionate ex, Rashad. Through her intimate writings, we see Felicia's inner struggles as she deals with guilt and longing. Each diary entry reveals her emotional turmoil as she tries to make sense of her choices and their impact on her life and the lives of those she loves.

Monica Tsai spends most days on her computer, journaling the details of her ordinary life and coding for a program that seeks to connect strangers online. A self-proclaimed recluse, she's always struggled to make friends and, as a college freshman, finds herself escaping into a digital world, counting the days until she can return home to her beloved grandparents. They are now in their nineties, and Monica worries about them constantly—especially her grandmother, Yun, who survived two wars in China before coming to the States, and whose memory has begun to fade.

Florence, New Year’s Day 1557. As dawn breaks, a painter is discovered lying on the floor of a church, stabbed through the heart. Above him, the paintings he laboured over for more than a decade. At his home, a hidden painting scandalously depicting Maria de Medici, daughter of the Duke and Duchess of Florence, as a naked Venus. Who is the murderer? Who is behind the painting? As the city erupts in chaos, Giorgio Vasari, the great art historian, is picked to lead the investigation.

Former correspondents E. and Henerey, accustomed to loving each other from afar, did not anticipate continuing their courtship in an enigmatic underwater city. When their journey through the Structure in E.'s garden strands them in a peculiar society preoccupied with the pleasures and perils of knowledge, E. and Henerey come to accept—and, more surprisingly still, embrace—the fact that they may never return home.

It's April of 1997 in Erie, Pennsylvania, and an unsolved crime has just shattered Rosalyn's life. To cope with her heartache, she begins writing a series of private letters to Nova in her journal, where she confides a shameful secret about the night before it happened. In her anguish, Rosalyn recounts the recent dreams that still haunt her, recording them as poems, just as her grandmother had taught her as a young girl. But after she moves to New York City and her letters progress, Rosalyn begins to realize that her dreams are delivering her a series of clues.

Told entirely through obituaries and ricocheting through time, Remember You Will Die is an innovative, genre-bending epic about the messy tapestry of human history and the threads that connect us, told through the eyes of Peregrine, an AI mother grappling with the unexpected death of her human daughter, Poppy.