Títulos em Epistolar

Joshua Park never expected to be a widower at the age of thirty. Given his solitary job, small circle of friends and family, and the social awkwardness he's always suffered from, he has no idea how to negotiate this unwanted new phase of life. But Lauren, his wife, had a plan to keep him moving forward. A plan hidden in the letters she leaves him, giving him a task for every month in the year after her death.

A meditation on the nature of life and time, Água Viva (1973) shows Lispector discovering a new means of writing about herself, more deeply transforming her individual experience into a universal poetry. In a body of work as emotionally powerful, formally innovative, and philosophically profound as Clarice Lispector’s, Água Viva stands out as a particular triumph.

1903. Sir John Seward, survivor of Count Dracula’s murderous campaign ten years before, takes up a post as a psychiatric doctor at an Oxford public asylum. There, a new patient arrives whose traumatic experiences resurrect horrors John has spent a decade trying to forget. 1884. Mafalda Lowell journeys from London to Budapest to care for her recently widowed aunt Reka. She uncovers the chilling truth about her uncle’s death, and writes to her secret love Lucy North for comfort.

Field Notes from an Extinction follows the life and work of one Ignatius Green, a fictitious English scientist dispatched by the Royal Society to the remote island of Tor Mor off the northern Irish coast. Green is single-minded and self-righteous, brilliant and bumbling. He is determined to set the record straight on the mating rituals, feeding and care of hatchlings, and other minutiae he can gather about the Great Auk (pinguinus impennis).

Lóri, a primary school teacher, is isolated and nervous, comfortable with children but unable to connect to adults. When she meets Ulisses, a professor of philosophy, an opportunity opens: a chance to escape the shipwreck of introspection and embrace the love, including the sexual love, of a man. Her attempt, as Sheila Heti writes in her afterword, is not only “to love and to be loved,” but also “to be worthy of life itself.”

Goodlord is a fictional memoir of habitation, a genre-defying novelistic text that beautifully evokes the people and places of our lives—the spaces of work, those that may or may not be 'home', sites of trauma and ecstasy. Showing all the control of voice one would expect from a poet of her rare skill, Ella Frears has created a book that is as funny as it is harrowing, and beautifully skewers the contemporary housing crisis while questioning the fundamental desires, drivers and disappointments that lie at the heart of our obsession with 'property'.

Years after walking away from the one who once knew him best, Auren Solven discovers a sealed box of unsent letters—each addressed to the one he left behind. The words inside are raw, aching, and unfinished. As Auren reads through each letter, he’s drawn back to the coastal town where their love first lived—and to a quiet reckoning he never allowed himself to feel. As Auren rewrites old letters, confronts unspoken truths, and imagines a reply that may never come, he begins to understand that some love stories aren’t meant to be rekindled—they’re meant to be remembered.

When Jennifer Cole is told she has three months left to live, she knows her life is f--ked. With nothing to lose, she decides it's time to admit to everything she's always longed to say but never dared. She writes three letters: one to her overbearing, selfish sister, one to her spineless, cheating ex-husband, the third to her charming but unreliable ex-boyfriend. At first it feels great to have finally found her voice. But as things start to unravel, she discovers that the truth has its own consequences…

A book of unparalleled scope and vision, Your Name Here is a spectacular honeycomb of books-within-books. In this death-defying feat of ambition, collaborators Helen Dewitt and Ilya Gridneff weave together America’s “War on Terror,” countless years of literary history, authorial sleight of hand, Scientology, dream analysis, multiple languages, emails, images, graphs, into something wondrous and unique.

Sara Monteith makes an ideal correspondent for Hugo Jamieson, brother of her lost love Ivo, killed in the war before they could marry. Her neighbours in the lovely Border village of Ravenskirk don't know that Sara has moved here because it's where Ivo and Hugo grew up, but they welcome her warmly. Soon, she's drawn into the active village social scene of tea parties, gardening, carol-singing, and Coronation festivities. Meanwhile she's dodging the judgments of stern Miss Bonaly, defending her helper Madge Marchbanks, befriending kind, practical Elizabeth Drysdale and charming Mrs.

Twenty-something Ruthie Cohen, a data entry minion for a second-tier movie app, spends her days thinking about the kickass meals she’s going to make for her besties, Trish and Lilly, while pining for Dean (sigh, Dean), her vacation fling from six months earlier. Could they have made it work in real life? On top of that, Bubbe Bobby Grace, Ruthie’s beloved and inspiring grandmother, passed away and left Ruthie an inheritance of $62,873.42, along with instructions on how to use it: “Follow your passion, Dollface.”

In the spring of 1898, A. E. (Alexandria) Bartram—a spirited young woman with a love for botany—is invited to join a field study in Yellowstone National Park. The study’s leader, a mild-mannered professor from Montana, assumes she is a man, and is less than pleased to discover the truth. Once the scientists overcome the shock of having a woman on their team, they forge ahead on a summer of adventure, forming an enlightening web of relationships as they move from Mammoth Hot Springs to a camp high in the backcountry.

Mira is a desperate young woman, hired by a wealthy single mother to tutor her lonesome son, Yuchan. But Mira is not who she presents herself to be; she is haunted by the death of her own family and motivated by the dark pulse of vengeance. Yuchan was cruel to Mira’s mother. A kind of cruelty she can’t ever forgive. And then there is Jiwon, the boy’s mother, a bad mother, Mira thinks—or so Jiwon tells herself she must not be. But as Mira spends more time in the family’s sprawling home, she begins to suspect Yuchan is not the culprit she’s after.

When I’m offered a spot in the best business incubator in the world, I jump at the chance. There’s one catch. I have to send letters to the mysterious billionaire who funds the program. It’s a world I don’t belong to. Luckily, I meet Javier Pendleton. He’s alluring, confident, and fits in with this crowd. We get close, dancing and watching fireworks together… Until it’s clear we both want more. He looks at my curves like he craves them, and his serious blue eyes and reluctant smile drive me wild. Soon I can’t hold back— But kissing him is a mistake.

In a desperate bid to avoid becoming a burden on her family or, worse, married to a controlling man, Mary does what any bright, intrepid girl would do. She takes to the attic and teach herself to reanimate the dead. If finding acceptance requires a husband, she’ll get one...even if she has to make him herself.

Lewis Romayne returns to the family home, Vange Abbey, after a fatal duel in France–the memory of which still haunts him. In an attempt to put the experience behind him, he visits London where he meets Stella Eynecourt, who will become his wife. However, Romayne also comes across the cunning Father Benwell, who is determined to convert him to Catholicism and to regain Vange Abbey for the Church.

Everett and Kincaid present a fictitious chronicle of South Carolina Senator Strom Thurmond's desire to pen a history of African Americans—his and his aides' belief being that he has done as much, or more, than any American to shape that history. An epistolary novel, A History follows the letters of loose-cannon congressional office workers, insane interns at a large New York publishing house, and disturbed publishing executives, along with homicidal rival editors, kindly family friends, and an aspiring author named Septic.

Diary of Felicia Grace Porter is a compelling story told through the diary entries of Felicia, a motivational speaker facing the challenges of love and betrayal. As she prepares to move, Felicia grapples with her feelings for two very different men: her devoted partner, Vohn, and her passionate ex, Rashad. Through her intimate writings, we see Felicia's inner struggles as she deals with guilt and longing. Each diary entry reveals her emotional turmoil as she tries to make sense of her choices and their impact on her life and the lives of those she loves.

Monica Tsai spends most days on her computer, journaling the details of her ordinary life and coding for a program that seeks to connect strangers online. A self-proclaimed recluse, she's always struggled to make friends and, as a college freshman, finds herself escaping into a digital world, counting the days until she can return home to her beloved grandparents. They are now in their nineties, and Monica worries about them constantly—especially her grandmother, Yun, who survived two wars in China before coming to the States, and whose memory has begun to fade.

Florence, New Year’s Day 1557. As dawn breaks, a painter is discovered lying on the floor of a church, stabbed through the heart. Above him, the paintings he laboured over for more than a decade. At his home, a hidden painting scandalously depicting Maria de Medici, daughter of the Duke and Duchess of Florence, as a naked Venus. Who is the murderer? Who is behind the painting? As the city erupts in chaos, Giorgio Vasari, the great art historian, is picked to lead the investigation.