Títulos em Pós-Apocalíptico

World War Z: The Complete Edition features 21 additional Hollywood A-list actors and sci-fi fan favorites performing stories not included in the original edition. New narrators include Academy Award-winning director Martin Scorsese, Spiderman star Alfred Molina, The Walking Dead creator Frank Darabont, rapper Common, Firefly star Nathan Fillion, Shaun of the Dead’s Simon Pegg, and members of the casts of Star Trek, Battlestar Galactica, Heroes and more!

This is the way the world ends: with a nanosecond of computer error in a Defense Department laboratory and a million casual contacts that form the links in a chain letter of death. And here is the bleak new world of the day after: a world stripped of its institutions and emptied of 99 percent of its people. A world in which a handful of panicky survivors choose sides - or are chosen.

In the walled city of Edin, Spike's carefree childhood has always had an end date. His protection from the wasteland of death on the outside is about to change on his 18th birthday. But while only half of the cadets survive their mandatory time on national service, Spike's goal goes far beyond making it out alive. He's betting everything on being chosen as the top candidate, rising to the role of Protector, and securing a spot beside his beautiful best friend.…

While vacationing in a hunting lodge in the Austrian mountains, a middle-aged woman awakens one morning to find herself separated from the rest of the world by an invisible wall. With a cat, a dog, and a cow as her sole companions, she learns how to survive and cope with her loneliness.

Since the Final War, I’ve been doing just fine. I have a lovely cave, a darling vegetable patch, forest views . . . and if loneliness sometimes squeezes my aching heart, well, my books have always kept me company. That is, until a pack of hunters chase me from my home and right into the arms of several rather large, rather brutish ex-Army Rangers. And those brutes have the nerve to make me the rudest offer I’ve ever heard. Their protection—for my body.

The year is 2033. The world has been reduced to rubble. Humanity is nearly extinct and the half-destroyed cities have become uninhabitable through radiation. Beyond their boundaries, they say, lie endless burned-out deserts and the remains of splintered forests. Survivors still remember the past greatness of humankind, but the last remains of civilisation have already become a distant memory. Man has handed over stewardship of the earth to new life-forms.

When leg-breaker Hutch Holtz rolls up to a rundown apartment complex in Portland, Oregon, to collect overdue drug money, a severed hand is the last thing he expects to find stashed in the client’s refrigerator. Hutch quickly realizes that the hand induces uncontrollable madness: Anyone in its proximity is overcome with a boundless compulsion for violence. Within hours, catastrophic forces are set into motion.

Five years after the event that drove most of the global population to madness, the world is overrun with the “fevered”—once-human, zombielike creatures drawn indiscriminately to violence and murder. In a campaign to restabilize the country, the massive corporation known as Terradyne Industries has merged with the U.S. government in a partnership of dubious motives, quarantining major American cities behind towering walls and corralling the afflicted there with the hope, they say, of developing a vaccine.

Deep underground, 39 women are kept in isolation in a cage. Aboveground, a world awaits. Has it been abandoned? Devastated by a virus? Watched over by guards, the women have no memory of how they got there, no notion of time and only vague recollection of their lives before. But, as the burn of electric light merges day into night and numberless years pass, a young girl - the 40th prisoner - sits alone and outcast in the corner. Soon she will show herself to be the key to the others' escape and survival in the strange world that awaits them aboveground.

Twenty-year-old Wren Darlington is one of the most powerful Mods in existence. But her world is divided. On the Continent, being a known Modified means certain death, as the Primes—those immune to the biotoxin that nearly wiped out the population 150 years ago—want nothing more than to eliminate those who were enhanced by the toxin and developed psychic powers. Wren has survived all these years by concealing her abilities and keeping a low profile while doing what she can to aid the rebel Uprising in fighting against the Primes’ oppressive rule.

First published in 1953 ,"Time Enough at Last" by Lynn Venable is the basis for the eighth episode of The Twilight Zone, becoming one of the most famous episodes of the original Twilight Zone. It is "the story of a man who loves books yet is surrounded by those who would prevent him from reading them. Hope springs forth when the protagonist appears to be the sole survivor of a gigantic nuclear attack, but wait folks; there is more."

The scattered worlds of the Elara's Veil nebula were once protected by the oath of unity sworn by three mighty Chapters of the Adeptus Astartes. The Star Scorpions were undone by flaws in their genetic coding. The Celestial Lions were ravaged by the Inquisition for sins they did not commit. Now, after hundreds of years, only the Emperor's Spears still keep their vigil. They are barbarian watchmen against the Outer Dark, bloodied but unbroken in their long duty.

Toby, a survivor of the man-made plague that has swept the earth, is telling stories. Stories left over from the old world, and stories that will determine a new one. Listening hard is young Blackbeard, one of the innocent Crakers, the species designed to replace humanity. Their reluctant prophet, Jimmy-the-Snowman, is in a coma, so they've chosen a new hero—Zeb, the street-smart man Toby loves. As clever Pigoons attack their fragile garden and malevolent Painballers scheme, the small band of survivors will need more than stories.

The sun brightens in the east, reddening the blue-grey haze that marks the distant ocean. The vultures roosting on the hydro poles fan out their wings to dry them. The air smells faintly of burning. The waterless flood—a man-made plague—has ended the world. But two young women have survived: Ren, a young dancer trapped where she worked, in an upmarket sex club (the cleanest dirty girls in town); and Toby, who watches and waits from her rooftop garden. Is anyone else out there?

Months after the Waterless Flood pandemic has wiped out most of humanity, Toby and Ren have rescued their friend Amanda from the vicious Painballers. They return to the MaddAddamite cob house, newly fortified against man and giant pigoon alike. Accompanying them are the Crakers, the gentle, quasi-human species engineered by the brilliant but deceased Crake. Their reluctant prophet, Snowman-the-Jimmy, is recovering from a debilitating fever, so it's left to Toby to preach the Craker theology, with Crake as Creator.

It's been centuries since the robots of Panga gained self-awareness and laid down their tools; centuries since they wandered, en masse, into the wilderness, never to be seen again; centuries since they faded into myth and urban legend. One day, the life of a tea monk is upended by the arrival of a robot, there to honor the old promise of checking in. The robot cannot go back until the question of "what do people need?" is answered. But the answer to that question depends on who you ask, and how.

In 2007, the Center for Automation in Nanobiotech (CAN) outlined the hardware and software platforms that would one day allow robots smaller than human cells to make medical diagnoses, conduct repairs, and even self-propagate. In the same year, the CBS network re-aired a program about the effects of propranolol on sufferers of extreme trauma. A simple pill, it had been discovered, could wipe out the memory of any traumatic event. At almost the same moment in humanity’s broad history, mankind discovered the means for bringing about its utter downfall. And the ability to forget it ever happened.

The world outside has grown toxic, the view of it limited, talk of it forbidden. The remnants of humanity live underground in a single silo. But there are always those who hope, who dream. These are the dangerous people, the residents who infect others with their optimism. Their punishment is simple. They are given the very thing they want: They are allowed to go outside.

The narrator of Atwood's riveting novel calls himself Snowman. When the story opens, he is sleeping in a tree, wearing an old bedsheet, mourning the loss of his beloved Oryx and his best friend Crake, and slowly starving to death. He searches for supplies in a wasteland where insects proliferate and pigoons and wolvogs ravage the pleeblands, where ordinary people once lived, and the Compounds that sheltered the extraordinary. As he tries to piece together what has taken place, the narrative shifts to decades earlier. How did everything fall apart so quickly?

Bristlebrook is up in smoke, my brutes are dead, and Sam’s camp is a powder keg begging for a flame. Injured and furious over their losses, the surviving hunters are preoccupied with their own problems. Their factions and allegiances. Their internal wars and pissing contests. The new world they want to forge. They don’t look twice at their meek little captive.