Resultado narrado por "John" em Todas as categorias

The necromantic armies are on the warpath and nowhere is safe—even the sanctuary of the flying dungeon has been threatened. The leadership of nearly all the sentient races has been wiped out, and only the people most suited to repelling the advancing darkness have an intact monarchy. Cal learns quickly that the primary threat is not the far-off war, but the actions of those entrusted with protecting the population. As it turns out, the idea of using a flying dungeon as a war machine is very tempting indeed.

As sleepy as Buffalo Peak's been, legendary marshal, Elwood "Firestick" McQueen, and his deputies "Beartooth" Skinner and "Moosejaw" Hendricks never expected a couple of drifters to wake it up—by kidnapping two lovely ladies in town. Hardly the sharpest quills on a cactus, these dim drifters call it courtin'. Firestick doesn't see it that way. Now the woman snatchers are heading for West Texas with their reluctant brides-to-be—and unwittingly plunging trackers Firestick and Moosejaw headlong into a rescue.

Powerful necromancers are on the move, and the dungeon has become a battleground. Without his faithful Wisp, Cal's mind slips—he begins creating traps and monsters that go against his already loose morals. A direct threat from an unexpected force causes Cal's mind to stabilize, but he doesn’t know for how long. Using every resource at his disposal, he works to keep his mind clear while he funds a search for his lost companion. When others fail him again and again, Cal takes matters into his own hands.

It's been three years Bethany Anne and her team have been building, trying their best to stay off the radar and not fight with those they are trying to save. The emotions have boiled to the surface. The is a line drawn in the sand, and some idiots just have to step across it. Those that thought the cat didn't have claws are about to find out how very, very wrong they are.

One thing has become perfectly clear: The Mages’ Guild won’t stop coming for me until I am either under their control, or dead. So rather than wait to be cornered…I’m going to take the fight to them. But Emery and I can’t do it alone. We have to assemble enough power in the magical world to rip the Guild off of their high horse. And to do that, we’ll need the shifters as well as the vampires. Except, shifters and vampires would rather kill each other than work together. And after a surprise run-in with a strangely powerful goblin, my world is slapped sideways.

The dungeon—Cal—knows exactly how much their power has increased and is working daily to become exponentially more powerful. His schemes are becoming more complex and his dungeon—his body—more deadly. Dale works to subvert the plans of the dungeon, but his opponent is onto him. Hearing a voice in his head distracts him in critical moments requiring him to fight his mind even as he battles deadly creatures. Unbeknownst to both, their fight is not with each other—it’s for the continuation of their lives.

After the Seelie king Torin nearly froze me to death, I plunged through a portal into my true home. Turns out, my hometown is a wild Unseelie kingdom known as the Court of Sorrows. When Torin follows me and sees my new horns, he quickly realizes that his intended bride is an enemy of his realm. In fact, his name for my kind is "demon." But even if I have the horns of an Unseelie, I'm not welcome here, either. Queen Mab and her monstrous soldiers are delighted to torment us, accusing me of being a traitor.

On the worst birthday of my life, I come home to find my boyfriend in bed with another woman. Within hours, I’m drunk, homeless, and pledging to stay single forever. And that is when the dangerously sexy Seelie King rolls through town, looking for fae like me. Every generation, the king holds a competition for Seelie queen. But for reasons he won’t explain, Torin is looking for a charade, not a real marriage. So when I drunkenly sling insults his way, I have his attention.

Abandoned by her allies, the Republic of Venice holds out as the last beacon of resistance against the hobgoblin armies. Armed with new weapons the Southern Horde drives upon the floating city by land and sea. The Northern Horde drives deep into the heart of Europa and all fall before it. The Horde is vast beyond measure. Assassin daggers lurk in every shadow. Necrotic evil seeps and infects.

After a gruelling journey, the warriors of the Hallowed Knights and Astral Templars have found their quarry in the Sea of Bones. During the hunt, Mannfred the vampire lord has raised a mighty undead host to protect the realmgate he has claimed. While Ramus of the Hallowed Knights seeks the vampire's head and Vandalus of the Astral Templars wants to reclaim the realmgate, both must fight as one and alongside their orruk allies if they are to triumph.

Drunk on rum at a country fair, Henchard sells his wife to a sailor for five guineas. Unable to find them and overcome with guilt and remorse he vows to be teetotal for 21 years. Many years later his wife seeks him out in Casterbridge, where he has gained both wealth and the well respected position of mayor.

At last, the great search for the Nine Gates is over as Tarsus and the Hallowed Knights reach the lair of the Great Necromancer himself, Nagash. Here, in the dark hollows of one of the underworlds of Shyish, the Stormcast Eternals will meet their fate. As they stand in the shadow of death, they must trust that their vampiric guide, Mannfred von Carstein, has not played them false.

A king's mad jealousy tears his family apart in this rich, tragicomic play, one of Shakespeare's last. When King Leontes suspects his wife, Hermione, has been unfaithful, he sends her to prison, where she gives birth to a daughter. Assuming the baby is not his, Leontes orders that she be left to die on a desert shore. He spends the next 16 years grieving over his error, until the fateful day his long-lost daughter Perdita returns.

In a rundown house in Philadelphia live two orphan brothers: the reclusive, frightened Philip and the violent pickpocket thief Treat. Into this savage and ferociously funny world enters Harold, a shadowy underworld figure of power and influence who irrevocably changes the precious balance between the two brothers. This is a Steppenwolf Theatre Company Production, starring Kevin Anderson, Terry Kinney, and John Mahoney.

In this remarkable anthology of historical recordings are many of the great artists of the past. Early cylinder recordings of Sir Henry Irving preserve the voice and character of the greatest actor of the Victorian period as well as Ellen Terry, his stage partner for many years. In this program, the changing styles of Shakespeare performance, a fascinating study, are documented with such varied actors as Tree, Gielgud, Thorndike, Olivier, Booth, and Barrymore.

This is a performance reading script, edited and as performed by Gregory Nassif St. John based on Dickens' own reading texts, academic studies, and eyewitness accounts.

In the sequel to the "The Jesus-Video", the video has caused for some changes and it is a blessing and a curse for Stephen Foxx and Judith Menez. Meanwhile, a man named Samuel Barron is trying something else entirely. He wants to recreate the time travel and sends back his son and three companions. They are to bring back Jesus Christ to the present time. If they can bring back the Son of God, will that fulfil the prophesized return of Jesus and more importantly, will it cause the Apocalypse?

A boon for booklovers, this audio set features funny, fantastical and poignant stories about people with unique and passionate connections to the written word.

Tony Roberts reads a hilarious Walter R. Brooks story about how Ed - a talking horse - became a voracious reader of adventure tales and mysteries. In a story by Italo Calvino, read by John Shea, a man tries to make the most of his beach holiday by reading and making love at the same time.

In Upper Middle Trash, John talks about his loving, dysfunctional family; heroic tales of alcoholism; being a married product of divorce; revenge; and debauchery, to name just a few topics. The product of a "nice guy" dad and an alcoholic mother who, "when she drinks...can say some of the most hateful things ever uttered," John says. "I take after my mother. I'm a bit of a misogynist. Alcoholism and mental illness run rampant in my family on both sides. I'm part Native. That doesn't help."

Suspense mounts when Paulina and her husband offer hospitality to a stranger. Paulina thinks she recognizes, in their guest, the man who tortured her in prison, and she subsequently takes him hostage to find out the truth. A stunningly blunt and compelling play, Death and the Maiden explores brilliantly the issues of torture, power, vulnerability, ethics, and trust. An award-winning play by Chilean writer Ariel Dorfman, forced into exile in 1973.