Resultado Editorial "Audible Studios" em Artes e Entretenimento

Andy Warhol's work and personality changed American visual culture forever, making him an international superstar. His rise to global fame, his entanglement with the seedy New York sexual underground, and the shocking assassination attempt that almost ended his life are chronicled in Stephen Koch's indispensible classic, Stargazer.

Reflecting on the Beach Boys’ long, fascinating history, this book tells the story behind 50 of the band’s greatest songs from the perspective of group members, collaborators, fellow musicians, and notable fans. The band's music is as influential now as it was 50 years ago, and this retelling of how the iconic rock group found itself in the annals of pop culture couldn't come at a better time.

It was made like a television movie, and completed in less than three months. It killed off its star in 40 minutes. There was no happy ending. And it offered the most violent scene to that date in American film, punctuated by shrieking strings that seared the national consciousness. Nothing like Psycho had existed before, and the movie industry, even America itself, would never be the same.

When did documentaries get glamorous? Documentary Superstars looks at the history of documentaries and traces their transition from hands-off to in your face. Exclusive interviews with Michael Moore, Morgan Spurlock, Errol Morris, George Clooney, Sacha Baron Cohen, Morgan Freeman, Al Gore, and more of the biggest names in the field show the impact of the documentary style on mainstream movies and on our society.

The Agile City engages the fundamental question: what to do about it? Journalist and urban analyst James S. Russell argues that we'll more quickly slow global warming - and blunt its effects - by retrofitting cities, suburbs, and towns. The Agile City shows that change undertaken at the building and community level can reach carbon-reduction goals rapidly. Adapting buildings (39 percent of greenhouse-gas emission) and communities (slashing the 33 percent of transportation related emissions) offers numerous other benefits that tax gimmicks and massive alternative-energy investments can't match.

Precisely because the dance floor stands apart from the everyday world, allowing dancers to play, experiment, and take on new roles, it also serves as a stage for human behavior. Antoinette Benevento, a former national ballroom dancing champion and co-owner of Fred Astaire Dance Studios, has been a student of that stage for 25 years. She has discovered that getting out on the dance floor is a powerful and empowering metaphor for living fully in all realms of life.

Delve deeper into the scientific terms and theories at the core of the Peabody-winning, cult favorite show. With exclusive insights from the show's cocreator, Graeme Manson, and science consultant Cosima Herter, The Science of Orphan Black takes you behind the closed doors of the Dyad Institute and inside Neolution.

Since cities emerged 10,000 years ago, they have become one of the most impressive artifacts of humanity. But their evolution has been anything but linear - cities have gone through moments of radical change, turning points that redefine their very essence. In this book a renowned architect and urban planner who studies the intersection of cities and technology argues that we are in such a moment. The authors explain some of the forces behind urban change and offer new visions.

In the spirit of VH1’s Behind the Music comes this revealing behind-the-scenes look at the making, breaking, remaking, pirating, filming and legal wrangling of the ‘60s cult phenomenon Candy. An erotic satire vaguely inspired by Voltaire’s Candide and penned under the name Maxwell Kenton (the nom de plume of its ex-pat coauthors, Terry Southern and Mason Hoffenberg), Candy was first published in 1958 by the notorious French publisher Maurice Giordias. The book was immediately banned, then reissued under the title Lollipop, banned again, then reissued again, sanitized in England and eventually shipped stateside, where thanks to Putnam and a slew of publishing pirates, it leapt to bestsellerdom and was eventually crowned "the world’s most talked about book." Southern’s own son, Nile, has recounted the novel’s bumpy and adventurous journey in a magnificent epistolary style, reprinting the correspondence between Candy’s authors, its publisher and its increasingly complicated web of involved parties. The compilation perfectly captures the "growing misunderstandings, temper tantrums, paranoid fixations, jealousies, dreams and utter despair that each of these men went through as they tried to regain control over their book lost in a miasma of cloudy copyright." (Miasma is an apt term: by the second half of the book the legal fog is so thick that it’s nearly impossible to keep track of who’s suing whom.)

As Glenn Altschuler reveals in All Shook Up, the rise of rock 'n roll--and the outraged reception to it--in fact can tell us a lot about the values of the United States in the 1950s, a decade that saw a great struggle for the control of popular culture. Altschuler shows, in particular, how rock's "switchblade beat" opened up wide fissures in American society along the fault-lines of family, sexuality, and race.

An intimate portrait of Handel’s life and inner circle, modeled after one of the composer’s favorite forms: the fugue. During his lifetime, the sounds of Handel’s music reached from court to theater, echoed in cathedrals, and filled crowded taverns, but the man himself - known to most as the composer of Messiah - is a bit of a mystery. Though he took meticulous care of his musical manuscripts and even provided for their preservation on his death, very little of an intimate nature survives.

Without sparing the embarrassing details, Balbirer chronicles the two decades she spent as a struggling actress in the trenches of show business. From the searing purist tutelage of David Mamet at NYU Drama School ("In show business, women who are lucky enough to find employment are asked to do only two things in every role they ever play: take your shirt off and cry") to her bizarre 1 AM Saturday Night Live audition for Lorne Michaels, Balbirer recounts her sometimes disappointing, sometimes painful, and always bizarre adventures.

>Luminous and revealing, a daughter's memoir of the art world and a larger-than-life father. Gabrielle Selz grew up in a home full of the most celebrated artists of the 1960s and 1970s: Rothko, de Kooning, Tinguely, Giacometti, and Christo. Her father, Peter Selz, was the chief curator of painting and sculpture at the Museum of Modern Art in the heyday of Abstract Expressionism. Selz's father was vibrant and freewheeling, but his enthusiasm for both women and art took its toll on their family life.

In 1948, New Orleans veteran trumpeter and singer Louis Prima stumbled into a young girl named Keely Smith. She was barely a performer at all, almost half his age, destined for a relatively quiet life; their encounter was pure coincidence. But they went on to invent The Wildest, the most exciting and successful lounge act Las Vegas has ever seen, an act that became one of the hottest in the U.S. in the late 1950s and early 1960s.

Guys & Dolls...The Boyfriend...How to Succeed in Business Without Really Trying...Can-Can... These are just a few of the many Broadway shows produced by the legendary Cy Feuer, who, in partnership with the late Ernest H. Martin, brought to life many of America's most enduring musicals. Cy Feuer was at the center of these creations, as well as the films based on two of Broadway's most exceptional musicals, Cabaret and A Chorus Line. He was the man in charge, the one responsible for putting everything together, and - almost more important - for holding it together.

"She sings jumping and dancing, her fists alternately clenching and breaking open to clap; the corners of her marvelous mouth turning down in the fierceness of joy breaking through anguish; her hair covering her eyes until swept back with a meaty hand. In great shouts that send her strings of beads flying and knot her face into grimaces, the energy explodes and explodes again, sending out waves of electrical excitement. Some say she can sing more than one note at a time; maybe, but does it matter? In her every note there are infinite meanings."

Smart and incisive, this unique book takes us through Bruce Springsteen’s life by tracing the cultural, political, and personal forces that shaped his music. Beyond his constant stylistic adaptations, Springsteen developed over the decades from expressing the voice of a guy from working-class New Jersey to writing about the larger issues facing the country, including war, class disparity, and prejudice. Marc Dolan draws on a range of new and little-known sources - including hundreds of unreleased studio recordings and bootlegs of live performances - making this an indispensable reference for avid Springsteen fans as well as those interested in learning the stories behind his music.

In The Murder of Marilyn Monroe: Case Closed, renowned MM expert Jay Margolis and New York Times best-selling author Richard Buskin finally lay to rest more than 50 years of wild speculation and misguided assertions by actually naming the screen goddess's killer. At the same time, they use the testimony of eyewitnesses to describe exactly what took place inside her house on Fifth Helena Drive in Los Angeles's Brentwood neighborhood.

In a career that has spanned four decades, choreographer Twyla Tharp has collaborated with great musicians, designers, thousands of dancers, and almost a hundred companies. She's experienced the thrill of shared achievement and has seen what happens when group efforts fizzle. Her professional life has been - and continues to be - one collaboration after another. In this practical sequel to her national best seller The Creative Habit, Tharp explains why collaboration is important to her - and can be for you.

It was a time when music fans copied and traded recordings without permission. An outraged music industry pushed Congress to pass anti-piracy legislation. Yes, that time is now; it was also the era of Napster in the 1990s, of cassette tapes in the 1970s, of reel-to-reel tapes in the 1950s, even the phonograph epoch of the 1930s. Piracy, it turns out, is as old as recorded music itself. In Democracy of Sound, Alex Sayf Cummings uncovers the little-known history of music piracy and its sweeping effects on the definition of copyright in the United States.