Resultado Editorial "Tantor Media" em Artes e Entretenimento

In 1931 Universal Studios released Dracula starring Bela Lugosi. This box office success was followed by a string of films featuring macabre characters and chilling atmospherics, including Frankenstein, The Mummy, and The Invisible Man. With each new film, Universal established its place in the Hollywood firmament as the leading producer of horror films, a status it enjoyed for more than twenty years.

Malka Marom will tell you that art saved her life. As a child, she craved stories and songs more than sustenance, and it's no surprise, perhaps, that they ended up being the central thread of her unusual, often amazing life. In the '60s, with her singing partner, Joso Spralja, another immigrant to Canada, Malka formed a singing duo that made world music a domestic hit, and though they rarely sang in English, they eventually had one of the bestselling records of the era and a CBC TV show after Hockey Night in Canada.

Adored by battalions of devotees and maligned by others for melodramatic twists and turns, soap operas have had an outsized impact on American culture, prefiguring the rise of today's reality television and character-driven prestige dramas. In Love in the Afternoon, and Evening, cultural critics Charlotte Druckman and Mayukh Sen salute the stories and talent that have sustained the industry since its radio days. Featured are smart yet dishy interviews with soap icons like Susan Lucci (All My Children's Erica Kane) and Erika Slezak (One Life to Live's Victoria Lord)…

Matisse in Morocco tells the story of the artist's groundbreaking time in Tangier—how it altered Matisse's development as a painter and indelibly marked his work for the next four decades. Through Koehler's research and travel, we experience Matisse's time in Tangier, the paintings and their subjects, his relationships with his wife Amélie and his collectors, and come to understand the impact Morocco had on his art.

For years, Akira Kurosawa resisted writing about himself. The memoir he finally started serializing in 1978, Something like an Autobiography, ended with Rashomon, the film that launched him on the world's stage in 1950. Long Take, first published in Japan shortly after Kurosawa's death in 1998, at last tells the story of the rest of his life.

The Art of Biodiversity recounts key chapters in the history of scientific nature art. It's a story about art that's not in the art history books, and a story about science that's missing from histories of science. This art appeared in vividly illustrated books that offered readers a vastly expanded vision of nature. The Art of Biodiversity introduces the listener to the extraordinary men and women who created these books.

In The Politics of Collecting, Eunsong Kim traces how racial capitalism and colonialism situated the rise of United States museum collections and conceptual art forms. Investigating historical legal and property claims, she argues that regimes of expropriation—rather than merit or good taste—are responsible for popular ideas of formal innovation and artistic genius.

Tom Doyle takes listeners through the ride of a lifetime, from Starr's brushes with death as a child brought up in poverty, through to dizzying heights of fame and success with the Beatles and beyond. By examining pivotal moments, anecdotes, and cautionary tales, we see Starr soar as part of the biggest band in the world—and then try to cope with life outside of it with a film career, misadventures with friends, children's TV narration, furniture designing, and marriage to a Bond girl, before eventually finding peace and sobriety.

We've all had the experience: a song comes on, and suddenly we're not where we were. We're back in the past, or living out a future that never happened, or imagining a scene that never existed. In Transported, Elizabeth Margulis explores the phenomenon of musical daydreams—the vivid, spontaneous, emotionally redolent scenes, stories, and memories we lapse into while listening to music—and argues that these everyday reveries offer a powerful and underappreciated window into how we think and feel.

As the site of Cleveland's Great Lakes Exposition, the lake offered visitors a respite from the Great Depression, and Hotel Victory, once considered the world's largest summer resort, drew thousands to Put-In-Bay. Daring postal workers dangerously crossed the ice-covered surface on hybrid "boats" and by foot. Canal Street, at the Buffalo Wharf, was once called "the Wickedest Street in America."

Sonny Rollins is one of the towering masters of American music, a virtuoso of the saxophone, and an unequaled improviser whose live performances are legendary and who has reshaped modern jazz over the course of a career lasting more than sixty years. A turning point in that legendary career came in 1959, when Rollins stepped back from performing and recording to begin a new regime of musical exploration.

Thirty years after Rent, Jonathan Larson's groundbreaking rock opera, opened on Broadway, you would be hard-pressed to find a musical theater fan who doesn't know at least some of the show’s iconic tunes by heart. Much of the impact comes from the show's musical style, a singular blend of grunge rock, power pop, gospel, and R & B that was brought to life by the show's onstage band, headed by the legendary musical director Tim Weil.

Jazz legend Cootie Williams left home to start his career as a professional musician at the age of fifteen. In 1940, after eleven years as one of the major soloists with the Duke Ellington orchestra, Williams was lured away to the band of Benny Goodman, one of the most popular bands in the country. At the time, it was a controversial move―it was still taboo for African Americans to share the bandstand with white people.

A sweeping history of humanity's most fundamental creation—the home—and its effects on the land, cities, and people themselves.

Global superstar Bad Bunny, born Benito Antonio Martínez Ocasio, like many other Puerto Ricans, has lived a life marked by public crises—blackouts, hurricanes, political corruption, and oppression, among others—that have exposed the ongoing impacts of colonialism in Puerto Rico. Offering a portrait of the past and future of Puerto Rican resistance through one of its loudest and proudest voices, P FKN R draws on interviews with musicians, politicians, and journalists as well as ethnographic research to set Bad Bunny and Puerto Rican resistance in a historical, political, and cultural context.

The British Isles hold a unique position in the history of art, a place where local traditions fuse with international ideas. At once isolated by coastal boundaries, yet also part of larger networks of diverse peoples, these islands have always benefited from a dual perspective.

When over seventy-five pieces of rare and intriguing seventeenth and eighteenth century Delftware are rediscovered in an historic Manhattan townhouse, decorative art advisor and writer Genevieve Wheeler Brown quickly recognizes that, together, these pieces tell an amazing story. What begins as a curatorial exercise quickly evolves not only into an exploration of this colorful, expressive, and sometimes even humorous decorative art, coveted for hundreds of years, but also an unexpected uncovering of forceful female lives yet untold.

Rock 'n' roll appeared in the 1950s as the high-energy, electrically amplified music of young dancers and listeners, first in the United States and then around the globe, and from the beginning it symbolized more than music.

Modern technology radically transformed urban life by the first decade of the twentieth century. As one of Western Europe's least industrialized countries, Italy appeared impervious to such developments. It was this state of affairs at which the Futurist movement took aim. With its founding in 1909, the poet and impresario F. T. Marinetti called for a revitalization of aesthetic expression by means of "movement and aggression."

It might seem odd—a punk band introducing poetry into someone's life. But what if this lyrical influence was the reason you became a writer in the first place?