Resultado Editorial "Tantor Media" em Apresentadores e Celebridades

Enter the realm of the carnie king, Patty Conklin, the flamboyant founder of what would become the world's largest carnival company. Patty started on the mean streets of New York selling peanuts before becoming a a small-time operator. Winning the midway contract for the Canadian National Exhibition in 1937, he made it his personal world's fair. It became the foundation for his son and grandson to expand Conklin Shows until they were playing the biggest fairs and exhibitions throughout North America.

In a world dominated by men, Marian McPartland distinguished herself as one of the greatest jazz pianists of her age. Born in the UK as Margaret Marian Turner, Marian McPartland learned to play classical piano, but was passionately attracted to the rhythms of American jazz. Entertaining troops in WWII Europe, she met her future husband, Jimmy McPartland, a cocky young trumpet player who was the protege of the great Bix Beiderbecke. They were married and, together, they made jazz history.

Once called "the most gifted character actor of our time," Lionel Barrymore (1878-1954) was part of the illustrious Barrymore acting dynasty. Although he garnered success on stage and screen and was a talented actor, writer, director, visual artist, and composer, he never escaped the shadow of his family. Barrymore won the Academy Award for Best Actor in A Free Soul and was nominated for Best Director for Madame X. He is best known for his role as Mr. Potter in It's a Wonderful Life and as the voice of Ebenezer Scrooge.

A literary welcome mat to the beautiful world of classical music, this memoir is accessible and engaging for all. It brings listeners into rehearsals and concert halls, revealing the choices musicians must consider, and what conductors, players, and composers really do. A heartwarming story about passion, determination, and survival, I Knew a Man Who Knew Brahms explores music at its core. You will never listen to music the same way again, after hearing Nancy Shear's story.

In The Master of Drums, biographer Elizabeth J. Rosenthal crafts a celebratory, honest, and exhaustively researched portrait of a twentieth-century music legend. When he died, Gene Krupa may have left behind a world of grieving friends, colleagues, fans, students, and progeny, but as The Master of Drums proves, his dynamic musical and cultural influences live on.

Rodney Dangerfield's fidgety delivery, self-deprecating humor, and catchphrase, "I don't get no respect," made him a comedy icon in nightclubs, on television, and in movies. But Rodney's long road to stardom was as rocky as his real life. That's when he decided to give comedy one last shot . . . Back in the clubs and thanks to a fortuitous prime-time set on The Ed Sullivan Show, at the age of forty-five, the newly christened Rodney Dangerfield was an "overnight" success. It was the greatest second act in the history of show business.

What happens when magazine editors behave worse than the celebrities they feature? Shock, comedy, and farce, expertly chronicled in Jeremy Murphy's Too Good to Fact Check, a firsthand account of his ten years traveling with stars as the editor of a glossy magazine. In between taking Julianna Marguiles to the Côte d'Azur, Neil Patrick Harris aboard the Orient Express, and LL Cool J to Paris among other locales, the author lived a wild, decadent life that rivaled anyone he was covering, and recounts the most outrageous moments in colorful, candid detail.

One of the most successful nightclub and theater comedians in America started out a long way from the stage, in the tiny farming community of Lithonia, Georgia.

Seattle band, The Gits and their charismatic front person Mia Zapata were on the verge of international rock stardom but on July 7, 1993, days before their third United States tour, Mia Zapata, The Gits twenty-seven-year-old singer-songwriter, was brutally assaulted and murdered by a stranger. Zapata's death sent chilling ripples through progressive communities throughout the United States. She became a cause-celebre for women's rights activists outraged by the brutal killing and lack of law enforcement support.

Merle Oberon made history when she was announced as a nominee for the Best Actress Oscar in 1936. Her nomination marked the first time the Academy recognized a performer of color. Oberon, born to a South Asian mother and white father, broke through a racial barrier—but no one knew it. Oberon was "passing" for white. In the first biography of Oberon in more than forty years, Mayukh Sen draws on family interviews and untapped archival material to capture the life of an oft-forgotten talent.

Secret (and not-so-secret) weapons, side-of-the-stagers, rhythm and horn sections, backup singers, accompanists—these and other "band people" are the anonymous but irreplaceable character actors of popular music. Through interviews and incisive cultural critique, writer and musician Franz Nicolay provides a portrait of the musical middle class.

Arthel "Doc" Watson (1923-2012) is arguably one of the most influential musicians Appalachia has ever produced. A musician's musician, Doc grew up on a subsistence farm in the North Carolina mountains during the Depression, soaking up traditional music and learning to play guitar even though he was blind. Full of fascinating stories—from Doc's first banjo made from his grandmother's cat to the founding of MerleFest—this promises to be the definitive biography of the man and how he came to be synonymous with roots music in America and shows how his influence is still felt in music today.

One was a tough junkman's son, the other a cosseted mama's boy, but they dreamed the same mighty dream: that the right movies could make a profit and change both the culture and individual lives. Sharing a religion and an evangelical zeal for film, Louis B. Mayer (1884-1957) and Irving Thalberg (1899-1936) were unlikely partners in one of the most significant collaborations in movie history. Over the course of their decade-long relationship, as key players at Metro-Goldwyn-Mayer and major players in Hollywood, they joined forces in redefining and mastering the template for the film industry.

Heirs to the renowned German-American Bergdoll Beer fortune at a young age, the Bergdoll boys used their millions to become champion race car drivers and pioneer aviation heroes in the early 1900s. Then, just as Grover is trying to buy a bigger plane to set more records and attempt to fly to Europe a decade before Lindbergh, they're snared by vengeful local military draft officials. Running and hiding from their war duty, the fugitives are so reviled by nationalistic Americans that two older brothers change their names to avoid infamy.

In Stomp Off, Let's Go, author and Armstrong expert Ricky Riccardi tells the enthralling story of the iconic trumpeter's meteoric rise to fame. Beginning with Armstrong's youth in New Orleans, Riccardi transports listeners through Armstrong's musical and personal development, including his initial trip to Chicago to join Joe "King" Oliver's band, his first to New York to meet Fletcher Henderson, and his eventual return to Chicago, where he changed the course of music with the Hot Five and Hot Seven recordings.

Who almost turned down his iconic role on The Sopranos because he could not sing? Did Katharine Hepburn really build the Uris building? How did a simple handshake with President Kennedy almost end in disaster? In his debut memoir, Too Funny for Words, Jerry Adler reveals all for the first time! In his career as a theater director, producer, and actor that has spanned over seventy years, Adler has certainly had his fair share of laughs, and is ready to take listeners on a reminiscent journey of Hollywood tales past.

Tchaikovsky is famous for all the wrong reasons. Portrayed as a hopeless romantic, a suffering melancholic, or a morbid obsessive, the Tchaikovsky we think we know is a shadow of the fascinating reality. It is all too easy to forget that he composed an empire's worth of music, and navigated the imperial Russian court to great advantage. In this iconoclastic biography, celebrated author Simon Morrison recreates Tchaikovsky's complex world.

Though her acting career is well known, Ida Lupino was, until very recently, either unknown or overlooked as an influential director. One of the few female directors in Classical Hollywood, Lupino was the only woman with membership in the Directors Guild of America between 1948 and 1971. Her films were about women without power in society and engaged with highly controversial topics despite Hollywood's strict production code. Filmmaker Alexandra Seros retells the story of Ida Lupino's career, from actor to director, first in film, then in television.

Beginning with his childhood in Rotherham, England, Nick recounts his personal and musical journey through the genres, first as a punk, then as a goth; how it all started when he was first inspired to pick up the sticks by Sex Pistols drummer Paul Cook. Flash forward to the eighties. Nick spies an ad from his favorite band, Pulp, in a local club. He pays Jarvis Cocker and the gang a visit and the rest is history. From there, Nick describes his growth as a professional drummer and musician.

Marty Friedman's upbringing was as atypical as his career. Growing up in a Jewish household in Maryland, the son of an NSA executive, he lacked motivation until he discovered the guitar. Enjoying a hazy adolescence overflowing with partying, music, and teen antics, he achieved local stardom in Deuce, then burst onto the national scene by pioneering a radically new style of playing, bringing attention to the guitar aficionado label, Shrapnel Records. Friedman moved to California and scored a gig in Megadeth.