Títulos em Arte e Literatura

There are moments throughout our lives when we discover an artist, an album, a film, or a cultural artifact that leaves a lasting impression, helping inform how we understand the world, and ourselves, moving forward. In No Sense in Wishing, Lawrence Burney explores these profound interactions with incisive and energizing prose, offering us a personal and critical perspective on the people, places, music, and art that transformed him.

Drawing on the wisdom and personal experience of its esteemed contributors, this first-of-its-kind anthology tackles complex questions of our times to provide a rich tapestry of Indigenous life, past, present, and future. These peace offerings—to settlers, to one another, to listeners—explore the histories that have brought us to this moment, the challenges and crises faced by present-day communities, and the visions that will lead us to a new architecture for thinking about Indigeneity.

Caught pants down by a dance hostress in a Laotian nightclub; hitching a ride into battle with a chain-smoking pilot in a plane filled with cans of leaking kerosene; fielding cables that arrive in the dead of night from an editor screaming for urgent copy overnight…It's all in a day's work for the foreign correspondent, says author Dennis Bloodworth, who ought to know. He took it all in his stride during the more than 30 years that he spent as foreign correspondent of the London Observer.

Questa è la storia di un ragazzo che sentiva di non trovarsi nel posto giusto. E così è andato a cercarsene un altro. In famiglia c'erano pochi soldi: quando si andava in pizzeria si sceglieva il piatto che costava meno, non quello che piaceva davvero. Il suo destino sembrava già segnato. Non aveva un talento particolare a cui affidarsi né un grande sogno da inseguire, e ogni volta che cercava di esprimere un desiderio trovava qualcuno che gli diceva che non era per lui. Così si era convinto che certi pensieri non se li poteva permettere.

Welcome my attempt with peculiar words as a treasure for your future. My hands can’t hold them too much longer. I want to hand them your way.

In November 1966, by way of Mexico City, Eton College, Balliol College, Oxford, and a Norwegian raspberry farm, Anthony Cheetham entered the doors of a publishing company for the first time to begin work as a junior editor. Fifty-eight years later he could look back on a career in which he had shaped the landscape of post-war British publishing to a significant degree. A Life in 50 Books is an affectionate and revelatory account of a publishing life remarkable for its longevity, its entrepreneurial energy and for the breadth and catholicity of its output.

Bookish picks up where Bookworm left off: at the cusp of teenage, when everything – including the way we read – undergoes a not-so-subtle transformation. Here, Mangan vividly recounts her metamorphosis from young bookworm to bookish adult, from the way GCSE curricula can impact our relationship with literature to the growing pains of swapping the pleasures of re-reading for those of book-hoarding.

Maria Rose shares her deeply personal journey of overcoming adversity, discovering inner strength, and reshaping her destiny. Her memoir explores how resilience and determination can transform even the most daunting circumstances into powerful catalysts for personal growth and success.

Jeff German, a veteran Las Vegas Review-Journal investigative reporter, was no stranger to controversy or the danger of his work. For more than four decades, he wrote stories relentlessly confronting the mob, corrupt politicians, and greedy bureaucrats. As a result, he was often threatened—enough that he and his friend and fellow investigative reporter, Arthur Kane, sometimes joked about reporting on these threats if they were ever acted upon.

Urchin on the Beat is the captivating second volume of Uwe Siemon-Netto's memoir series, detailing his tumultuous teenage years in post-war Germany. The story picks up in 1947, where young Uwe endures daily persecution in the Soviet-controlled zone, targeted by his Communist teacher for being a Christian. Desperate for freedom, he escapes to West Germany, leaving behind his beloved grandmother, who had protected him from Nazi indoctrination.

Non è solo il nuovo romanzo di Pennac, è tutto Pennac in un romanzo... Nonnino, che diventerà il formidabile malfattore di Capolinea Malaussène, ha solo quattordici anni quando prepara il primo colpo della sua magistrale carriera di ricattatore e criminale. Nel seguirne i primi passi, Pennac intreccia invenzioni letterarie e autobiografia rivelando il suo modo di lavorare e le sue fonti di ispirazione per creare un personaggio. “La maggior parte dei miei amici diventano personaggi dei miei romanzi. Ma questo assassino che immaginavo senza conoscerlo, il mio terribile assassino, da dove viene?

This audiobook contains the strange, raw, and epiphany-filled stories that led to Read’s dramatic nine-month conversion from atheism to Catholicism. Focusing not only on Read’s life but also on the lives of others who, knowingly or unknowingly, encountered the Virgin, this literary memoir is a testimony of how a Mother patiently brought one child home to her Son—and slowly revealed her own heart.

Un viaggio appassionato e travolgente nella vita di ventuno personaggi straordinari, uomini e donne fuori dal comune per talento, fragilità, spregiudicatezza. Storie intense e incandescenti, raccontate con la maestria di chi sa andare oltre la superficie: storie che, se non facessero capo a eventi storici ben delineati, farebbero pensare al dominio del romanzo e della finzione, più che alla realtà. La tragica poesia di Marina Cvetaeva, la vita tormentata di Edgar Allan Poe, l'arte dirompente e oscura di Picasso, vampiro di anime.

In a world saturated with success stories and overnight sensations, author Steven E. Wedel takes a refreshingly honest and humorous approach to navigating the tumultuous waters of the writing life. In "How to Fail as an Author," Wedel shares his personal journey from aspiring writer to seasoned author, highlighting the inevitable failures, setbacks, and unexpected detours along the way.

Chico Xavier viveu seus 92 anos no limite. Com um pé na Terra e outro no além, fechou os olhos e pôs no papel poemas, crônicas, mensagens. Em mais de 500 livros publicados, mortos ilustres e anônimos consolam os vivos, pregam a paz e propagam o equilíbrio e a solidariedade. Para seus admiradores fervorosos, foi um santo. Para os descrentes, no mínimo um personagem intrigante.

El descalzo es el escritor en su tinta. Pero la tinta de un escritor no es sólo la tinta de su tintero, de su teclado. Es, además, todo eso que lo envuelve como una red y lo apresa y/o contiene y está más allá y más acá de su biblioteca, de sus apuntes, de sus tortuosos borradores, de los laberintos de gestación, de sus hábitos y manías y mañas a la hora de afrontar el desafío de la página en blanco o de la página que rebasa.

As the first Black woman to consistently write and publish in the field of science fiction, Octavia Butler was a trailblazer. With her deft pen, she created stories speculating the devolution of the American empire, using it as an apt metaphor for the best and worst of humanity—our innovation and ingenuity, our naked greed and ambition, our propensity for violence and hierarchy. In this outstanding work, Susana M. Morris places Butler’s story firmly within the cultural, social, and historical context that shaped her life.

Memórias de uma moça bem-comportada é uma esplêndida autobiografia de uma das maiores escritoras do século xx, Simone de Beauvoir. Dona de um espírito inconformado e autêntico, Simone nos mostra sua infância religiosa numa família de classe média parisiense, a adolescência rebelde e a posterior devoção à literatura. Ela evoca vividamente suas amizades, seus interesses amorosos, seus mentores e o início da duradoura relação com o escritor e filósofo existencialista Jean-Paul Sartre.

Sus lágrimas han sido pepitas de oro para la audiencia. Pero ella es mucho más que Sálvame, mucho más que la creadora del chuminero o la periodista que siempre llora frente a las cámaras. Lydia Lozano forma parte de la historia de nuestra televisión y de la prensa del corazón. Su currículum atesora años de exclusivas y de anécdotas. Tras décadas de experiencia, la periodista, lejos de los focos y sin interrupciones, nos cuenta su versión de la historia. Ha llegado la hora de escribir negro sobre blanco todas esas cosas que nunca pude decir en un plató.

Show Time is a true story which found its roots in the answer to the question, 'how did the author get into tattooing', which she fielded from almost every person that she met. The book travels the backroads of Europe in the 1980s and 90s as a young woman chronicles her relentless determination to find scraps of information, loopholes and chinks in the armor of the male-dominated secretive world of tattooing where females were not welcome or encouraged.