Títulos em Biografias e Memórias

In a heartbreaking yet hopeful collection of personal essays and prose poems, blending the confessional, political, and literary, Kai Cheng Thom dives deep into the questions that haunt social movements today. With the author's characteristic eloquence and honesty, I Hope We Choose Love proposes heartfelt solutions on the topics of violence, complicity, family, vengeance, and forgiveness.

Chicago is a world-class city, but it is also a city in crisis. Crime is up, schools have repeatedly shut down due to conflict between City Hall and the powerful teachers' union, and COVID-19 only deepened the entrenched poverty, institutional racism, and endless tug of war between the city's haves and have nots. For four years, the person at the center of this storm was Lori Lightfoot.

This quietly powerful memoir of longing and acceptance casts a humanizing eye on a little-understood American religious tradition and a woman's striving to grow within and beyond it.

Strange Bird is a continuation on the very themes of my first 4 books. Addiction, trauma, baring my soul, yearning and searching, finding my way back to myself. Telling my truth even when it may feel like a bitter betrayal of the one I loved the most. Strange Bird is my hope that I can finally turn a corner and a page and an entire chapter and book of my life for something brand new. Strange Bird is a goodbye letter.

The joy is in the journey! We all have our own journey in life with ups and downs. Sometimes it feels like things will never go our way, yet if we are bold enough to face our fears, learn from our failures and heal from our pain, then we can find the overflowing joy. This story is about my journey, which has led me to the realization that yes, the joy is in the journey.

Robert gives a recipe for survival, and his book gives inspiration and hope not only to the LGBTQ community, but also to all oppressed and discriminated peoples of the world. But most important it is a written history of laws in America that affect all of us, including people of all races, sex, and who they love.

In Survival Is a Promise, Alexis Pauline Gumbs, the first researcher to explore the full depths of Lorde’s manuscript archives, illuminates the eternal life of Audre Lorde. Her life and work swell to become a cosmic force, showing us the grand possibility of life together on earth.

Entwined explores the fuzzy lines between friendship, romance, and family with various essay forms, including a play, an advice column, and a love letter. Rather than wallowing in the throes of jealousy, this collection celebrates the hard work, humor, and wisdom needed to create a love life that resists conventional narratives.

Hargrove’s memoir picks up where Bryan Stevenson’s Just Mercy left off, exploring generational trauma and pulling back the curtain on family court and poverty in America. Moving and inspiring, Mama is an ode to motherhood and identity, to never giving up, and to finding strength in family and community.

In the 1950s, a young Ngāhuia is fostered by a family who believe in hard work and community. Although close to her kuia, she craves more: she wants higher education and refined living. But whānau dismiss her dreams. To them, she is just a show-off, always getting into trouble, talking back and running away. In this fiery memoir about identity and belonging, Ngāhuia te Awekōtuku describes what was possible for a restless working-class girl from the pā.

Part provocateur, part seducer, this young gay man’s account of life offers one of the freshest takes on Australia and the world today. Honouring poets of the past–Jean Genet, Veronica Franco, Euripedes, Hunter S. Thompson, Oscar Wilde–and joining in their task of finding meaning in existence and the modern world, Tolcher has produced a brazenly honest debut without precedent.

As a young child, in many ways, Shaley didn’t stand a chance. Growing up as a closeted lesbian in the 1970’s, in a dysfunctional family with an often mentally unstable mother, the only thing on her mind was survival. Turning to alcohol and drugs at an early age, she thought she’d found the perfect escape from the shame of being gay and her mother’s erratic emotional roller-coaster ride.

From choirboy to drag act, grandson to mentor, poet to lover, Dean Atta has played many roles in his life. In this formally inventive, candid and courageous book, he explores what he has carried in his body: wins and losses, shame and pride, pain and joy. Dean also investigates how radical self-acceptance and a willingness to abide with discomfort open up the possibility of a life lived beyond definition: a person unlimited.

Investigative journalist Sam Irvin's tell-all behind the making of FRANKENSTEIN: THE TRUE STORY (Universal / NBC-TV, 2-part miniseries, 1973) has many facets. It is an eye-opening exposé on the movie industry of the early 1970s with an emphasis on Universal Pictures and the horror genre. But the chronicle also reveals a hidden agenda – fueled by the astonishing courage of a revolutionary group of LGBTQ+ artists spearheaded by producer Hunt Stromberg Jr. and his screenwriters Christopher Isherwood (THE BERLIN STORIES – the basis for CABARET) and his lover, artist Don Bachardy.

Movies That Made Me Gay is a wonderfully well-informed, witty and acerbic take on iconic Hollywood films, film-stars, and indie cult favorites from an author who is himself a Black gay icon.

Lorinda Boyer strove continuously to be virtuous in the eyes of God and to live the life she believed He intended for her. She married her high school boyfriend at eighteen and had two kids by twenty-eight. Although she created a perfect Christian home for her family, she never felt wholly content in her role as wife and mother. Then her life intersected with Robin's-the woman who would ultimately awaken her sexuality and show her true love for the first time.

The unimaginable, true story of a woman’s quest to escape poverty and serve in the Royal Navy. This shocking account exposes first-hand, the author’s personal journey from poverty in Liverpool, during the Thatcher era, and the wider picture as to why many working-class people turn to the Armed Forces for a career as a result. It exposes the shame and fear that gay service personnel had to endure, and the ensuing interrogations, during the years of the ban on LGBT+ people serving in HM Forces.

Nell'autunno del 1975 la sedicenne Jeanette Winterson deve prendere una decisione: rimanere al 200 di Water Street assieme ai genitori adottivi o continuare a vedere la ragazza di cui è innamorata e vivere in una Mini presa in prestito. Sceglie la seconda strada, perché tutto quello che vuole è essere felice. Tenta di spiegarlo alla madre, che però le chiede: "Perché essere felice quando puoi essere normale?". Da questa frase inizia il racconto intimo e personale di un'infanzia trascorsa fra un padre indifferente e una madre che passa le notti sveglia ad ascoltare il Vangelo alla radio, impastando torte e lavorando a maglia.

For the first time, in her own words, Nicole tells the story of her journey from childhood in rural Maine to the spotlights of Hollywood, sharing the lessons she’s learned along the way. With clever wit and unflinching honesty, she tackles some of the most insidious messaging absorbed by queer kids and all young women, from the idea that any one thing can (or should) ever really “fix” you, to wondering what’s wrong with you when things don’t always feel better, and reminding us that, sometimes, a happy ending is only the beginning of the story.

Transland is a fiery and revealing memoir that delves into what happens when a non-binary person goes looking for self-worth and a sense of belonging in fetish subculture, only to find that fetish communities come with just as many problematic rules, expectations, and hierarchies as mainstream ones.