Resultado Editorial "Recorded Books" em Literatura e Ficção

“Every successful marriage has its own private language.” So it is for baby-boomer Kate and her architect husband, Jack, decades into their comfortable metropolitan life together, and for millennial television writer Phoebe and her charming loafer of a partner, Tony. But everything changes when a steamy Netflix show called Cheating becomes the much-talked-about megahit of the moment―and somehow seems to include intimate details of their marriage that only Kate and Jack could ever have known. Who has cheated whom? Who has stolen whose story―and why?

In The Quantity Theory of Morality, Will Self’s unconventional new novel, his pen remains dipped in vitriol and elegance as ever. In this dark yet hilariously satirical “state-of-an-era novel,” Self’s target is a collective morality that is nothing more or less than pure sociability. His middle-class, middle-English characters appear trapped in a timeless go-round of polite chitchat in dinner parties that refract like a hall of mirrors as the novel progresses, until one day someone says something to the effect of, “This way to the gas chamber, please, ladies and gentlemen.”

Criminal defense lawyer Björn Diemel has been given an ultimatum: repair his work-life balance, or his wife will leave him—and take their daughter. He reluctantly starts a mindfulness course, and to his surprise, it’s a revelation. He becomes calmer, happier, and more focused as he starts to understand what’s really important in life. When his worst client, brutal kingpin Dragan Sergowicz, tries to interfere with his precious family time, Björn will stop at nothing—not even killing—to protect his peace.

No Way Home tells the haunting story of Terrence Tully, an LA medical resident who is abruptly informed that his mother has died. Arriving at her home in a forlorn Nevada desert town, the naive doctor finds himself “like a swimmer caught in a riptide,” drawn into a love triangle involving the manipulative, margarita-swilling receptionist Bethany and her ex-boyfriend Jesse, a vengeful middle-school teacher cocksure about his sexual prowess.

Verona Montero loves calling herself a private dick because it makes her sound like she’s in a 1940s detective movie. And it means she gets to say “dick” a lot. So when Miami—a walking Barbie doll with an emoji addiction and bikinis smaller than Verona's patience—needs proof her billionaire husband Javier is cheating, Verona's all over it. Especially when it means working with divorce lawyer Quentin, whose cologne gives her what she professionally diagnoses as “crotch headaches.”

Chet the dog is less than enthusiastic about the Little Detective Agency's next case. Chet and his human partner, PI Bernie Little, have been hired to find a missing person—only the missing person is a cat. Miss Kitty, an internet sensation, has disappeared, and Chet and Bernie have been hired to find her before her many followers realize something is wrong. Miss Kitty belongs to Bitty, a sweet teenage girl who lives with her mom. Bitty and her mother are struggling financially, but the arrival of Miss Kitty and the chance discovery of her social media appeal has changed everything.

For months, Luke and his underground revolutionary group have been planning their biggest operation yet: kidnapping 23-year-old Adeline Woolsaw. They don’t want a ransom—they want to expose the Woolsaw Group, the source of Adeline’s parents’ enormous wealth, a vast yet largely anonymous company that runs everything from military bases and mental hospitals to commuter trains, call centers, and prisons.

The delightfully irreverent eldest daughter of the not-so-ill-fated Romeo and Juliet returns to sleuth another day in fair Verona, in this hugely entertaining historical mystery series with a refreshingly bold premise.

Grim Wolds, England: Winifred Notty arrives at Ensor House prepared to play the perfect governess—she’ll dutifully tutor her charges, Drusilla and Andrew, tell them bedtime stories, and only joke about eating children. But long, listless days spent within the estate’s dreary confines come with an intimate knowledge of the perversions and pathetic preoccupations of the Pounds family—Mr. Pounds can’t keep his eyes off Winifred’s chest, and Mrs. Pounds takes a sickly pleasure in punishing Winifred for her husband’s wandering gaze.

Georgia Thackery is feeling pretty good about her summer job teaching at prestigious Overfeld College, and she’s renting a rustic cabin right by a lake for herself, her daughter, Madison, and her best friend, Sid the Skeleton. Together again, the trio are enjoying the quiet when a teenager named Jen shows up looking for her friend. Georgia doesn’t recognize the name, but she learns that the person Jen was looking for is actually Sid.

Georgia Thackery, adjunct English professor, has a new job teaching at Falstone College of Art and Design, known as FAD to its students and faculty. Living in a borrowed bungalow during winter in the snowiest part of Massachusetts, Georgia feels her isolation weighing as heavily as the weather. Then she receives a package containing her best friend, Sid, a walking, talking skeleton who has lived with the Thackery family since Georgia was six. With Georgia working out of town, Sid was lonely too.

It begins with hallucinations. From their living room window, Leo sees a man on stilts, an acting troupe, a pair of swans paddling on the street. Initially, Leo believes the visions are related to visual impairment—they are something he and his wife, Addie, can joke about. Then, he starts to experience occasional, but fleeting, oddities that mimic myriad brain disorders: aphasia, the inability to perform simple tasks, Capgras Syndrome, audial hallucinations he believes to be real. The doctors have no answers.

Something is not right with George the shepherd. His sheep have gathered around him outside the cozy Irish village of Glennkill to assess the situation. George has cared for the sheep, reading them books every night, and now he lies pinned to the ground with a spade. His flock, far savvier about the workings of the human mind than your average sheep, sets out to find George’s killer, led by Miss Maple, the smartest sheep in Glennkill (and possibly the world).

Celebrated stage actress Mona Zahid wakes up on Thanksgiving morning to the clamor of guests packed into her Manhattan apartment and to a wave of dread: her in-laws are lurking on the other side of the bedroom door; she’s still fighting with her husband; and in just a few weeks she will begin rehearsals as Shakespeare’s Cleopatra, the hardest role in theater. In an impulsive burst, Mona bounds out the door with the family dog in tow (“I forgot the parsley!” is her lame excuse) to find her estranged mentor, Milton Katz, who was recently forced out of the legendary theater company he founded.

Liv. Reese. Faith. Yes, they are plus-size, curvy, thick, whatever. Point is, they are past sick of society’s relentless body shaming defining them. Liv slays in dance classes, where she shakes off her frustrations as a struggling writer. Introverted Reese avoids “taking up too much space” by staying in the background as Liv’s sidekick. And while diva-cold professional dancer Faith aces countless auditions, she’s “too big” for starring roles. At the end of their respective ropes, all it takes is one more insult … for Liv to suddenly have an idea that will unite them all.

The year is rapidly drawing to an end, Hettie the tortoise is hibernating and Agnes, Charlie, Marshall, and the other elderly residents of Sunset Hall are going stir-crazy at home. They’ve had enough of the broken boiler, drafty bedrooms, and Christmas jingles on the radio. And to top it off, another series of murders is rocking the hamlet of Duck End. It seems like every villager and his dog is trying to make up for all of the thwarted murders of the past thirty years.

Morning Pages is about what life throws at you when you’re trying to write. It is both a humorous exploration of the creative process and a relatable coming-of-age tale for the generation sandwiched between caring for their parents and caring for their kids.

From Sophia Bannion’s first day on the Storytelling team at HEBE, a luxury skincare/wellness company based in New York’s trendy SoHo neighborhood, it’s clear something is deeply amiss. But Sophia, pushing thirty, has plenty of skeletons in her closet next to the designer knockoffs and doesn’t care. Though she leads an outwardly charmed life, she aches for a deeper meaning to her flat existence—and a cure for her brutal nail-biting habit. She finds it all and more at HEBE, and with Tree Whitestone, HEBE’s charismatic founder and CEO.

It’s the summer of 1982 and fourteen-year-old Swanna Swain is the only one left at camp. The place is a ghost town by the time her mother Val finally shows up six hours late—stoned and radiant—in a Ford pickup driven by Borislav, her new young Russian lover. Assuming she is headed home to her air-conditioned Upper West Side apartment, Swanna and her lovable younger brother Madding are instead dragged to Vermont—to an artist colony where kids are not welcome and they are forced to sleep in the back of the truck, while Val is cozy inside the house with the Russian.

Their next door neighbor, Mr. Parsons, thought he was doing the right thing by loaning his ne’er do well son, Billy, some money to help get himself settled. But days later, Mr. Parsons has discovered that his entire life savings is gone. Valley PD is certain this is an impersonation scam, but Bernie isn’t so sure. With Mrs. Parsons in the hospital and Billy nowhere to be found, it’s up to Chet and Bernie to track Billy down and get to the bottom of things—before it’s too late.