Títulos em Literatura e Ficção

O que você faria se descobrisse que o mundo vai acabar em menos de uma semana? Quando a avó de Camila diz que o mundo irá acabar dentro de cinco dias, Camila leva a notícia muito a sério, e resolve tentar aproveitar ao máximo seus últimos dias de vida na companhia das melhores amigas. Ao lado de Gabi, Teresa e Rafaela — que talvez seja mais do que uma amiga, se Camila tiver a coragem de se declarar.

"O Alienista" é um conto clássico escrito por Machado de Assis e publicado em 1882. A história satiriza a sociedade e a ciência da época, explorando o conceito de sanidade mental e os limites da razão humana. Com humor e ironia, Machado de Assis apresenta um enredo cativante e reflexivo.

A protagonista deste romance vai do paraíso ao inferno em poucas páginas. Casada com a mulher que ama, ela suspeita de que tenha sido traída durante uma de suas viagens de negócios. A angústia de não saber o que se passa, o medo de perguntar, a desconfiança e a dúvida, que nunca tiveram espaço na relação–considerada perfeita pelos amigos–agora rondam o casal. Mas será mesmo que a traição existiu? Ou era o amor que estava minguando?

Utopia (Libellus vere aureus, nec minus salutaris quam festivus, de optimo rei publicae statu deque nova insula Utopia, "A little, true book, both beneficial and enjoyable, about how things should be in the new island Utopia") is a work of fiction and socio-political satire by Thomas More (1478–1535), written in Latin and published in 1516. The book is a frame narrative primarily depicting a fictional island society and its religious, social, and political customs. Many aspects of More's description of Utopia are reminiscent of life in monasteries.

LONGLISTED FOR THE 2024 NATIONAL BOOK AWARD IN FICTION • A NEW YORK TIMES BEST BOOK OF THE YEAR ""A master comedian with a virtuoso prose style has produced an audacious, original and highly disturbing book . . . an incandescent satire."" —Giles Harvey, The New York Times Magazine From...

As the new owner of the worst business in history, Jack has a lot on his plate. His self-appointed “biggest fan” wants to finally meet, and won’t take no for an answer. The annoying cultists are back and cultier than ever. Plus, there’s a creature living under the building's crawlspace that must be fed regularly (or else). To top it all off, the entire town’s collective memories have been haphazardly rewritten, and Jack's placement in these recollections are decidedly unflattering.

Miranda July’s second novel confirms the brilliance of her unique approach to fiction. With July’s wry voice, perfect comic timing, unabashed curiosity about human intimacy, and palpable delight in pushing boundaries, All Fours tells the story of one woman’s quest for a new kind of freedom. Part absurd entertainment, part tender reinvention of the sexual, romantic, and domestic life of a forty-five-year-old female artist, All Fours transcends expectation while excavating our beliefs about life lived as a woman.

Twenty-four-year-old British painter Cleo has escaped from England to New York and is still finding her place in the sleepless city when, a few months before her student visa ends, she meets Frank. Twenty years older and a self-made success, Frank’s life is full of all the excesses Cleo’s lacks. He offers her the chance to be happy, the freedom to paint and the opportunity to apply for a green card. But their impulsive marriage irreversibly changes both their lives and the lives of those close to them, in ways they never could’ve predicted.

Growing up the daughter of notorious treasure hunter and absentee father Duke Wilder left Lily without much patience for the profession…or much money in the bank. But Lily is resourceful, and now uses Duke’s coveted hand-drawn maps to guide tourists on fake treasure hunts through the red rock canyons of Utah. It pays the bills but doesn’t leave enough to fulfill her dream of buying back the beloved ranch her father sold years ago, and definitely not enough to deal with the sight of the man she once loved walking back into her life with a motley crew of friends ready to hit the trails.

Choose us. Choose life. Choose mortgage payments; choose washing machines; choose cars; choose sitting oan a couch watching mind-numbing and spirit-crushing game shows, stuffing f****n junk food intae yir mooth. Choose rotting away, pishing and shiteing yersel in a home, a total f***n embarrassment tae the selfish, f****d-up brats ye've produced. Choose life.

Grandpa and Noah are sitting on a bench in a square that keeps getting smaller every day. The square is strange but also familiar, full of the odds and ends that have made up their lives: Grandpa's work desk, the stuffed dragon that Grandpa once gave to Noah, the sweet-smelling hyacinths that Grandma loved to grow in her garden.

Meet Eleanor Oliphant: She struggles with appropriate social skills and tends to say exactly what she's thinking. Nothing is missing in her carefully timetabled life of avoiding social interactions, where weekends are punctuated by frozen pizza, vodka, and phone chats with Mummy. But everything changes when Eleanor meets Raymond, the bumbling and deeply unhygienic IT guy from her office.

QUI EST VERNON SUBUTEX ? Une légende urbaine. Un ange déchu. Un disparu qui ne cesse de ressurgir. Le détenteur d'un secret. Le dernier témoin d'un monde révolu. L'ultime visage de notre comédie inhumaine. Notre fantôme à tous.

Looking at real estate isn’t usually a life-or-death situation, but an apartment open house becomes just that when a failed bank robber bursts in and takes a group of strangers hostage. The captives include a recently retired couple who relentlessly hunt down fixer-uppers to avoid the painful truth that they can’t fix their own marriage. There’s a wealthy bank director who has been too busy to care about anyone else and a young couple who are about to have their first child but can’t seem to agree on anything.

Breakfast of Champions (1973) provides frantic, scattershot satire and a collage of Vonnegut's obsessions. His recurring cast of characters and American landscape was perhaps the most controversial of his canon; it was felt by many at the time to be a disappointing successor to Slaughterhouse-Five, which had made Vonnegut's literary reputation.

Folksy and fresh, endearing and affecting, Fried Green Tomatoes at the Whistle Stop Cafe is the now-classic novel of two women in the 1980s; of gray-headed Mrs. Threadgoode telling her life story to Evelyn, who is in the sad slump of middle age. The tale she tells is also of two women - of the irrepressibly daredevilish tomboy Idgie and her friend Rut - -who back in the thirties ran a little place in Whistle Stop, Alabama, a Southern kind of Cafe Wobegon offering good barbecue and good coffee and all kinds of love and laughter, even an occasional murder.

Humankind has one more chance, a second-last chance, to survive. We are in a lot of trouble if these zany characters are our last hope. Prison Planet accommodates the American crew, safely landing with all dubious passengers intact. An evil warden assumes the role of dictator for the planet's lifers. Crew 7 must escape the clutches of the warden and his hench . . . men/women/other. But who are the real criminals?

Sister Agatha has lived a long, saintly life across three centuries—only to be told, during a routine check-up, that she’s got just one week left to live. It’s a bit of an inconvenience, really. You see, Sister Agatha once made a vow: to be the oldest person in the world. At last count, she was in fifth place. So close . . . But where there’s a will, there’s a way, and the super-centenarian creates a bold Plan B.

In the Florida Keys, trouble is brewing along with the coffee. Friends Madison Westin and Fabiana Merceau search for the mastermind behind gruesome warnings showing up on their doorstep. Fab’s infamous new partner and Madison’s reappearing ex-husband complicate matters in this sexy and humorous action-adventure, the seventh installment of the Paradise series. Can they slip the bonds of protective custody and solve the mystery before they are Kidnapped in Paradise?

When an ordinary man with a knack for bad luck, finds himself imprisoned in New Zealand on charges of human smuggling, he discovers that truth and justice are little more than stage props in a political farce. His fellow inmates include tattooed Māori warriors, suspicious Israelis, philosophical Muslims, and a Georgian drug lord with tips on beating the system. Somewhere between the chessboard in the prison yard and the sterile absurdity of the courtroom, Senya realizes he is not just fighting for freedom, but stumbling through a theater of cruelty where the script has already been written.