Títulos em Literatura e Ficção

In the years following the First World War a new generation emerged, wistful and vulnerable beneath the glitter. The Bright Young Things of 1920s London, with their paradoxical mix of innocence and sophistication, exercised their inventive minds and vile bodies in every kind of capricious escapade. In these pages a vivid assortment of characters, among them the struggling writer Adam Fenwick-Symes and the glamorous, aristocratic Nina Blount, hunt fast and furiously for ever greater sensations and the hedonistic fulfillment of their desires.

Qui n'a jamais galéré en amour ? Qui n'a jamais culpabilisé parce qu'elle n'était pas une mère parfaite ? Qui n'a jamais trouvé ses parents insupportables ?... Levez le doigt ! Tess a eu une vie en pagaille, mais au fond n'est-ce pas cela qui est normal ? Une existence faite de ruptures, de bifurcations et pourtant débordante d'amour, de rires et de larmes. Stephanie Blake raconte une héroïne éprise de passion et de liberté. Un concentré d'humour mordant et d'impertinence, sous une plume virtuose.

"La scatola di cuoio vissuto era sistemata da sempre su un cassettone di legno massiccio nello studio di don Pantaleo, a San Clemente. Dal giorno di Natale del 1968 aveva colpito la fantasia di Antonio Forini, trentasei anni, magro, un po’ curvo, quasi calvo, lenti spesse da miope, strampalato, “un tipo che, fra centomila lire e un portachiavi di metallo, sceglie il portachiavi, senza pensarci due volte”". Un’insolita favola nera sull’invidia, l’avidità e i più bassi sentimenti umani.

Alexander Pope was fiercely critical of writers whom he considered to have little talent and whom he liked to nominate as dunces. His most encyclopedic examination of these apostles of dullness is the Dunciad, a long satirical saga first published in a three-book version in 1728. A variorium edition followed shortly afterwards in 1729. In 1742, Pope added a fourth book, and a new, complete edition was published in 1743.

Are you tired of pretending to understand Hegel? Do you feel personally attacked by German idealism? Have you ever wondered if “sublation” is just a fancy word for “I have no idea what I’m saying”? Congratulations. You’ve found your people. In Hegel’s Dialectic: Making Simple Ideas Complicated Since 1807, philosophy finally gets the sarcasm-drenched takedown it deserves.

जवन म लग हर आग क करण सरफ आपक गलतय नह हत ह, कछ आपक कसमत भ सलग दत ह य कहन ह बबल शकल क जनब कटरकटर ह 28 क ह गए ह, पर शद नह हई अभ तक खद कछ कर नह पए, अमम क कछ करन नह दत य गव क व यव ह, ज इनक उमर म अववहत रह जए त लग यव कहन स भ कतरन लगत ह शद स डरत नह ह, बस थड नरबस जत ह ठकदर क शरआत छट-मट कम स हई थ, पर जब स इनक समझ आय ह क रशवत दकर सरकर tender मल जत ह, कम अलग ह level पर पहच गय ह इस कहन म एक लडक ह, एक लडक ह, द दसत ह, एक गव ह व सब कछ, ज ह सकत ह पर इसक सथ मलग शकल ज क खद पर अपर वशवस, धध म आ रह दककत, रशत क गहरई, नतकत पर सवल और हलक स इशक बस... हलक स

Un lugar encantador adonde acudirán cuatro mujeres inglesas, hartas y aburridas, escapando de la rutina. Allí, en primavera y en pleno Mediterráneo, conversan, viven y descubren los mejores matices de su sensibilidad, oculta por la monotonía cotidiana. Y todo empezará a cambiar, quizá para siempre. Esta comedia de Elizabeth von Arnim, una de las escritoras más leídas de principios del siglo XX, brinda tanto placer y fascinación hoy como entonces.

Montclair Retirement Community is the poshest home for seniors Savannah, Georgia has to offer. When Montclair is under threat of foreclosure, its devil-may-care Southern Belle resident, Geraldine Ford, refuses to let her home be lost. After all, to Geraldine, Montclair and its residents are the closest thing to a home and family she has had in all 70 years of her life. She recruits her closest gal pals, who are also residents of Montclair, on a felonious adventure to acquire cash to pay Montclair’s debts.

In the quirky and snack-filled world of Big Backia, the Big Backs—an oversized race with even bigger appetites—face a hilarious but heartfelt dilemma: they want smaller backs, but can’t resist their mountains of snacks. Desperate for change, young Katie Maroo seeks help from the legendary Fitness B. Warren, a no-nonsense guru with a simple mantra: “You don’t need that snack, Big Back!”

When Edith and a select group of employees at Winked advertising agency are sent to Consequi, an elite three-day work retreat in the remote mountains, she sees an opportunity to impress her bosses and dodge an inevitable restructure. But this is no ordinary corporate retreat. Trapped together in the revamped convent, the threat of mass redundancy looming over them, their phones confiscated and the team-building activities becoming increasingly extreme, the 'work family's' cracks begin to widen–and Edith has a secret that threatens to make her the office outcast: the stinkbug.

"Versteht mich nicht falsch, Jungs: Toll, dass ihr Feministen seid. Aber was geht mich das an?" Lensi Schmidt ist eine Meisterin darin, das sonderbare Verhalten von Männern humorvoll und gleichzeitig kritisch zu beleuchten. Feministisches Empowerment trifft auf eine große Portion Selbstironie. Denn Lensi weiß aus eigener Erfahrung, dass man genau den Dude, den man gerade in die Wüste geschickt hat, am nächsten Tag schon wieder daten will. Tipps und Tricks, wie Frauen diesen Spagat meistern, klare Grenzen setzen und trotzdem auf ihre Kosten kommen, liefert Lensi inklusive.

DESPRE AUDIOBOOK. Un scriitor (întâmplător sau nu, având același nume cu autorul) duce o existență cât se poate de mulțumitoare: singurul conflict autentic din viața lui, după cum ne anunță chiar de la început, este încăpățânarea de a scrie, când, după toate aparențele, nu are de ce. În lipsă de alte frământări, observă în tihnă lumea din jur și începe să ne povestească pe un ton firesc lucruri banale care i se întâmplă, în cartier și prin împrejurimi: o vizită la o clinică de gastroenterologie, prezentarea unor cursuri de scriere creativă la o librărie sau un drum la frizer.

All Beulah Land wants is to play piano in her favorite honky tonk, take care of her elderly bestie, and thumb her nose at the church across the road. Life has other plans. Soon Beulah finds herself playing piano in the very place she swore she'd never enter again. The church choir goes on strike, the minister is as irritating as he is handsome, and everyone has an opinion on what Beulah should do with her life. So what's a girl to do? Create her own misfit choir out of barflies.

Sì, si dice "supercàzzora" e non "supercàzzola". Rigorosamente con la R e non con la L. Questo è assodato, dimostrato, dimostrabile, granitico, inamovibile e definitivo e costituisce una delle poche, pochissime certezze della vita. Tutto il resto è pura illusione.

L'umorismo, che in "Debito formativo" era puramente ludico e finalizzato alla narrazione, non poteva che trovare una connotazione amara e desolante, anche se il lettore non faticherà a trarre, anche da qui, un qualche motivo di isolata ilarità.

Richard Tull, a failed and disillusioned novelist, seethes with envy as he watches his longtime friend Gwyn Barry, a talentless, populist charlatan, rise to literary superstardom. Barry is adored by readers, celebrated by critics, and constantly in the public eye, while Tull sinks deeper into middle-aged obscurity, unable to escape the evidence of his own defeat. In a trance of impotent rage, Tull devises a vicious plan to ruin his friend—or at least hurt him as badly as possible—and finds himself tumbling into London’s criminal underworld, as well as the darkest precincts of his own soul.

Money is everything. Especially to John Self, a successful commercial director from London. He spends his days steeped in booze and pornography and prostitutes, lost in the hedonistic lifestyle of his peers. But John has bigger dreams, and he sets off for America on the invitation of the filmmaker Fielding Goodney in the hope of getting his first feature film, titled Good Money, off the ground. It is in America where John must contend with his degenerative proclivities, or risk the life he’s built.

Foster brothers Terence Service and Gregory Riding could not be more different from one another—Terry “a quivering condom of neurosis and ineptitude” and Greg a “bundle of contempt, vanity and stock-response.” After the shocking killing of Terry’s child sister, he is taken in by the aristocratic and wealthy Riding family and introduced to his new foster brother and sister, Greg and Ursula. As adults, the two boys unhappily share a tiny apartment in London.

Charles Highway, a bright, egotistical Oxford student and soon-to-be Great Novelist, spends the eve of his twentieth birthday reflecting on his adolescence—at times stimulating, often embarrassing, and never nearly as debauched as he’d have liked. Until he meets Rachel Noyes, an elusive, unattainable, manic pixie mystery of a girl whom Charles quickly becomes entranced by. He meticulously draws up battle plans and strategies for how to seduce Rachel, and thus the “Rachel Papers” are born.

Within the quiet walls of the Appleseed Rectory, a gorgeous five-bedroom, three-story home in rural England, anything goes: the drugs are consumed with gusto, the booze flows like water, and the sex is near constant and deliciously debauched. When six uppity twenty-somethings gather at the rectory for a careless weekend away, things quickly go awry. And when someone named Johnny begins leaving threatening letters around the house, the group is thoroughly shaken—no one has any clue who this “Johnny” could be.