Resultado Editorial "Recorded Books" em Memórias, Diários e Correspondência

Powerful, haunting, and unforgettable, this remarkable gathering of original documents, including never-before-published letters and papers, creates a day-by-day eyewitness account of the monumental collision at Gettysburg, in the words of the commanders, soldiers, politicians, and civilians from both the North and the South who experienced firsthand the changing course of the Civil War. New York Times bestselling and award-winning historian and author Allen C. Guelzo delivers an invaluable and sobering firsthand perspective of the Civil War’s turning point.

Jack Kerouac’s archive is vast. Throughout his life he was constantly writing, and he meticulously saved and catalogued his material. The result is that beyond the work published in his lifetime there has been a rich stream of posthumous writing that is far from tapped. This collection of previously unpublished writing culled from the Kerouac archive, and as a companion to Paul Maher Jr.'s Becoming Kerouac, spans Kerouac’s adult life, from a journal written at age seventeen to autobiographical reflections a few years before his death.

Arrested in 1962 as South Africa's apartheid regime intensified its brutal campaign against political opponents, 44-year-old lawyer and African National Congress activist Nelson Mandela had no idea that he would spend the next 27 years in jail. During his 10,052 days of incarceration, Mandela wrote hundreds of letters to unyielding prison authorities, fellow activists, government officials, and, most memorably, his courageous wife, Winnie, and his five children. Now, 255 of these letters, a majority of which were previously unpublished, provide the most intimate portrait of Mandela since Long Walk to Freedom.

Relegated during her lifetime to the pulpy genre of mystery, Patricia Highsmith has emerged since her death in 1995 as one of “our greatest modernist writers” (Gore Vidal). Presented for the first time, this one-volume assemblage of her diaries and notebooks posthumously discovered behind Highsmith’s linens and culled from more than 8,000 pages by her devoted editor, Anna von Planta—traces the mesmerizing double-life of an artist who “[worked] like mad to be something”.