Resultado Editorial "Deadtree Publishing" em Antologias e Contos

In this volume our authors, including Ambrose Bierce, Nathaniel Hawthorne, Winifred Holtby, Bernard Capes and many others bring forth creations and contraptions that are both amazing and abstract as well as diabolical and delightful.

In this volume our classic authors conjure up all sorts of damnations and destructions in literary assaults testing our will to survive and our ingenuity to overcome situations where the outlook is bleak at best and the total extinction of us at worse.

Wilkie Collins was born on 8th January 1824 in Marylebone, London. He pursued his education at Mr Cole’s private boarding school in Highbury, Islington. Here, he began his literary career under unusual circumstances: the school bully would give him no peace until he had been told a bedtime story. This ‘little brute’ helped create one of England’s greatest writers.

Wilkie Collins was born on 8th January 1824 in Marylebone, London. He pursued his education at Mr Cole’s private boarding school in Highbury, Islington. Here, he began his literary career under unusual circumstances: the school bully would give him no peace until he had been told a bedtime story. This ‘little brute’ helped create one of England’s greatest writers.

Being an English author in a new and different culture seems to work its magic when these two are placed together in the same spot with a rich vocabulary; ideas seem more fully formed and characters have another edge to their existence. For the outsider looking in, more can be revealed and shared with ourselves.

For an atheist it’s a great deal, though it does suggest atheism may have a weak point. For those of faith it’s a matter of jam now and purgatory tomorrow. A bargain many artists feel is something they can live with. For agnostics it’s usually a question of can the afterlife really be that bad, would workplace regulations reach all parts of heaven and hell. However, in this volume the terms are agreed and the Devil pays his fees and the character his dues, each happy to wait a few decades for the eternal payback.

On the death of a cruel man, the terms of a secret are demanded from him to no avail. When the facts are finally revealed his true evil has changed everything.

The world since earliest times has always had spies. Information is a valuable commodity and even more so in times of war or tension. Many authors and poets have had real life incarnations as spies from Christopher Marlowe and Aphra Behn to Daniel Defoe. But it’s a dangerous game. Working in a murky, secretive world where any trust given could be at the expense of your life.

Francis Marion Crawford, an only child, was born on 2nd August 1854 at Bagni di Lucca, Italy. He was a nephew to Julia Ward Howe, the American poet and writer of "The Battle Hymn of the Republic". Crawford was educated at St Paul's School, Concord, New Hampshire, and then on to Cambridge University, the University of Heidelberg and the University of Rome. In 1879, he went to India, to study Sanskrit and then to edit The Indian Herald. In 1881, he returned to America to continue his Sanskrit studies at Harvard University.

Edgar Allan Poe's early literary works were poetic, but he quickly turned to prose. He worked for several magazines and journals till in January 1845, The Raven was published and became an instant classic. Poe was also an early proponent of the detective story and announced his entry to this genre with the classic short story 'The Murders in the Rue Morgue'.

The short story is often viewed as an inferior relation to the novel. But it is an art in itself. To take a story and distil its essence into fewer pages while keeping character and plot rounded and driven is not an easy task. Many try, and many fail. Blackmore was one to succeed, as this audiobook ably demonstrates.

Our ‘fight of flight’ response is something hardwired into the primitive part of our brain. Our need to survive, to outlive whatever danger poses, that immediate threat to our lives is little short of a marvel. Everything else is abandoned in order to survive. Whilst in modern times that ability has been somewhat modified and ‘reasoned’ away to an extent, in past years it’s what usually kept you alive. In this volume people struggle valiantly to survive and to exist no matter the extent of the threat they face.

When we read or listen, words can have a transforming effect. Our mood can alter in the space of a few sentences from joy to sadness. And not just our mood. These words can affect us physically, they can engage our emotions and even in their sadness bring a lump to our throat and tears to our eyes. Sometimes the relief can be palpable. Our authors, from Anton Chekhov, Stephen Crane, Willa Cather, Katherine Mansfield and a wealth of others, are well aware of what their talents will evoke. Genius has many names.

Life has the capacity of great moments and attainment, of lives well lived, fulfilling for ourselves and for those we touch. But for others life is arduous. There is no spark to ignite the curiosity, to explore and achieve a stability and a growth to their lives. Indeed their lives, in their own eyes, become almost meaningless, their sense of themselves subsumed under a myriad of problems, whether real or imagined. Seismic events in a life might crush them; the loss of a loved one for instance. Coping is difficult, support hard to find and isolation abounds.

The inevitable is understood by each and every one of us who faces the final calling. So too are the effects on those left behind. The memories are there but the empty space, the void can never be refilled. It remains a dark, unreliable pit of loneliness. The sadness and often depression, the lack of will to continue may swamp us all. Unquenchable, undeniable. But loss can, after mourning, give the opportunity to reappraise the lost and how we can each move forward. In the literary world an accessible balance can be given.

Art and life. Each the mirror of the other. This then is the classic definition of what ‘Realism’ as a writing form really is. Some might call it a fancy term for the mundane day to day pursuits but in the hands of an author it comes alive. We are drawn into characters and landscapes that we can empathize with, we can, metaphorically speaking, help shoulder their burden, be on the long trail with them whatever the landscapes, the hurdles, incidents and other people may place in their literary way.

Mental illness though can still carry a stigma. A case of ‘you’re not trying hard enough’, ‘or knuckling down and getting on with it’. But in more recent decades mental issues have come to be recognised as an illness, a disease rather than an affliction. We all remember horror stories of lobotomy’s and electric shock being used to ‘cure’ what society viewed as anti-social behaviour but illness, mental or physical is very real. Depression, schizophrenia, breakdown, psychosis are alarming events to have or to witness.

Loss in any form seems to burden us with more weight than anything that can possibly be gained or learnt from. The loss of a person, a loved one, is often overwhelming. Lives so interwoven that the severing or loss of one life leaves the other weakened, unable to function for some time. Recovery comes in a myriad of forms but is usually debilitating, slow and, in the end, we are not as whole as we once were.It is a subject that authors return to again and again.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. In this series we try to offer up tried and trusted ‘Top Tens’ across many different themes and authors. But any anthology will immediately throw up the questions – Why that story? Why that author? Ambrose Bierce is an author whose words take us one way and then send us another. These miniature masterpieces all have a central truth and plausibility that seems to vanish in an ending that can be anything from wry, to shocking to hallucinatory.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. Whether they hail from the Lowlands or the Highlands, to be a Scottish author is to part of a quite an extraordinary band of authors and its literary traditions. These beguiling stories example the full range and majesty of their talents and the subjects they explore.