Títulos em Ensaios

Briefe an einen jungen Dichter ist eine Sammlung von Briefen Rainer Maria Rilkes, die 1929 im Insel Verlag als Nummer 406 der Insel-Bücherei erschien. Die Briefe an einen jungen Dichter wurden aus der Veröffentlichung der übrigen Briefe ausgegliedert und diesen vorangestellt, weil sich die Herausgeberinnen erhofften, auf diesem Wege mehr Aufmerksamkeit für Rilkes moderne Haltung zur Orientierung im Leben zu erlangen, während sowohl der Kommunismus als auch der Nationalsozialismus an Boden gewannen. Die Texte grenzen sich von politischen Ideologien ebenso ab wie von der Religion.

大人気！　哲代おばあちゃんの本、第二弾。「長う生きてきた集大成が今の自分です。しょんぼりしよったら、人生を否定したみたいになりますね。

会議に執筆、今年もマリコは大忙し。去年から勤め人となったマリコは年始から大忙し。元気を出すためしっかりお餅を食べて、朝ドラの「舞い上がれ！」はかかさない。理事長になって初めての卒業式。

チーズ、中華カレー、ビール！やっぱり美味しい人気エッセイ最新刊＜平松洋子さんの人気シリーズ！＞

"El hombre sufre tan terriblemente en el mundo que se ha visto obligado a inventar la risa". Friedrich Nietzsche. Pero... ¿es esto cierto? Dondequiera que miremos, parece haber una crisis, ya sea económica, climática, política o bélica. Muchas veces, al mismo tiempo. En este escenario, ¿hay espacio para el humor? SÍ, aunque no sea obvio, los tiempos de crisis son los más propicios para la risa. Es cuando se vuelve más necesaria y útil, porque, como dice Sergio de la Calle, "en medio del caos, el humor es la brújula para orientarse; en los accidentes emocionales, un airbag; y, en la oscuridad, un faro".

James Baldwin's breakthrough essay collection made him the voice of his generation. Ranging over Harlem in the 1940s, movies, novels, his preacher father and his experiences of Paris, they capture the complexity of black life at the dawn of the civil rights movement with effervescent wit and prophetic wisdom.

In I’m Laughing Because I’m Crying, Youngmi jokes through the retelling of her childhood as an offbeat biracial kid in Saipan, a place next to a place that Americans might know. She jokes through her difficult adolescence where she must parent her own parents: a mother who married her husband because he looked like white Jesus (and the singer of The Bee Gees). And with humor and irreverence and full-throated openness, she jokes even while sharing the story of what her family went through during the last century of colonialism and war in Korea.

The Memory Palace is a collection of tiny, crystalline historical tales that come across like luminous short fiction, and, like Nate DiMeo’s acclaimed podcast of the same name, conjure lost moments and forgotten figures who are calling out across time to be remembered. For fifteen years, Nate DiMeo has turned to the past to make sense of the way we live today, finding beauty and meaning in history’s dustier corners, holding things up to the light and weaving facts, keen insight, wit, and poignant observation into unforgettable tales.

放送開始から５０年を迎えた「ウルトラＱ」「ウルトラマン」「ウルトラセブン」、さらには「金曜日の妻たちへ」などの大人向けドラマまで、長年ＴＢＳのドラマを支えた監督・飯島敏宏の自伝エッセイです。

In 2024, exactly one hundred years after his death at the age of 40, readers and listeners all over the world will reach for the works of Franz Kafka. Many of them will want to learn more about the enigmatic man behind the classic books filled with mysterious courts and monstrous insects. Who, exactly, was Franz Kafka? Karolina Watroba, the first Germanist ever elected as a Fellow of Oxford's All Souls College, will tell Kafka's story beyond the boundaries of language, time and space, travelling from the Prague of Kafka's birth through the work of contemporary writers in East Asia.

樹木さんはじめ茶道経験の全くない人達で、お茶の映画を作る⁉　累計70万部突破！大人気エッセイシリーズ最新作！お茶の稽古に通う25年間を綴ったエッセイ『日日是好日』。

Киев-город — увлекательный очерк знаменитого русского писателя, драматурга и театрального деятеля Михаила Афанасьевича Булгакова (1891 — 1940). Булгаков родился в Киеве, но уехал жить в Москву. Это его воспоминания о поездке в родной город, в которых он описывает его улицы и дома, разрушенные войной, рассказывает о местных достопримечательностях, церквях и, конечно же, о киевлянах, их обычаях и нравах.Михаил Булгаков также известен как автор произведений "Необыкновенные приключения доктора", "Полотенце с петухом", "Псалом", "Московские сцены", "Путешествие по Крыму", "Роковые яйца", "Тьма египетская", "Ханский огонь", "Часы жизни и смерти".

ベストセラー日記シリーズ最新刊！今回もすべて実話の生々しさ。 30年間にわたって広告代理店の最前線で汗をかいた著者による怒りと悲哀と笑いの記録。 ゴルフ・料亭・×××接待、クライアントは神さまです ～

With heart, pathos, humor, and insight, twenty renowned writers, performers, athletes, and activists explore what it means to be Native American today. Through a series of essays and poems, these luminaries give voice to their individual experiences while shedding light on the depth and complexity of modern Native American identity, resiliency, and joy.

誰にでもねぎらわれたい夜がある　つい頑張っちゃう人　必携の書をお届けします

※本タイトルの配信日・再生時間は前後する可能性があります。詳細は、後日更新予定。

楽しい時間は向こうからはやって来ない。掴みに行くの。めいっぱいおしゃれしてね。書き下ろしの仕事のため、青山に出来たばかりのおしゃれなホテルに自主“カンヅメ"したり、NHK朝の看板番組に出演したり。

For over six decades, Gay Talese has told New York stories. They are the stories of daring bridge builders, disappearing gangsters, intrepid Vogue editors, unassuming doormen who’ve seen too much. They are set in the star-studded salons of George Plimpton’s apartment, in the tense newsroom of a still burgeoning New York Times, in an electric studio session with Tony Bennett and Lady Gaga recording their debut. With the wit, elegance, and depth of insight that has long characterized his work, Talese’s New York reporting showcases a master of the form at his finest.

Angosciati dalle nuove metriche del successo, i ragazzi sono più fragili che mai: se un tempo si confrontavano con lo spettro della colpa, oggi vivono quello dell’inadeguatezza, con conseguenze che talora lasciano sconcertati. Un audiolibro delicato e profondo per sopravvivere all’adolescenza e uscirne rafforzati. Stefano Rossi, uno dei maggiori esperti di infanzia e adolescenza in Italia, vi scorterà lungo i sentieri tortuosi di un’età difficile e disorientante. Le tappe di questo viaggio si tradurranno in 16 lezioni d’amore, perché possiate insegnare ai giovani l’arte più importante della loro esistenza: imparare a volersi bene.

Ammettiamolo: la realtà se ne infischia di ciò in cui crediamo. Tuttavia, le nostre convinzioni trasformano il modo in cui percepiamo il mondo. Ma dove nascono e come si diffondono le credenze? Che cosa ci porta a sostenere le idee più insolite o totalmente assurde, a scambiare per prove inossidabili semplici suggestioni, illusioni o, al massimo, ideologie e atti di fede? Perché finiamo per contraddire anche l’evidenza dei fatti? E chi coltiva le convinzioni più estreme è solo un pazzo o piuttosto una vittima della manipolazione dei social?