Títulos em Ensaios

Pathemata, Or, The Story of My Mouth is an experiment in interiority written in the pandemic studio. Something of a companion piece to 2009’s Bluets, Pathemata merges a pain diary chronicling a decade of jaw pain with dreams and dailies, eventually blurring the lines between embodied, unconscious, and everyday life.

Since 2023, the best-selling and award-winning author and journalist has been reflecting, with deep empathy, on the horrific October 7th attacks on Israeli citizens, rising anti-Semitism, and the brutal violence against civilians in Gaza in her column for the Globe and Mail. As one of the leading Canadian voices on Jewish identity, Lederman’s impassioned work in the Globe has been a lifeline for listeners since October 7th, 2023. The work collected in this book captures the pain of so many: Marsha’s prose has a way of cutting through the noise and capturing the humanity behind the headlines

Творчество Рюноскэ Акутагавы пользуется заслуженной популярностью как в нашей стране, так и во всем мире, а его самые известные повести и рассказы, такие как В стране водяных, В чаще и Ворота Расёмон, регулярно переиздаются. Но собранные в этом издании письма школьным друзьям, учителям и коллегам-писателям позволяют взглянуть на известного японского литератора с другой, не столь известной стороны и показывают нам Акутагаву-человека, со всеми его надеждами, мечтами и разочарованиями.

In Fires Which Burned Brightly, Faulks, a reluctant memoirist, offers readers a series of detailed snapshots from a life in progress. They include a post-war rural childhood – ‘cold mutton and wet washing on a rack over the range’ – the booze-sodden heyday of Fleet Street and a career as one of the country’s most acclaimed novelists.

"To be a well-informed citizen of Planet Earth," Rolling Stone has advised, "you need to read Elizabeth Kolbert." From her National Magazine Award-winning series The Climate of Man to her Pulitzer Prize-winning book The Sixth Extinction, Kolbert’s work has shaped the way we think about the environment in the twenty-first century. Collected in Life on a Little-Known Planet are her most influential and thought-provoking essays.

Growing up in the shifting landscape of Gundagai with her Nan and Aunties, Sunny spends her days playing on the hills near their farmhouse and her nights dozing by the fire, listening to the big women yarn about life over endless cups of tea. It is a life of freedom, protection and love. But as Sunny grows she must face the challenge of being seen as different, and of having a mother whose visits are as unpredictable as the rain.

After a childhood spent learning survival strategies in the wilderness, Jen Percy thought she knew how she would respond in the face of danger. But a series of unsettling interactions with men left her feeling betrayed and confounded by her body's passivity. Forced to reckon the myths of her own empowerment, Percy set off a broader inquiry into the way fear shapes behavior in the context of sexual violence, including the strange behaviors of three generations of women in her family.

Myriam Gurba has lived in California her entire life, with its plants and soils, forests and ecology, immersing herself in the language of the landscape as refracted through the languages and memories of her ancestors. In Poppy State, California plants serve as structural anchors in a wildly inventive work of narrative nonfiction that is part botanical criticism, part personal storytelling, part study of place. Gurba traverses themes of language, power, ancestry, and California's ecology, in masterfully constructed sentences that seem to defy gravity.

What happens when beauty intersects with horror? In her newest nonfiction collection, Jehanne Dubrow interrogates the ethical questions that arise when we aestheticize atrocity. The daughter of US diplomats, she weaves memories of growing up overseas among narratives centered on art objects created while working under oppressive regimes.

Spring is the time of renewal and rebirth, a celebration of the resilience of life. As the year turns, animals and plants that have struggled to survive the winter find new hope and create the next generation. The season has inspired some of humanity’s greatest art and many of its most significant religious festivals. Now, in Spring is the Only Season, Simon Barnes provides a fresh and compelling look at this period of the year.

Silvia Pareschi è per i lettori italiani la ‘voce’ di autori come Jonathan Franzen ed Ernest Hemingway. Da molti anni racconta in incontri pubblici e in corsi professionali le regole e le pratiche della traduzione e, da ultimo, si è fatta portavoce delle istanze dei traduttori letterari nel dibattito sull’uso dell’intelligenza artificiale nei mestieri creativi.

Un suggestivo diario a due voci, un'odissea minima fra grandi amori e piccoli tradimenti. Piera è una donna libera ed egocentrica, una creatura vulnerabile che definisce la sua identità attraverso il lavoro e le relazioni affettive, non sempre appaganti. Incarna un modello di donna in anticipo sui tempi: già negli anni Cinquanta è pronta a mettersi in gioco, a superare i propri limiti, a cercare ossessivamente il successo. Una figura di donna emancipata a noi molto familiare.

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Vidyan Ravinthiran was born in the north of England to Sri Lankan Tamils, and moved to the United States five years ago. Considering identity in both its political and psychological senses, he leaps adventurously between memoir and criticism, understanding his life through poetry, and vice versa. This electric, compelling hybrid memoir discovers a new way of writing about the self and also literature.

Since her canonical 2017 essay “On Liking Women,” the Pulitzer Prize-winning critic Andrea Long Chu has established herself as a public intellectual straight out of the 1960s. With devastating wit and polemical clarity, she defies the imperative to leave politics out of art, instead modeling how the left might brave the culture wars without throwing in with the cynics and doomsayers. Authority brings together Chu’s critical work across a wide range of media—novels, television, theater, video games—as well as an acclaimed tetralogy of literary essays first published in n+1.

No cabe duda de que la sociedad se rige por normas con frecuencia caprichosas que poco tienen que ver con las leyes naturales. Sólo así se explicaba el matemático David Hilbert la condescendencia con la que sus compañeros de la prestigiosa Universidad de Gotinga trataban a la brillante Emmy Noether, madre del álgebra abstracta, por el hecho de ser mujer.

Doris Dörrie ist eine Wohnende wider Willen. Nie wollte sie sich niederlassen, fest einrichten, Wurzeln schlagen, aber wie andere wohnen, hat sie immer schon fasziniert. In Kalifornien geht sie zu Hausbesichtigungen, nur um sich andere Leben in anderen Räumen auszumalen. Auf ihren unzähligen Reisen nach Japan, Mexiko, Marokko, Amerika und Südeuropa sieht sie, wie eng das Wohnen an die jeweilige Kultur geknüpft ist. Und bei ihrer Arbeit als Filmemacherin wird sie zur Expertin für das Erschaffen künstlicher Wohnwelten.

A partir de siete preguntas que funcionan como disparadores, ¿A qué llamamos literatura? intenta responder cuestiones centrales en los estudios literarios: cómo se clasifican las obras, por qué las valoramos, qué valoramos en ellas, cómo representan mundos posibles, cómo las leemos, cómo circulan en la vida social, cómo se insertan en los conflictos que atraviesan nuestra cultura. Dirigido por José Luis de Diego, el presente volumen es el resultado de convertir -obligado por las restricciones sanitarias de 2020- las clases orales en clases escritas.

In this short sequel to his acclaimed memoir, the legendary filmmaker and global cultural icon explores one of his favourite topics: the nature of truth. At the heart of the book lies Werner Herzog’s concept of ‘ecstatic truth’ – a truth that is often hidden behind the facts and our conceptions of reality but can be gleaned through the poetic imagination, in art, literature and cinema, when we open ourselves up to an aesthetic experience.

Publicado en 1972, cuando Borges era ya un escritor mundialmente consagrado, en este libro se hallan presentes los temas y obsesiones que cruzan toda su obra: la espada y el tiempo, la sombra y el espejo, el azar y la curiosidad filosófica, sus autores preferidos y la marca de sus influencias. Pero están también el oro y el negro de los tigres que, de niño, contemplaba fascinado en el jardín zoológico de Buenos Aires, y el amarillo que lo acompañó en el transcurso de su ceguera.