Resultado Editorial "Audible Studios" em Música

Purple Rain is a song, an album, and a film - each one a commercial success and cultural milestone. How did this semiautobiographical musical masterpiece that blurred R&B, pop, dance, and rock sounds come to alter the recording landscape and become an enduring touchstone for successive generations of fans?

Released in 1974, Sweet Home Alabama has become synonymous with Southern rock. From its opening guitar riff, it is instantly recognizable, a raucous, irreverent defense of a Deep South state and its segregationist governor against the jabs of Neil Young. But the roots of Lynyrd Skynyrd's best-selling anthem go much deeper than regional pride or resentment of a fellow rocker.

Based on extensive research and interviews with some of the participants, Browne - a contributing editor at Rolling Stone and author of Fire and Rain and Dream Brother - vividly chronicles the year America went rock & roll in everything from politics to technology. The Spirit of '76 will make you think anew about an under-appreciated moment in the country - and will make you wonder if its optimistic, can-do spirit of reinvention and renewal will ever come again.

In late 1971 John Lennon left London behind and moved to New York, eager to join a youth movement rallying for social justice and an end to the Vietnam War. Lennon was quickly embraced by radicals and revolutionaries, the hippies and Yippies at odds with the establishment. Settling in Greenwich Village, the heart of Manhattan's counterculture, the former Beatle was soon on the frontlines of the antiwar movement and championing a range of causes and issues.

Black Music is a book about the brilliant young jazz musicians of the early 1960s: John Coltrane, Thelonious Monk, Miles Davis, Ornette Coleman, Cecil Taylor, Archie Shepp, Sun Ra, and others. It is composed of essays, reviews, interviews, liner notes, musical analyses, and personal impressions from 1959-1967. Also includes Amiri Baraka's reflections in a 2009 interview with Calvin Reid of Publishers Weekly.

Contrary to popular belief, the roots of American country music do not lie solely on southern farms or in mountain hollows. Rather, much of this music recorded before World War II emerged from the bustling cities and towns of the Piedmont South. No group contributed more to the commercialization of early country music than southern factory workers.

In the 1950s, at the age of 14, Little Freddie King hopped a southbound freight train in McComb, Mississippi, fleeing the life of a sharecropper’s son in what was then the "worst part of the most intransigent state" in Jim Crow-era Dixie. Landing in New Orleans, he taught himself to play blues guitar, then found work performing at the city’s corner nightclubs, including one nicknamed the Bucket of Blood for its nightly eruptions of violence. Dodging bullets and drinking with abandon, he became a fixture in the subterranean blues scene.

October 1982: ABC, Culture Club, Shalamar and Survivor dominate the top twenty when the Pogues barrel out from the backstreets of King's Cross, a furious, pioneering mix of punk energy, traditional melodies and the powerfully poetic songwriting of Shane MacGowan.

Holly Knight’s singular music career included crafting a good part of the soundtrack to the MTV '80s with mega-hits for Tina Turner (“The Best”), Pat Benatar (“Love Is a Battlefield”), and Patty Smyth (“The Warrior”)—songs that celebrated female empowerment and shaped pop and rock for years to come.