Títulos em Entretenimento e Artes Cênicas

Actor-dancer Alyson Stoner narrates her revelatory and incisive memoir—from family violence and betrayal, to eating disorders and religious trauma—which may begin in Hollywood, but its chilling relatability will resonate with anyone navigating identity, privacy, purpose, and mental health in a digital age.

В этот сборник вошли лучшие пьесы Чехова – Чайка, Дядя Ваня, Три сестры и Вишневый сад. Главным достоинством всех чеховских пьес и его новаторством было то, что он впервые сделал предметом исследования мельчайшие детали быта и жизни людей. Он описывал повседневность, и именно через нее читатель узнает о мыслях и чувствах героев. За внешним отсутствием действия скрывается напряженная психологическая жизнь ее персонажей. "Пусть на сцене все будет так же сложно и так же вместе с тем просто, как в жизни.

"What Do You Mean, Murder?" dives deep into the making of Clue and walks fans through the movie they know and love. From producer Debra Hill's original idea of Detective Parker bumbling around a mansion to Carrie Fisher's casting as Miss Scarlet, from Madeline Kahn's iconic "flames" ad-lib to the legendary deleted fourth ending, it's all here.

Come to the movies with two celebrated spirituality writers—American poet and author Kathleen Norris and Irish storyteller and peace activist Gareth Higgins. In A Whole Life in Twelve Movies, Norris and Higgins invite listeners along as they discuss acclaimed movies that can help us better understand our lives—from before birth to death and beyond. Featuring twelve films, including 2001: A Space Odyssey, Malcolm X, and Babette's Feast, this book is perfect for individuals or groups to watch and discuss movies over the course of a year.

A cada episódio de Criando um Audible Original, o apresentador Paulo Corrêa, recebe experientes profissionais para debates, masterclasses e estudos de caso que abordam etapas e aspectos da criação e produção de narrativas em áudio.

In 1959, the year Terry Galloway turned nine, the voices of everyone she loved began to disappear. No one yet knew that an experimental antibiotic given to her mother had wreaked havoc on her fetal nervous system, eventually causing her to go deaf. As a self-proclaimed "child freak," she acted out her fury with her boxy hearing aids and Coke-bottle glasses by faking her own drowning at a camp for crippled children. Ever since that first real-life performance, Galloway has used theater, whether onstage or off, to defy and transcend her reality.

Between 1934 and 1968, no Hollywood studio could make a movie without the permission of, and a seal of approval from, the Production Code Administration. Formed in 1930 but not enforced until 1934, the Production Code was Hollywood’s official censorship system. Screenplays, books, plays, costumes, and even story ideas and song lyrics had to be cleared by the Code before they could be filmed, and Code staffers watched at every stage of the production process to ensure compliance.

In the last half century an amazing amount of history has occurred. Jim Vann was responsible for none of it but he had a great perch from which to watch. From behind the microphone, Jim has seen, shared and made fun of it. You may or may not have heard of Jim, but you are invited to share some good radio stories and reminisce about your own experiences. It is sure that you will flash back to the times, the tunes and the events that were shared on the radio, if not with Jim, with some other “disembodied voice.”

At the age of two, Mimi began working as a child actress, sharing the screen with the some of the legends from the Golden Age of Hollywood: Cary Grant, Sophia Loren, John Wayne, Loretta Young, Jane Wyman, Dorothy McGuire and many, many more. This is a tale of the kid-actors filming on the sound stages of 1950s Hollywood, kid-actors playing their parts in a very adult world, learning hard lessons with sometimes life-altering consequences.

Known as opera’s “disrupter-in-residence,” director Yuval Sharon has never adhered to the art form’s conventions. In his many productions in both the United States and Europe, he constantly challenges the perception of opera as aloof by urging, among other things: performing operas in “non-places,” such as parking lots; encouraging the use of amplification; and shuffling the traditional structure of classic works, like performing Puccini’s La bohème in reverse order, ending not with the tubercular heroine Mimi’s death but with her first falling in love.

Over the course of his sixty-year career, Elmore Leonard, “the Dickens of Detroit,” published forty-five novels that have had enduring appeal to readers around the world. Revered by Martin Amis, Margaret Atwood, Raymond Carver, and Stephen King, his books were innovative in their blending of a Hemingway-inspired noirish minimalism and a masterful use of realistic dialogue over exposition—a direct evolution spurred by his years as a screenwriter. C. M. Kushins tells Leonard’s full life story.

Written by film critic Odie Henderson, Black Caesars and Foxy Cleopatras is a spirited history of a genre and the movies that he grew up watching, which he loves without irony (but with plenty of self-awareness and humor). Blaxploitation was a major trend, but it was never simple. The films mixed self-empowerment with exploitation, base stereotypes with essential representation that spoke to the lives and fantasies of Black viewers. The time is right for a reappraisal, understanding these films in the context of the time, and exploring their lasting influence.

In 2021, Texas Country Reporter celebrates its fiftieth season on the air. Broadcast every week on stations across Texas, it focuses on "ordinary people doing extraordinary things." In this memoir, Phillips tells his own story, from his early days as a reporter and his initial pitch for the show while a student at SMU to his ongoing work at the longest-running independently produced television show in American television history.

Nesta peça, da atriz e escritora Mariana Lima, acompanhamos o plantão de uma médica-residente que, ao se deparar com um paciente que sofreu traumatismo craniano, passa a investigar o funcionamento do cérebro humano e sua relação com as emoções e a linguagem. Mesclando ciência, literatura e performance, a partir dos diários, notas de leitura e descrições médicas da autora-protagonista, refletimos sobre temas instigantes, que deslocam a sensibilidade de leitores e ouvintes.

For fans of one of the most successful and highly discussed shows in recent memory, LOST: Back to the Island is both a delightful time capsule and a rousing work of entertainment criticism.

This eclectic volume traces Rigg’s career as a renowned star of television, film, and the stage. The author includes insights from rare, archived interviews, encompassing both video dialogues conducted by the University of Kent and Oxford Union.

In Feeding the Monster, Anna Bogutskaya dispels this notion once and for all by examining how horror responds to and fuels our feelings of fear, anxiety, pain, hunger and power.

In this second edition, Murch reconsiders and completely revises his popular first edition's lengthy meditation on digital editing (which accounts for a third of the book's runtime) in light of the technological changes that have taken place in the six years since its publication.

Divided into four sections - Status, Spontaneity, Narrative Skills, and Masks and Trance - and arranged more or less in the order a group might approach them, the audiobook sets out the specific techniques and exercises which Johnstone has himself found most useful and most stimulating. The result is both an audiobook of ideas and a fascinating exploration of the nature of spontaneous creativity.

In a world that often demands conformity, rebellion is not merely a choice but a necessity. This book is an exploration of the power of disobedience, examining the artists, thinkers, and activists who dared to challenge the status quo. From the literary giants who defied conventions to the social reformers who shattered societal norms, The Secret Art of Disobedience delves into the minds of those who dared to question, to challenge, and to create. It is a celebration of the maverick spirit, an invitation to think critically, and a call to action for those seeking to make a difference.