Títulos em Mulheres

"Considerate se questa è una donna | Senza capelli e senza nome | Senza piú forza di ricordare | Vuoti gli occhi e freddo il grembo | Come una rana d'inverno". È con questa immagine scarnificata che Primo Levi, nell'incipit di Se questo è un uomo, indica la necessità di riflettere sulla condizione delle donne prigioniere ad Auschwitz. Eppure per molti anni la storiografia e la testimonianza hanno appiattito l'esperienza femminile in una declinazione universale, in un neutro linguistico che, dimenticando i corpi sessuati, ha reso opaca l'intenzionalità stessa dello sterminio.

From underground soldiers to intrepid spies, Women of War unearths the hidden history of the brave women who risked their lives to overthrow the Nazi occupation and liberate Italy. Using primary sources and brand new scholarship, historian Suzanne Cope illuminates the roles played by women while Italians struggled under dual foes: Nazi invaders and Italian fascist loyalists.

Rosemary Woodruff Leary has been known only as the wife of Timothy Leary, the Harvard professor-turned-psychedelic high priest, whose jailbreak captivated the counterculture and whose life on the run with Rosemary inflamed the government. But Rosemary was more than a mere accessory. She was a beatnik, a psychonaut, and a true believer who tested the limits of her mind and the expectations for women of her time.

In 1955, the AP thrummed with the news of Lulu Bell Parr's death. The incongruity of her final years as a pauper in a shack with her time as a Wild West star could not be ignored. Then, she was forgotten. Nearly fifty years later, small town history buffs stumbled upon her unmarked grave and set out to give her the recognition she deserved. They raised over seven thousand dollars, erected a monument on her grave (with a parade through town and celebration), and then went on to have her inducted in the National Cowgirl Hall of Fame.

In Mythica Emily Hauser tells, for the first time, the extraordinary stories of the real women behind some of the western world’s greatest legends. Following in their footsteps, digging into the history behind Homer’s epic poems, piecing together evidence from the original texts, recent astonishing archaeological finds and the latest DNA studies, she reveals who these women – queens, mothers, warriors, slaves – were, how they lived, and how history has (or has not – until now) remembered them.

Throughout the 20th century, the infamous 'Crippen murder' was told in such a way as to cast doubt on Crippen's guilt and to victim-blame his wife Cora, a music hall actress, for her own murder. It also astonishingly depicted Crippen's younger mistress Ethel as innocent of any involvement in the killing of her love rival. Not so, says Rubenhold. In fact, Ethel got away with murder, and the same Edwardian beliefs about women that demonised his wife also blinded society to Ethel's guilt.

In England in the 1700s, a woman who was an intellectual, spoke out, or wrote professionally was considered unnatural. After all, as the wisdom of the era dictated, a clever woman—if there were such a thing—would never make a good wife. But a circle of women called the Bluestockings did something extraordinary: Coming together in glittering salons to discuss and debate as intellectual equals with men, they fought for women to be educated and to have a public role in society. In this intimate and revelatory history, Susannah Gibson delves into the lives of these pioneering women.

It’s a safe bet that most of the secretaries on the TV series Mad Men would have attended the Katharine Gibbs School in New York City. The iconic institution was in its heyday in the 1950 and '60s synonymous with supplying secretaries—always properly attired in heels, ladylike hats, and white gloves—to male executives. In Expect Great Things! Vanda Krefft turns the notion of a “Gibbs girl” on its head, showing us that while the school was getting women who could type 90 words per minute into the C-suite, its more subversive mission was to get them out of the secretarial pool.

Under the pseudonym Q. K. Philander Doesticks, P. B., humor writer Mortimer Thomson went undercover to investigate and report on the fortune tellers of New York City's tenements and slums. When his articles were published in 1858, they catalyzed a series of arrests that scandalized and delighted the public. In Mortimer and the Witches, author Marie Carter examines the lives of these marginalized fortune tellers while detailing Mortimer Thomson's peculiar and complicated biography.

Empress Wu Zetian (624-705 AD) was the only woman to be the sovereign ruler of imperial China. A teenage concubine of the Tang Emperor Taizong, she seduced his son while the emperor lay dying. Recalled from a nunnery as part of an intricate court power-game, she caused the deaths of two lady rivals, before securing her enthronement as the Emperor Gaozong's consort. She ruled in the name of her husband and two eldest sons, presiding over the pinnacle of the Silk Road, before proclaiming herself the founder of a new dynasty.

Being Eclipsed describes women’s lives under the care of the Church and State in Ireland at the beginning of the mid-19th century throughout the 20th century. It gives an overview of women who had to turn to prostitution out of necessity in order to survive, and also on nuns who were put in charge of them under catholic church rule creating a double-standard.

Using previously undiscovered material, Surreal tells the riveting story of Gala Dalí, (1894-1982) who broke away from her cultured but penurious background in pre-Revolutionary Russia to live in Paris with both France’s most famous poet Paul Éluard and Max Ernst. By the time she met the budding artist Salvador Dalí in 1929, Gala was known as the Mother of Surrealism. She rapidly became his mentor and protector, marrying him in 1934 and subsequently engineering their vast fortune.

On February 1, 1910, the vivacious, diamond-adorned music hall performer Belle Elmore suddenly vanished from her home, causing alarm among her friends, the entertainers of the Music Hall Ladies’ Guild. Their demands for an investigation would lead to the unearthing of a gruesome secret and trigger a fevered international manhunt for Belle’s husband, medical fraudster Dr. Hawley Harvey Crippen.

In the spring of 2021, Maira and Alex Kalman created a small, limited-edition booklet “Women Holding Things,” which featured select recent paintings by Maira, accompanied by her insightful and deeply personal commentary. The booklet quickly sold out. Now, the Kalmans have expanded that original publication into this extraordinary compendium. Women Holding Things includes thoughtful and intimate anecdotes, recollections, and ruminations about portraits of women, both ordinary and famous.

Thoroughly researched and compellingly told, and with a dozen archival images, The Volunteers examines the untold stories of the hardworking women whose unpaid and unacknowledged labour won the Second World War.

Nawal El Saadawi writes out of a powerful sense of the violence and injustice which permeated her society. Her experiences working as a doctor in villages around Egypt, witnessing prostitution, honour killings and sexual abuse, including female circumcision, drove her to give voice to this suffering. She goes on to explore the causes of the situation through a discussion of the historical role of Arab women in religion and literature. Saadawi argues that the veil, polygamy and legal inequality are incompatible with the essence of Islam or any human faith.

Beauty, make-up, art, power: How to Be a Renaissance Woman presents an alternative history of this period as told by the women behind the paintings, providing a window into their often overlooked or silenced lives. Can the pressures women feel to look good be traced back to the sixteenth century?

Este libro empezó a escribirse mucho antes de que siquiera se esbozara su indignante y atroz argumento. Comenzó a echar raíces desde el día en que la narradora descubrió en el periódico una palabra sucia y oscura: "Feminicidio". Un libro que sabía iba a consumirla, a fragmentarla y que, después, por más que tratara, no podría pegar las partes de nuevo. Pero, aun así, tenía que escribirlo... Brutal, conmovedor y honesto, Ya no quiero ser valiente reúne los testimonios de los feminicidios de Fátima, Mariana, Renata, Mäìchä Pamela, Jalix y Ana.

Launched in the early 1970s in the United States, Italy and the UK, Wages for Housework was a political movement making the case that women who did all the care work at home deserved to be paid. Like many revolutionary ideas, it remained an unfulfilled promise. It is a feminist path not taken. Here historian Emily Callaci tells the enthralling story of this international campaign and its intellectual roots by exploring the lives of its key figures.

"If you're not strong enough to swim fast, you're probably not strong enough to swim 'pretty," said a young Esther Williams to theater impresario Billy Rose. Since the nineteenth century, tensions between beauty and strength, aesthetics and athleticism have both impeded and propelled the careers of female swimmers—none more so than synchronized swimmers, for whom Williams is often considered godmother. In this riveting history—the first of its kind—Vicki Valosik traces a century of aquatic performance, from vaudeville and dime museums to the Olympic arena.