Títulos em Mulheres

"If you're not strong enough to swim fast, you're probably not strong enough to swim 'pretty," said a young Esther Williams to theater impresario Billy Rose. Since the nineteenth century, tensions between beauty and strength, aesthetics and athleticism have both impeded and propelled the careers of female swimmers—none more so than synchronized swimmers, for whom Williams is often considered godmother. In this riveting history—the first of its kind—Vicki Valosik traces a century of aquatic performance, from vaudeville and dime museums to the Olympic arena.

From the earliest human civilizations through to the present day, the stories of countless influential women – leaders, artists, warriors, scientists and more – have been ignored, forgotten, or actively suppressed. You've probably not encountered the likes of Fatima al-Fihri (an Islamic World visionary who founded the world's first university), Ching Shih (the most successful pirate in history), or Huda Sha'arawi (a pioneering Egyptian feminist leader, suffragette, nationalist, and founder of the Egyptian Feminist Union), but that's about to change.

Betty MacDonald was a 28-year-old reporter from Hawaii. Zuzka Lauwers grew up in a tiny Czechoslovakian village and knew five languages by the time she was 21. Jane Smith-Hutton was the wife of a naval attaché living in Tokyo. Marlene Dietrich, the German-American actress and singer, was of course one of the biggest stars of the 20th century. These four women, each fascinating in her own right, together contributed to one of the most covert and successful military campaigns in WWII.

Everyone got married in the 1950s, then started to produce the soon-to-be-famous baby boom. For Americans who had survived the Great Depression and World War II, prosperous married life was a triumph. The unwed were objects of pity, scorn, even suspicion. Women over twenty-three were consider old maids. But Eva Eldridge— who’d left the farm for a job in a wartime shipyard where she made a hasty and disastrous marriage—finds herself left out. Now in her thirties and marginally employed, she is the perfect target for handsome Vick, who promises everything.

It was one of the happiest and strangest marriages there has ever been. Both Vita and Harold were always in love with other people and each gave the other full liberty 'without enquiry or reproach', knowing that their love for each other would be unaffected and even strengthened by the crises which it survived. This account of their love story is now a modern classic.

The imprisonment and execution of Queen Anne Boleyn, Henry VIII's second wife, in 1536 was unprecedented in English history and never before has there been a book devoted entirely to her fall. But here Alison Weir has reassessed the evidence and created a richly researched and detailed portrait of the last days of one of the most influential and important figures in English history.

Enid Lindeman stood almost six feet tall, with silver hair and flashing turquoise eyes. The girl from Strathfield in Sydney stopped traffic in Manhattan, silenced gamblers in Monte Carlo and dared walk a pet cheetah on a diamond collar through Hyde Park in London. In early twentieth-century society, when women were expected to be demure and obedient, the granddaughter of Hunter Valley wine pioneer Henry Lindeman waltzed through life to the beat of her own drum.

Clarissa Eden, Countess of Avon, wife of Prime Minister Anthony Eden, once famously said: 'For the past few weeks I have really felt as if the Suez Canal was flowing through my drawing-room.' With her impressive intellect and acerbic wit, she was a highly influential muse to many leading figures over several decades.

When they married Emperors Franz Joseph and Napoleon III, respectively, Elisabeth of Austria and Eugénie of France became two of the most famous women on the planet. Not only were they both young and beautiful—becoming cultural and fashion icons of their time—but they played a pivotal role in ruling their realms during a tempestuous era characterized by unprecedented political and technological change. Fearless, adventurous, and independent, Elisabeth and Eugénie represented a new kind of empress—one who rebelled against tradition and anticipated and embraced modern values.

What does it mean to be someone's "muse"? Historically, to be called a “muse” among artistic circles has been marketed as a flattering title. But the very concept of a muse underestimates these women and their abilities. At its root, muse is a support role, the title a consolation prize that claims to recognize a woman’s greatness—but only in her support of another. I'm Not Your Muse reclaims the narrative of 31 of these extraordinary women.

Ein großes Buch, das viel mittelalterlichen Staub aufwirbelt! Sie kämpften gegen Wikinger, vergifteten ihre Feinde und waren Spioninnen - die vergessenen Frauen des europäischen Mittelalters kümmerten sich beileibe nicht nur um Haus und Hof. Dennoch ist es genau dieses Bild einer patriarchalen Gesellschaft, die Frauen unterdrückte, das unsere Vorstellung vom Mittelalter prägt. Es waren Männer, die diese Geschichte schrieben und die Frauen des Mittelalters aus unserem kollektiven Gedächtnis verbannten.

Take a tour of the past and uncover stories of the women whose lives and achievements have shaped our modern world. In Life Lessons from Historical Women, Eleanor Morton celebrates the ordinary women whose decisions and accomplishments in their everyday lives resonate with us today. Whether it's what we can learn from the first woman to summit Everest or the trailblazing ladies who confirm that pockets have always been must-have in women's clothing, Eleanor writes with humour and a sincere respect for our history, and imparts valuable lessons for the modern female.

Etta Shiber and Kate Bonnefous are the unlikeliest of heroines: two seemingly ordinary women, an American widow and an English divorcée, living quietly together in Paris. Yet during the Nazi occupation, these two friends find themselves unexpectedly plunged into the whirlwind of history. With the help of a French country priest and others, they set out to rescue British and French soldiers trapped behind enemy lines—some of whom they daringly smuggle through Nazi checkpoints hidden inside the trunk of their car.

Queen Elizabeth II was famous for longer than anyone who has ever lived. When people spoke of her, they spoke of themselves; when they dreamed of her, they dreamed of themselves. She mirrored their hopes and anxieties. To the optimist, she seemed an optimist; to the pessimist, a pessimist; to the awestruck, charismatic; and to the cynical, humdrum. Though by nature reserved and unassuming, her presence could fill presidents and rock gods with terror. For close to a century, she inhabited the psyche of a nation.

During the pandemic, trapped at home with young children and struggling to find creative space to write, journalist Begoña Gómez Urzaiz became fixated on artistic women who were able to overcome both society’s judgement and their own maternal instincts in order to leave their children. More than anything, she was fascinated by her own prejudice towards these women, so clearly tied up in a much wider cultural bias.

Approaching Marie Curie from a unique angle, Sobel navigates her remarkable discoveries and fame alongside the women who became her legacy – from Norway’s Ellen Gleditsch and France’s Marguerite Perry, who discovered the element francium, to her own daughter, Irene, a Nobel Prize winner in her own right. Elements of Marie Curie illuminates the trailblazing life and enduring influence of one of the most consequential figures of our time.

From Normandy to the Caribbean Islands, this innovative biographical pursuit follows Adèle Hugo on her reckless journey of unrequited love – and the writer who chased after her more than 150 years later. In Pursuit of Love is part memoir and part travelogue, as well as an invigorating new approach to the writing of biography.

Drawing on hundreds of previously unseen letters from the sisters as well as from their grandmother Queen Victoria, The Princesses of Hesse takes us on a sweeping journey across the tumultuous landscape of the turn of the century - from the dramas of the Russian Court to the Russian Revolution, and through both World Wars in which they often found themselves on opposing sides.

Breasts, clitoris, hymen, and womb. Across history, these body parts have told women who they are and what they should do. Although knowledge of each part has changed through time, none of them tells a simple story. The way they work and in some cases even their existence have been debated. They can be seen as powerful or as disgusting, as relevant only to reproduction or as sources of sexual pleasure. Historian Helen King explores the symbiotic relationship between religion and medicine and their twinned history of gatekeeping over these key organs that have been used to define “woman.”

Immaculate Forms examines all the ways in which medicine and religion have played a gatekeeping role over women's organs. It explores how the womb was seen as both the most miraculous organ in the body and as a sewer; uncovers breasts' legacies as maternal or sexual organs - or both; probes the mystery of the disappearing hymen, and asks, did the clitoris need to be discovered at all?