Títulos em Amadurecimento

Celestial Lights is a portrait of a complicated man whose unparalleled understanding of the universe doesn’t always translate into stellar relationships on Earth. It explores the sacrifices required to achieve greatness—but more importantly, the idea that greatness is not always what it seems. A breathtaking tale of memory, personal choices, and the relationships that define us, Celestial Lights will make every listener marvel at the night sky while cherishing the connections that make our planet home.

For the teenaged Luc, his days are preoccupied with the daily dramas of high school. President John F. Kennedy's assassination seems a world away. But the winds of history find its way to his small Montana town as marijuana clouds rise in the hallways and the notices of neighborhood young men of "Killed in Action" in Vietnam keep arriving at an increasing rate.

Ci sono luoghi da cui sembra impossibile uscire, posti che ti stringono come una gabbia, tra strade che tornano sempre su se stesse e segreti che affondano fra le crepe dell'asfalto. Max lo sa bene. Lo vive tutti i giorni sulla propria pelle da che il padre, di punto in bianco, ha deciso di abbandonare lui e la mamma. Poi anche Rachele è scomparsa nel nulla, e tutto è diventato più cupo e soffocante. Per fortuna ci sono Cosma lo Zingaro, Tobia e Guido, il suo branco, gli amici di sempre, e le loro nottate di fumo e nostalgia alla Fabbrica abbandonata.

Prom night is supposed to be unforgettable—but for Tyler and Alex, it’s a night that’s bound to be legendary. Tyler’s a dreamer who wants everything about prom to be perfect—especially if it means convincing his best friend Alex to dress up and join in the fun. But Alex isn’t your typical prom queen. A no-nonsense soccer star who’d rather be anywhere else, she’s more likely to show up in jeans than a gown. That is until she reveals her secret: she’s a witch. When Alex proposes the ultimate twist—swapping bodies for the big night—Tyler’s life takes a sharp turn into magical chaos.

Quinn Draper has always made me nervous. He’s the walking, talking opposite of my comfort zone, and he senses my insecurities so effortlessly that every inch of my body feels vulnerable when he’s around. Which is ridiculous. He might be my older brother’s best friend, but he doesn’t even know me. Never says more than two words to me. It’s almost like he knows it drives me crazy. And I hate him for it. Always have. Always will.

Mercy's story continues here. Find out what she's up to with her men! Full blurb coming soon.

Newcastle, Australia, 1972. On a sticky summer night, a choice must be made: To give in to queer desire or suppress it? To venture into the unknown or stay the course? In alternating chapters, we trace the two versions of a life that follow. In one, a teenage girl is caught kissing her neighbor and is kicked out from her home. She lands at a queer communal home in Sydney called Uranian House, where she meets the people who will forever become her family.

Elle croit que notre histoire est terminée. Alors que cela ne fait que commencer. Lennon Washington est la star de tous mes rêves et de tous mes cauchemars depuis que je l'ai perdue. Depuis que j'ai laissé mes démons intérieurs prendre le dessus et qu'elle m'a glissé entre les doigts. Son souvenir m'a hanté. M'a changé. M'a détruit et m'a reconstruit. J'avais presque renoncé à nous. Un drame l'a aujourd'hui ramenée dans ma vie. Mes secrets sont à sa disposition. Et les siens sont en train d'éclater au grand jour les uns après les autres.

“I wanted the knack of existing. I did not know the rules.” These words from Josephine, the heroine of Jennifer Dawson’s remarkable novel, encapsulate the journey of a young woman grappling with mental illness amidst the hallowed halls of Oxford University in the 1950s. Originally published in 1961, this novel met with critical acclaim, and is a rediscovered classic perfect for fans of Sylvia Plath’s The Bell Jar.

Have you ever stood next to a fire and felt the heat of it on your skin? Stared into the flames and thought how amazing it would be to be that free? It changes direction with the wind, destroying everything in its wake. That's what she felt like. Alexa was a wildfire that torched everything she touched, and I couldn't wait to be consumed by her.

I'm anything but sweet, despite what people think, so when he tells me I'm too good for him and I'm better off without him, I don't listen. My life was simple before Grave stepped through that door, but who wants simple?

From the very first moment, EMMA had wanted him to want her, but never really thought it was possible. Now he was saying little cryptic things that made her think maybe there was a chance for them. But now Emma felt feelings that she had never expected to feel for a sweet blue-eyed boy that she was going to have to turn her back on.

Irland, Anfang der 90er. Lucy fühlt sich fehl am Platz. Familie und Freunde warten nur darauf, dass sie das tut, was alle tun: ihren Freund heiraten und Mutter werden. Während eines langen heißen Sommers fühlt Lucy sich plötzlich zu ihrer Freundin Susannah hingezogen, und sie beginnt zu verstehen, warum sie anders ist. Aus der zarten Verliebtheit wird schnell eine verzweifelte Liebe, die alles infrage stellt, woran Lucy bisher glaubte.

Armand Bernal is breaking apart. The trials of youth become a torrential odyssey of dislocation and disorientation. In this bildungsroman for our modern age—an age of collapse—Ben Faulkner has created an unforgettable character wary of work, college, relationships, and the world at large, becoming an unstable young man moving toward an act of terrifying violence. Will he survive the gothic America of The Agonies?

Phillip I. Elkins, a.k.a. Señor Felipe, is a storyteller, salsa maker, father, son, educator, author, musician, and radio host of "LA Sounds" on KZFR, Chico, California. Running from the Fire is a coming-of-age story that begins with a skinny, nearsighted Jewish kid trying to find a home and identity among white and Latino peers in East Los Angeles, an emotional voyage that takes him through love affairs and fistfights and ends with him drafted by the Army and en route to Vietnam. The book is intense, frequently funny, and deeply poignant as he describes his youth and adolescence.

Sibylla, an American-at-Oxford turned loose on London, finds herself trapped as a single mother after a misguided one-night stand. High-minded principles of child-rearing work disastrously well. J. S. Mill (taught Greek at three) and Yo Yo Ma (Bach at two) claimed the methods would work with any child; when these succeed with the boy Ludo, he causes havoc at school and is home again in a month. (Is he a prodigy, a genius? Readers looking over Ludo’s shoulder find themselves easily reading Greek and more.)

Alex and Leah meet at medical school and form an immediate and intense connection. Over the course of four years as they are caught in the push-pull of love and betrayal, longing and reunion, neither can quite give up the other, even as they question whether they are good for each other. Twenty years later, when Alex and Leah encounter each other again, will they make the right choice?

Editorial Assistant Clodagh “Clo” Harmon wants nothing more than to rise through the ranks at the world’s most prestigious fashion magazine. But there’s just one problem: she doesn’t have the right pedigree. Clo is a ‘workhorse’ in a world of beautiful, wealthy, impossibly well-connected ‘show horses’ and it seems that her fortunes will never change. That is until Clo meets Harry Wood, a reporter with visions of his own media empire and the person who might be Clo’s ally in gaming the system…or is he the only thing standing between Clo and her rightful place at the top?

Einmal die Küste runter, immer am Meer entlang. Für Martin, 49, abgerockter Musiker, One-Hit-Wonder von vor 20 Jahren, steht die Route fest. Sein Ziel: Ein Musikfestival in Portugal, seine große Chance aufs Comeback. Als seine Schwester ihn kurz vor Abreise bittet, während ihres Reha-Aufenthaltes auf ihren Sohn Karl aufzupassen, ist die Antwort klar: Nein. Einen 12-Jährigen kann Martin gerade überhaupt nicht gebrauchen. Er bringt den Jungen bei Oma unter und fährt los, in seinem alten Kombi, immer in Richtung Süden.

Christmas, 1983. In the aftermath of yet another furious argument, seven-year-old Andrev’s mother lets him in on a secret: his father is, in fact, not his father. And so begins a new kind of childhood, in which fathers come and go, arriving in red Volvos and sweeping his mother off her feet. Fathers can be magicians or murderers, artists or canoe enthusiasts, and, like growing pains, or the weather, they appear uninvited and leave without warning. Fathers are drawn to his mother like moths to a flame – but even she can’t control how they behave.