Resultado Editorial "Audible Studios" em Amadurecimento

Miranda Meadowe decides a lonely widowhood in her crumbling country house is not for her. Reviving a university dream, she invites five of her oldest friends to come and join her to live, and to stave off the prospect of old age. All have their own reasons for accepting.To begin with, omens are good. They laugh, dance, drink and behave badly, as they cling to the heritage they thought was theirs for ever: power, health, stability.

Marlene Beckmann ist 31 Jahre alt und lebt das Leben, das sie sich gewünscht hat. Auf die Frage, wie es ihr geht, antwortet sie meistens: "Super, und dir?" Marlene hat sich äußerlich im Griff. Bis sie ihren ersten richtigen Job als Social Media Managerin in einem multinationalen Unternehmen antritt. Bis sie vor lauter Überstunden kein Privatleben mehr hat. Bis der Druck schließlich zu groß wird.

American-born Catherine knows little of her Croatian mother's early life. When Marijana dies of ovarian cancer, 22-year-old Catherine finds herself cut off from the past she never really knew. As Catherine searches for clues to her mother's elusive history, she discovers that Marijana was orphaned during WWII, nearly died as a teenager, and escaped from Communist Yugoslavia to Rome, and then South America. Through travel and memory, history and imagination, Catherine resurrects the relatives she's never known.

A novel about human relationships, focusing, unusually for Brookner, on two male characters. Hartmann and Fibich met at school and 40 years later they can no more think of living apart than of divorcing their wives. This book deals with their gradual coming to terms with the emotional gaps in their lives.

Tre amici, Marco, Misia e Livio. Le loro vite si intrecciano nel corso di trent'anni, mentre i loro rapporti passano dall'amicizia più entusiasmante alla passione, all'amore, alla rivalità, fino alla constatazione di non poter fare a meno uno dell'altro. Al centro di questo triangolo emotivo è Misia, che ispira e incoraggia gli altri due e li porta alla disperazione, secondo gli alti e bassi della sua bruciante interiorità.

Andrea sa di non essere un bambino come gli altri: guarda fuori dalla finestra della sua scuola privata e feroce, sognando di fuggire dalle cattiverie dei suoi compagni, di immergersi in una luce capace di lavare via il senso di estraneità dal mondo arido e inospitale che lo circonda. È sempre fuori tempo, sempre qualche passo indietro rispetto agli altri, che sbocciano nelle loro vite felici, ricche, normali, umiliando e deridendo la sua, così incomprensibile, così diversa.

Elise loves the farm that is her home; she loves playing with beetles and chameleons in the garden, buying sweets from the village shop and listening to the stories of spirits and charms told by her nanny, Beauty. As a young white girl in 1990s Zimbabwe, her life is idyllic. Her clothes are always clean and ironed, there is always tea in the silver teapot, gin and tonics are served on the veranda, and, in theory at least, black and white live in harmony.

When Amy consults her doctor about her increasing mood swings, she is advised to keep a diary as an outlet for her bursts of irritation. And her life obligingly becomes eventful enough to provide interesting reading. But it is the tantalising allusions to Amy's past - so at odds with her appearance as the stereotypical retired schoolmistress - that intrigues, delights, and eventually reveals a woman of surprising qualities.

A brilliantly nuanced, psychologically astute crime debut that explores the fault-lines of a small community - their hidden desires and their other, secret selves. 13-year-old Emily Houchens doesn't have many friends. She spends her time alone in the woods near her house - her safe place, until she finds the body of a young woman. Susanna Mitchell is searching for her sister, Ronnie, who vanished after leaving a late-night bar. The more she discovers about Ronnie's life, the more she realises that her sister began to disappear long before she went missing.

When Frankie’s mother dies, he tells his teacher. But he can't seem to get anyone at his school in southern England to listen to him. So the six-year-old comes up with a plan: go to France, find a police station and ask the officers to ring his father. Thus a stowaway’s view of the sea opens Pauline Holdstock’s eighth novel, narrated in turns by Frankie - who likes cheese, numbers, the sea when it’s pink, and being alone when he feels bad - and a cast of characters that includes his worried Gran, his callous teacher and his not-so-reliable father.

"Tirar mattina" racconta di Aldino che all'alba dei suoi trentatré anni ha deciso di mettere la testa a posto trovando finalmente un lavoro, proprio lui che finora si è arrabattato in mille modi, il più delle volte discutibili, riuscendo a scampare la vita da operaio come suo padre. Ma prima di cominciare la sua nuova vita da uomo adulto e responsabile, vuole festeggiare e decide di farsi un ultimo bicchiere e poi a nanna, o meglio a slòffen.

Set in Queens and Manhattan in the aughts, the book is narrated by Ty, a half-Jewish, half-Catholic 20-something who works for a business consulting firm on Wall Street. He’s in love with Jenny, a fledgling writer from his Queens neighborhood, but she finds ways to keep her distance. He’s also smitten with his co-worker, Krista Kaplan, but she’s his supervisor and skeptical of Ty because of his relationship with Jenny. His mother has recently died, and his father spends most of his time watching movies from the Rocky and Superman franchises....

Zindagi 50-50's young writer Bhagwant Anmol manages to cover sensitive topics which tug at the very fabric of our society. In Bali Umar he has managed to do the same. At the center of the novel are a child’s innocence, his shenanigans, and a child’s raging curiosity to fathom everything about life. The main protagonists of the novel are children, and the plot is set in a village. The novel is an attempt to address societal-political and caste angle issues through the medium of children.

A Hindi translation of Ruskin Bond’s A Handful of Nuts by Rachna Bhola ‘Yamini’, this novel is the story of a 21-year-old writer in a small town in India. Alternately witty, poignant, tender and hilarious, the tale begins with the writer describing his simple and frugal life in Dehra. He occupies a tiny room, spending his days eating at the roadside restaurants, watching cinema and reading all English publications he can find. His goal is to find avenues to get his short stories published, and though he finds plenty such publications, none of those pay well.

King Henry is dead, and his son, Edward Longshanks, is on his way back from crusade to claim the crown and impose his iron will on a weakened country. The nobles of north Wales are nervous and grow frustrated at the inaction of their own leader, and make a daring pact to replace him with a figurehead to unite the warring factions against the English prince. In the south, two young men attempt to rebuild their lives after a terrifying ordeal in Acre.

It’s October in Montreal, 2002, and winter is coming on fast. Past due on his first freelance gig and ensnared in lies to his family and friends, a graphic design student with a gambling addiction goes after the first job that promises a paycheck: dishwasher at the sophisticated La Trattoria. Though he feels out of place in the posh dining room, warned by the manager not to enter through the front and coolly assessed by the waitstaff in their tailored shirts, nothing could have prepared him for the tension and noise of the kitchen, or the dishpit’s clamor and steam.

In a nameless Hungarian town, teenagers on a competitive swim team occupy their after-training hours with hard drinking and fast cars, hash cigarettes and marathons of Grand Theft Auto, the meaningless sex and late-night exploits of a world defined by self-gratification and all its attendant recklessness. Invisible to their parents and subject to the whims of an abusive coach, the crucible of competition pushes them again and again into dangerous choices. When a deadly accident leaves them second-guessing one another, they’re driven even deeper into violence.

1952. Louisa Gilchrist flees her turbulent life in England and arrives in Argentina. When the country’s most influential tango composer chooses Louisa as his muse, she’s hypnotized by high society soirees, powerful friends, and a luxurious existence. But Louisa’s world is shattered when betrayal leads to murder. Present day. Journalist Dani McKenna’s damaged career has a chance of being resurrected if she can secure an interview with reclusive tango dancer Carlos Escudero.

When Maria turns 20, she falls in love. She is in the wrong town, and he is the wrong sort of man. Going through his things, she finds a photo of herself when she was 12 years old. She has the same smile, but she is wearing the wrong clothes. Anne Enright's astonishing novel moves between Dublin, New York and London, following the lives of the real Maria and the girl in the picture. Stepping through the mirror to tell the story of the two women, both haunted by their missing selves, What Are You Like? Is an exquisitely written disquisition on families and identity.

Mario, l'io narrante, e Guido, suo compagno di scuola, sono così diversi da essere speculari: il primo è un adolescente come tanti, impaurito e attratto dalla vita, indeciso nelle scelte e appena abbozzato nella personalità, l'altro ha autorevolezza e carisma, un'immaginazione e una propensione al rischio che lo rendono diverso da tutti gli altri, abbastanza per affascinarli, troppo per non spaventarli. Ma proprio i loro caratteri opposti rendono Mario e Guido complementari e simbiotici.