Títulos em Epistolar

Esta novela da autora best-seller Taylor Jenkins Reid explora a complexa natureza das relações humanas e as consequências imprevisíveis de uma traição.

Aos 15 anos, o personagem Kevin mata 11 pessoas, entre colegas no colégio e familiares. Enquanto ele cumpre pena, a mãe Eva amarga a monstruosidade do filho. Entre culpa e solidão, ela apenas sobrevive. A vida normal se esvai no escândalo, no pagamento dos advogados, nos olhares tortos. Transposto o primeiro estágio da perplexidade, um ano e oito meses depois, ela dá início a uma correspondência com o marido, único interlocutor capaz de entender a tragédia, apesar de ausente. Cada carta é uma ode e uma desconstrução do amor.

Upon its first publication in 1846, Poor Folk was an immediate critical triumph. Composed entirely of an exchange of letters between a middle-aged copy clerk and a young seamstress who live on opposite sides of a Petersburg tenement courtyard, the novel explores the emotional and psychological effects of a threatening urban environment on the psyches of poor people struggling to survive.

A meditation on the nature of life and time, Água Viva (1973) shows Lispector discovering a new means of writing about herself, more deeply transforming her individual experience into a universal poetry. In a body of work as emotionally powerful, formally innovative, and philosophically profound as Clarice Lispector’s, Água Viva stands out as a particular triumph.

В переписке между Лизой и Сашей оживают Петербург и деревня, балы и уединение, жемчуг воспитанности и искренняя самоирония. Пушкин с блеском показывает: настоящая любовь — в нюансах, паузах, недомолвках. Здесь чувства скрыты между строк, а судьба — в молчаливом выборе, сделанном не на глазах у света, а в тишине души.

Lóri, a primary school teacher, is isolated and nervous, comfortable with children but unable to connect to adults. When she meets Ulisses, a professor of philosophy, an opportunity opens: a chance to escape the shipwreck of introspection and embrace the love, including the sexual love, of a man. Her attempt, as Sheila Heti writes in her afterword, is not only “to love and to be loved,” but also “to be worthy of life itself.”

Goodlord is a fictional memoir of habitation, a genre-defying novelistic text that beautifully evokes the people and places of our lives—the spaces of work, those that may or may not be 'home', sites of trauma and ecstasy. Showing all the control of voice one would expect from a poet of her rare skill, Ella Frears has created a book that is as funny as it is harrowing, and beautifully skewers the contemporary housing crisis while questioning the fundamental desires, drivers and disappointments that lie at the heart of our obsession with 'property'.

Years after walking away from the one who once knew him best, Auren Solven discovers a sealed box of unsent letters—each addressed to the one he left behind. The words inside are raw, aching, and unfinished. As Auren reads through each letter, he’s drawn back to the coastal town where their love first lived—and to a quiet reckoning he never allowed himself to feel. As Auren rewrites old letters, confronts unspoken truths, and imagines a reply that may never come, he begins to understand that some love stories aren’t meant to be rekindled—they’re meant to be remembered.

When Jennifer Cole is told she has three months left to live, she knows her life is f--ked. With nothing to lose, she decides it's time to admit to everything she's always longed to say but never dared. She writes three letters: one to her overbearing, selfish sister, one to her spineless, cheating ex-husband, the third to her charming but unreliable ex-boyfriend. At first it feels great to have finally found her voice. But as things start to unravel, she discovers that the truth has its own consequences…

Elias erfährt von Polizisten, dass sie einen Koffer voller Briefe gefunden haben, alle an ihn gerichtet. Geschrieben jeden Tag seit dreißig Jahren von einer Frau, die ihn liebte. Und die gestorben ist, ohne ihn je wiedergesehen zu haben, nachdem er sie als Achtzehnjähriger nach einer kurzen Beziehung verlassen hatte. Elias begibt sich auf die Suche nach dem Leben dieser Frau, und damit auch auf die Suche nach sich selbst.

Anne ist eine junge Frau, die ihr Leben im Griff hat. Doch als sie beim Staubwischen ein Schreiben von einer ihr unbekannten Dame findet, gerät ihr Dasein aus den Fugen. Es kommt zum Streit und Anne muss sich entscheiden, ob sie ihm vertraut oder nicht.

Sara Monteith makes an ideal correspondent for Hugo Jamieson, brother of her lost love Ivo, killed in the war before they could marry. Her neighbours in the lovely Border village of Ravenskirk don't know that Sara has moved here because it's where Ivo and Hugo grew up, but they welcome her warmly. Soon, she's drawn into the active village social scene of tea parties, gardening, carol-singing, and Coronation festivities. Meanwhile she's dodging the judgments of stern Miss Bonaly, defending her helper Madge Marchbanks, befriending kind, practical Elizabeth Drysdale and charming Mrs.

Twenty-something Ruthie Cohen, a data entry minion for a second-tier movie app, spends her days thinking about the kickass meals she’s going to make for her besties, Trish and Lilly, while pining for Dean (sigh, Dean), her vacation fling from six months earlier. Could they have made it work in real life? On top of that, Bubbe Bobby Grace, Ruthie’s beloved and inspiring grandmother, passed away and left Ruthie an inheritance of $62,873.42, along with instructions on how to use it: “Follow your passion, Dollface.”

Ein Obstgarten, drei Frauen, elf Briefe. Die Geschichte einer großen Liebe Hannah hat ihr ganzes Leben in Berllan Deg, einem kleinen Ort in Wales, verbracht. Anders als ihre Schwester Sadie, ist sie nie aus ihrem Elternhaus ausgezogen, nicht einmal nach ihrer Hochzeit mit John. Sie ist in diesem Haus und dem dazugehörigen Obstgarten verwurzelt, behandelt die Bäume, als gehören sie zur Familie. Als ihr Mann stirbt, ist Hannah das erste Mal allein. John, einst Schriftsteller und Imker, der die Welt durch die Sprache der Bienen zu verstehen lernte, hat ihr elf Liebesbriefe hinterlassen.

Een liefdevol en beeldend geschreven verhaal met veel aandacht voor de Koreaanse cultuur, voor de luisteraars van de bestsellers Als katten van de wereld verdwijnen en Morisaki's boekwinkel Dit verhaal speelt zich af in een brievenwinkel in een hippe wijk in Seoul die echt bestaat en een penvriendendienst heeft; de auteur mocht de anoniem geschreven brieven inzien en gebruiken voor dit boek Hyoyeongs droom om regisseur te worden is uiteengespat: haar oudere zus heeft de familie plotsklaps verlaten en zonder haar steun ontbreekt het Hyoyeong aan zelfvertrouwen om haar filmproject af te ronden.

In the spring of 1898, A. E. (Alexandria) Bartram—a spirited young woman with a love for botany—is invited to join a field study in Yellowstone National Park. The study’s leader, a mild-mannered professor from Montana, assumes she is a man, and is less than pleased to discover the truth. Once the scientists overcome the shock of having a woman on their team, they forge ahead on a summer of adventure, forming an enlightening web of relationships as they move from Mammoth Hot Springs to a camp high in the backcountry.

Ci sono momenti nella vita in cui si sente il bisogno di prendersi una pausa e ripercorrere con calma, senza le continue incombenze quotidiane, le tappe della nostra esistenza. Un viaggio che, anche nei momenti difficili e bui, ci ha portato a provare un sentimento di riconoscenza e gratitudine verso chi ha condiviso con noi il cammino, le prove, le epifanie. Così Chiara, alla soglia dei sessant’anni, approfittando dell’improvviso silenzio che avvolge la sua casa in collina, decide di scrivere tre lettere.

Bittersüß und voller Charme: ein ebenso bewegender wie tiefgründiger Briefroman mit großen Themen und einer eigensinnigen Heldin. Adoptivtochter und Starjuristin, Gartenliebhaberin und Ehefrau, Mutter und mütterliche Freundin – die 73-jährige Sybil van Antwerp hatte schon viele Rollen inne in ihrem bewegten Leben. Eines hat sie dabei stets begleitet: ihre Leidenschaft fürs Briefeschreiben. Jeden Tag greift sie zu Füller und Papier und schreibt darüber, was sie bewegt und stört, was sie begeistert und betrauert.

Mira is a desperate young woman, hired by a wealthy single mother to tutor her lonesome son, Yuchan. But Mira is not who she presents herself to be; she is haunted by the death of her own family and motivated by the dark pulse of vengeance. Yuchan was cruel to Mira’s mother. A kind of cruelty she can’t ever forgive. And then there is Jiwon, the boy’s mother, a bad mother, Mira thinks—or so Jiwon tells herself she must not be. But as Mira spends more time in the family’s sprawling home, she begins to suspect Yuchan is not the culprit she’s after.

When I’m offered a spot in the best business incubator in the world, I jump at the chance. There’s one catch. I have to send letters to the mysterious billionaire who funds the program. It’s a world I don’t belong to. Luckily, I meet Javier Pendleton. He’s alluring, confident, and fits in with this crowd. We get close, dancing and watching fireworks together… Until it’s clear we both want more. He looks at my curves like he craves them, and his serious blue eyes and reluctant smile drive me wild. Soon I can’t hold back— But kissing him is a mistake.