Títulos em Realismo Mágico

For as long as she can remember, Belle has been insidiously obsessed with her skin and skincare videos. When her estranged mother Noelle mysteriously dies, Belle finds herself back in Southern California, grappling with lingering questions about her death. The stakes escalate when a strange woman in red appears at the funeral, offering a tantalizing clue about her mother’s demise, followed by a cryptic video about a transformative spa experience. With the help of a pair of red shoes, Belle is lured into the barbed embrace of the same lavish culty spa her mother to which her mother was devoted.

Este libro excepcional reúne la novela corta que le otorga su título y otros seis relatos más, de los que todos menos uno pertenecen a la etapa de plena madurez del autor. Fueron los años en los que Macondo le abrió las puertas del realismo mágico: la frase se hace más larga y caudalosa, la realidad se expresa mediante fórmulas mágicas y legendarias, los milagros se insertan en la vida cotidiana.

La novela narra la historia de Tita de la Garza a manera de recetario, donde cada capítulo es una receta que relata las aventuras de la protagonista en una casa donde la tradición la obliga a quedarse a cuidar a su madre, y por lo tanto, sin poderse casar nunca.

One of the 20th century's enduring works, One Hundred Years of Solitude is a widely beloved and acclaimed novel known throughout the world and the ultimate achievement in a Nobel Prize-winning career. The novel tells the story of the rise and fall of the mythical town of Macondo through the history of the Buendía family. Rich and brilliant, it is a chronicle of life, death, and the tragicomedy of humankind. In the beautiful, ridiculous, and tawdry story of the Buendía family, one sees all of humanity, just as in the history, myths, growth, and decay of Macondo, one sees all of Latin America.

Amane is ten years old when she discovers she's not like everyone else. Her school friends were all conceived the normal way, by artificial insemination, and raised in the normal way, by parents in 'clean', sexless marriages. But Amane's parents committed the ultimate taboo: they fell in love, had sex and procreated. As Amane grows up and enters adulthood, she does her best to fit in and live her life like the rest of society: cultivating intense relationships with anime characters, and limiting herself to extra-marital sex, as is the norm.

Sucesso de vendas na Espanha e fenômeno literário, Cupim é um romance de terror feminista, duro, poético e visceral, carregado de rezas, maldições, anjos e santos. Layla Martínez cria uma narrativa poderosa em que a raiva e o rancor crescem como um cupinzeiro diante da injustiça social. Todas as casas guardam a história daqueles que as habitaram. As paredes dessa construção perdida no meio do nada falam de vozes que surgem sob as camas, de santas que aparecem no teto da cozinha, de desaparecimentos que nunca se esclarecem.

1806. England is beleaguered by the long war, and centuries have passed since magicians faded from view. But one remains: the reclusive Mr Norrell. Proceeding to London, he raises a woman from the dead and summons an army of ghostly ships to terrify the French. Yet the cautious Norrell is challenged by the emergence of another magician. Young, handsome and daring, Jonathan Strange is his very antithesis. So begins a dangerous battle between these two great men – which overwhelms that between England and France.

This is the story of the peculiar and magical photo studio owned by Mr. Hirasaka, a collector of antique cameras. In the dimly lit interior, a paper background is pulled down in front of a wall, and in front of it stands a single, luxurious chair with an armrest on one side. On a stand is a large bellows camera. On the left is the main studio; photos can also be taken in the courtyard. Beyond its straightforward interior, however, is a secret. The studio is, in fact, the door to the afterlife, the place between life and death where those who have departed have a chance—one last time.

Em uma vila distante do sertão nordestino, um aprendiz de mágico faz a alegria da população com truques mirabolantes tirados de sua cartola. Acostumado com os olhares surpresos e abestalhados, Dino não espera que na noite da véspera de São João a mesmice de sua vida esteja prestes a findar. Uma forasteira desconhecida de olhos grandes e encantadores, que carrega asas de ferro nas costas, parece assisti-lo de maneira diferente, vendo além do que mostra em seu espetáculo.

Do mesmo autor de TORTO ARADO, um conjunto de histórias em que o Brasil mais profundo se apresenta. Quem se deslumbrou com a maestria narrativa de Torto Arado, romance que converteu Itamar Vieira Junior em um dos nomes centrais da nossa literatura contemporânea, vai encontrar neste Doramar ou a odisseia ainda mais motivos para celebrar a ficção do autor. Num diálogo permanente com nossas questões sociais e a tradição literária brasileira, Itamar enfeixa um conjunto de histórias a um só tempo atuais e calcadas na multiplicidade de culturas que formam o país.

In a shabby house, on a shabby street, in the new capital of Madrid, Luzia Cotado uses scraps of magic to get through her days of endless toil as a scullion. But when her scheming mistress discovers the lump of a servant cowering in the kitchen is actually hiding a talent for little miracles, she demands Luzia use those gifts to improve the family's social position.

While on holiday at the beach with her mother, Sasha Samokhina meets the mysterious Farit Kozhennikov under the most peculiar circumstances. The teenage girl is powerless to refuse when this strange and unusual man with a sinister air directs her to perform strange and uncomfortable tasks. He rewards her efforts with a strange golden coin. As the days progress, Sasha carries out other acts for which she receives more coins from Kozhennikov.

This is the way the world ends...for the last time. It starts with the great red rift across the heart of the world's sole continent, spewing ash that blots out the sun. It starts with death, with a murdered son and a missing daughter. It starts with betrayal, and long dormant wounds rising up to fester. This is the Stillness, a land long familiar with catastrophe, where the power of the Earth is wielded as a weapon. And where there is no mercy.

Our narrator’s days are numbered. Estranged from his family, living alone with only his cat, Cabbage, for company, he was unprepared for the doctor’s diagnosis that he has only months to live. But before he can set about tackling his bucket list, the devil appears with a special offer: in exchange for making one thing in the world disappear, he can have one extra day of life. And so begins a very bizarre week....

As children, sisters Gillian and Sally were forever outsiders in their small New England town, teased, taunted and shunned for the air of magic that seems to sparkle in the air around them. All Gillian and Sally ever wanted was to get away. And eventually they do - one marries, the other runs as far from home as she can manage. Years later, however, tragedy will bring the sisters back together. And they'll find that no matter what else may happen, they'll always have each other.

Life is hard enough for a teenage girl in 1950s suburbia without having a mother who may—or may not—be a witch. A single mother at that. Sure, she fits in with her starched dresses, string of pearls, and floral aprons. Then there are the hushed and mystical consultations with neighborhood women in distress. The unsavory, mysterious plants in the flower beds. The divined warning to steer clear of a boyfriend whose fate is certainly doomed.

"Desconcertante, lista a inquietar a la crítica, está ya en los escaparates la primera novela de Juan Rulfo, Pedro Páramo, que transcurre en una serie de transposiciones oníricas, ahondando más allá de la muerte de sus personajes, que uno no sabe en qué momento son sueño, vida, fábula, verdad, pero a los que se les oye la voz al través de la perspicacia despiadada y certera de tan sin duda extraordinario escritor". Con estas palabras iniciaba Edmundo Valdés la primera reseña de Pedro Páramo, aparecida el 30 de marzo de 1955 y conservada por Juan Rulfo entre sus papeles.

El coronel no tiene quien le escriba fue escrita por Gabriel García Márquez durante su estancia en París, adonde había llegado, a mediados de los cincuenta, como corresponsal de prensa y con la secreta intención de estudiar cine. El cierre del periódico para el que trabajaba le sumió en la pobreza mientras redactaba en tres versiones distintas esta excepcional novela, que luego fue rechazada por varios editores antes de su publicación.

Con este libro, Gabriel García Márquez se descubrió a sí mismo como un narrador. Sin embargo, la intención primera era escribir un reportaje sobre un hombre, Luis Alejandro Velasco, que estuvo diez días a la deriva en una balsa mecida por el mar Caribe. El futuro Nobel de Literatura y entonces joven reportero que era García Márquez escuchó el relato de los hechos de boca de su protagonista y los transformó, tal vez sin pretenderlo, en un prodigioso ejercicio literario, una narración escueta y vigorosa donde late el pulso de un gran escritor.

In a village where fate is dictated by an unseen force called The Hum, 17-year-old Verus questions everything. While others eagerly await their life path through a sacred ritual known as The Quieting, Verus is haunted by grief, isolation, and an inner voice that refuses to be silenced. His journey begins with loss and the crushing weight of expectation—but what starts as a quest for answers soon spirals into a battle between free will and control. In a world where certainty is comfort and questioning is rebellion, how far will you go to find your truth?