Resultado Editorial "Audible Studios" em Psicológico

Le jeune Ryôsuke manque de confiance en lui, un mal-être qui puise son origine dans la mort prématurée de son père. Après une tentative de suicide, il part sur ses traces et s'installe sur l'île où celui-ci a passé ses dernières années. Une île réputée pour ses chèvres sauvages où il va tenter de réaliser le rêve paternel : confectionner du fromage. Mais son projet se heurte aux tabous locaux et suscite la colère des habitants de l'île... Jusqu'où sommes-nous prêts à aller pour réaliser nos désirs ?

Wolf Walker is the director of the Suicide Academy. Troubled individuals come to his school for just one day and must decide whether to end their lives. As for Wolf himself, he is suffering a kind of death-in-life. The Academy’s board members have involved him in a policy skirmish, and the depressed employee he had an affair with is not getting any better. When his ex-wife, Jewel, and her husband come on the scene, ostensibly to make a film about the Academy, he is racked by old jealousies.

At a remote farm, a group of old friends gather to catch up, sit by the fire, and forget about their overworked lives. But a long weekend in the country is not Joseph's idea of a good time - not when he's promised his ex-wife he'll use the occasion to talk to their troubled 14-year-old daughter, and not when the farm belongs to his former lover and her husband, Alex. Once best friends, Joseph and Alex are now estranged, with much left unspoken between them.

Following the sudden death of Sebby’s mother, his father takes Sebby to live in the family’s summerhouse, hoping it will give them both time and space to recover. But Sebby’s father deteriorates in this new isolation, leaving Sebby struggling to understand his mother’s death alone, dreaming and even reliving moments of her life. He ultimately reaches out to a favorite teacher back home and to two nearby children who force him out of the void of the past and help him to exist in the present.

On the heels of The Speed Chronicles (Sherman Alexie, William T. Vollmann, Megan Abbott, James Franco, Beth Lisick, etc.) and The Cocaine Chronicles (Lee Child, Laura Lippman, etc.) comes The Heroin Chronicles, a volume sure to frighten and delight. The literary styles are varied, as are the moral quandaries herein. Heroin has long been understood as the most "literary" of narcotics, and this collection will, for better and worse, have tremendous pop cultural appeal.

Following the publication of the widely acclaimed novel Seven Years, comes a trove of stories from the Swiss master Peter Stamm. They all possess the traits that have built Stamm's reputation: The directness of the prose, the deceptive surface simplicity of the narratives, and deep psychological insight into the existential dilemmas of contemporary life. Stamm does not waste a word, nor does he spare the listener's feelings.

A novel of searing intelligence and startling originality, Lost in Translation heralds the debut of a unique new voice on the literary landscape. Nicole Mones creates an unforgettable story of love and desire, of family ties and human conflict, and of one woman's struggle to lose herself in a foreign land - only to discover her home, her heart, herself.

A writer resembling Zoé Valdés - a Cuban exile living in Paris with her husband and young daughter - is preparing a novel on the life of Dora Maar, one of the most promising artists in the Surrealist movement, until she met Pablo Picasso. The middle-aged Picasso was already the god of the art world's avant-garde. Dora became his lover, muse, and ultimately, his victim. She became The Weeping Woman captured in his famous portrait, the mistress he betrayed with other mistress-muses, and their affair ended with her commitment to an asylum at the hands of Picasso's friends.

Major Hugh Dégaré never thought working a desk job could be worse than combat. But shortly after starting a new position in a bureaucratic military headquarters far from the front lines, he finds himself fighting to maintain his grip on reality. Amid sleepless nights and intense memories from his combat service, he does what he's always done - takes action. Afraid of being stigmatized by his chain of command, he turns to a psychologist and an estranged friend, Daryl, now an ex-soldier. Despite his best efforts, Hugh's rage continues to grow.

In the dead of night, psychologist Erin Reilly is abducted from her Tucson home. Her kidnapper: a serial killer who burns his victims alive. Tormented by his obsession, he wants Erin to cure him before he kills again. If she fails, she'll become his next victim. While Erin's twin sister Annie searches desperately for her, Erin delves into her captor's psyche and his past, discovering a secret guilt...a complex web of crime and betrayal...and an unexpected connection between the killer and herself.

Eva and Simon have spent most of their adult lives together. He is a physician and she is a teacher, and they have three grown daughters and a comfortable home. Yet what binds them together isn’t only affection and solidarity but also the painful facts of their respective histories, which they keep hidden even from their own children. But after the abrupt dismissal of their housekeeper and Simon’s increasing withdrawal into himself, the past can no longer be repressed.

"J'avais seize ans. Je ne possédais rien, ni biens matériels, ni confort spirituel. Je n'avais pas d'ami, pas d'amour, je n'avais rien vécu. Je n'avais pas d'idée, je n'étais pas sûre d'avoir une âme. Mon corps, c'était tout ce que j'avais."

Un soir, une phrase étrange au ton mélodique, comme un air de musique, résonne dans la tête de Charlotte. Peur ou prémonition ? Après un burn-out, Charlotte, une jeune trentenaire, quitte son job dans le marketing et tire un trait sur son ancienne vie. Elle retourne à ce qui la fait vibrer depuis toujours, la danse. Mais rien ne se passe comme elle le voudrait : les factures s'accumulent, sa relation amoureuse s'étiole, son rêve s'éloigne.

Ainsi commence l'histoire de Courgette, un petit garçon de neuf ans, qui à défaut de tuer le ciel, tue accidentellement sa mère. Placé dans une maison d'accueil, il découvre l'amitié et les prémices des amours enfantines. Entre fous rires et larmes, naïveté et émotion, l'apprentissage d'une vie.

The Difference Between You and Me is a modern-day comedy of manners, an insider's take on Hollywood protocol and prestige. With her sly yet generous wit, DeMarco illuminates everyday annoyances and disasters that every woman will recognize - office backstabbing, why-won't-he-call frustrations, and the unsettling vacuum that can open up in the middle of the busiest life.

On a lake deep in the Minnesota woods, Kathy Wade comforts her husband John, a rising political star, after a devastating electoral defeat in which he's been pursued by rumors of the atrocities he committed in Vietnam. But it is clear that something is horribly wrong between them - too much has been hidden. Then Kathy vanishes, along with their boat.

Rann falls for the beautiful and equally brilliant Stephanie Kung, who lives in Paris with her Chinese father and has not seen her American mother since she abandoned the family when Stephanie was six years old. Both Rann and Stephanie yearn for a sense of genuine identity. Rann feels plagued by his voracious intellectual curiosity and strives to integrate his life of the mind with his experience in the world. Stephanie struggles to reconcile the Chinese part of herself with her American and French selves.

Greta Cahill never believed she would leave her village in the west of Ireland until she found herself on a ship bound for New York, along with her sister Johanna and a boy named Michael Ward. Labeled a "softheaded goose" by her family, Greta discovers that in America she can fall in love, raise her own family, and earn a living.

Dorothy and Solomon live in a new housing estate on the outskirts of an English village. She's recently bought her bungalow; he's recently become the night watchman. He is black, an immigrant. She is white, a recently retired music teacher. They are both solitary, reticent outsiders. When they move tenuously toward each other and their paths briefly cross, neither of them can know that it will be the last true human contact either will have.

Harry Wilkes is plagued by visions - images of murdered bodies and violent assaults - that are triggered by everyday noises. The smallest noise can trigger a vision of violence from the past; it doesn't matter how long ago it took place. Since childhood he's fought to suppress these visions, and he has changed his habits in order to avoid the nightmares. But when he rescues a drunk from a bar fight, he makes a life-long friend who will help him learn how to use his strange ability to his advantage