Títulos em Vida na Cidade

In 1978, two tenements on Livonia Avenue in Brownsville burn to the ground, killing one resident and displacing dozens of others. It remains unclear who set the buildings ablaze, but the survivors are convinced the culprit is Mr. Wong. Who exactly is Mr. Wong, and what allegedly drove him to this extraordinary act of violence, is the question that consumes this novel as it plunges into four generations of Wong family history.

Pourquoi dans la nuit du 16 septembre 1932, Peg Entwistle, jeune actrice talentueuse au destin prometteur, aimée de tous et filant le parfait amour avec la nouvelle coqueluche des studios, se jette-t-elle du haut de la lettre « H » du mythique panneau « Hollywood » ? À partir du suicide légendaire de l’actrice dont le fantôme hante encore les collines de Los Angeles, Zoe Brisby tisse un roman poignant. Explorant la machine à rêves qu’est l’industrie cinématographique, elle mène une enquête-fiction palpitante sur le destin tragique de la Hollywood Sign Girl.

Elio Rossi is a dream on paper. He's rich, handsome, and head of his family's multi-billion-dollar business. He's also a ruthless Mafia Don and my older brother's best friend. But even that isn't a huge issue to me. No, Elio is my nightmare because he used to be my dream man. We've been betrothed since childhood. But the night of our engagement years ago, our parents died in a tragic accident. One that I'm sure Elio's family planned.

For as far back as she can remember, Vicky has been fascinated and obsessed with death as the only inevitable thing in life. From living above a Chinatown funeral parlor to working at a celebrity start-up for bespoke urns, she has surrounded herself with death—in her home, in her work, and in her ever-growing collection of zhizha, paper creations meant to be burned for the dead, adorning the walls of her apartment. Yet, though living in Manhattan and working her dream job is all she ever wanted, she still struggles to have meaningful connections—or find any meaning at all—in her life.

June Hayward et Athena Liu ont étudié ensemble à Yale, ont déménagé à Washington après avoir obtenu leur diplôme et sont toutes les deux écrivaines, mais les similitudes s'arrêtent là. Athena est une étoile montante de la littérature, et June n'est personne. Après tout, qui s'intéresse de nos jours aux histoires d'une fille blanche aussi banale qu'elle ?

Dans une petite rue de l’élégant quartier de Ginza à Tokyo se dresse la célèbre papeterie Shihodo, où ceux qui entrent sont sûrs de trouver ce qu’ils sont venus chercher, des papiers washi les plus fins aux encres les plus colorées. Loin de la frénésie urbaine, Ken Takarada, le propriétaire, a aménagé un espace où les clients peuvent coucher sur le papier leurs émotions les plus intimes. Le contact de la plume sur la feuille, le tracé délicat des lettres et des idéogrammes, l’odeur du papier… Dans ce havre de paix, chacun redécouvre le pouvoir de l’écriture.

Laura è una studentessa dell'Università Orientale di Napoli, al primo anno di corso di Lingua cinese. Viene dalla Romagna e ha la passione delle arti marziali; da poco giunta nella grande città del Sud si sente un po' spaesata, ma un gruppo di colleghi (che diventeranno poi suoi amici) l'aiuterà a ritrovarsi, o forse a perdersi? Laura ha scoperto infatti, nel frattempo, l'antica storia di un giovane cinese, che come la sua è sospesa tra Oriente e Occidente, libertà e dottrina.

‘Down among the women. What a place to be!’ So says Wanda, a former radical who left her husband and raised her daughter Scarlet to be as liberated as she. But twenty-year-old Scarlet, with an abortion already behind her, is about to discover real liberation – as a single mother in Fifties’ London. Yet Scarlet’s not alone. Meet her friends: Sylvia, the born victim; respectable Jocelyn, willingly trapped in a dull, bourgeois marriage; Audrey, bristling to break free of her conventional life; and Helen, beautiful, vibrant – and very doomed.

Anna and Tom, an expat couple, have fashioned a dream life for themselves in Berlin. They are young digital "creatives" exploring the excitements of the city, freelancers without too many constraints, who spend their free time cultivating house plants and their images online. At first, they reasonably deduce that they've turned their passion for aesthetics into a viable, even enviable career, but the years go by, and Anna and Tom grow bored.

In the summer of 1967, the Levitsky family convenes for a long weekend at their home in the suburbs—an idyllic holiday for the perfect family. But Nora has always known better. Growing up, she learned to tiptoe around her mother Lillian’s explosive temper. Her father did the same. Nora’s sole confidante was their housekeeper, Clara, and their bond has only strengthened through the years.

Ally Hawkins has never had a Valentine’s Day date—but this is her year. She can feel it in her endlessly optimistic heart. So when she stumbles upon a love potion at a county fair, she figures…why not? It’s silly, it’s smelly, and she’s a grown woman. But then—bam—the very guy she’s been crushing on asks her to lunch. Coincidence? She thinks not.

Keiko Furukura is thirty-six, and she has been happily working at a Tokyo “Smile Mart” for eighteen years, fitting in by copying her colleagues’ dress and mannerisms, playing the part of a “normal person” excellently—more or less. But her packaged idyll is threatened by mounting pressure to find a husband and a proper career, prompting her to take desperate action to protect her peaceful world.

On a weekend morning, college roommates, Ah Li and Panda, wake up with very different reactions to the night before. They have been chased and tear-gassed in the streets of their city after joining tens of thousands of others to protest a national security law that would effectively spell the end of democracy in Hong Kong. Ah Li couldn’t get out of bed, her heart heavy with the lingering images of the police and the violence on the streets, and her worries about the future of her hometown.

Nobody in Manhattan eats better than Bernice Black. It’s 1972, and she is the city’s busiest restaurant critic, juggling her fiance and his two young sons with demands of fine dining. Bernice talks fast, walks faster, has a razor-sharp wit and no patience for anything--or anyone--that gets in her way. When she stops by the famed restaurant of her favorite chef and mentor, Laurent Tirel, early one morning, she stumbles across a horrific scene in the kitchen: Laurent's severed head, perfectly preserved in a flawless mold of jellied aspic.

When teenagers Jamal Deng and Aisha Saforo are shot dead on the edge of a notorious estate, DS Chris Ashcroft knows why he’s been assigned the case—and he doesn’t like it one bit. Refusing to write the murders off as gang violence, Ashcroft insists on digging deeper—something doesn’t add up. Jamal and Aisha came from different worlds. They had no reason to be together . . .

London is gripped by terror as a mastermind recreates history's most gruesome murders—without ever dirtying his hands. Paramedic Tom Freedman recruits his killers from the shadows of the internet, manipulating the broken and desperate to carry out his deadly vision. Emotionally damaged criminologist Ethan Marshall is dragged into the case, tasked with stopping a predator who thrives on control and chaos. When Tom's twisted game turns personal, Ethan receives chilling taunts and watches as the killer tightens his grip, pulling him further into the nightmare.

Soms brengt een verkeerde afslag je precies op de juiste bestemming Al tien jaar lang neemt Audrey elke dag dezelfde route naar haar werk. Zodra ze de rotonde naar het parkeerterrein nadert, verandert ze in Audrey van hr. Die Audrey is gemotiveerd en betrouwbaar, drinkt groene thee en maakt iedere dag to-dolijstjes. Maar eigenlijk staat ze op instorten. Elke ochtend wordt het moeilijker om uit bed te komen; ze gebruikt de snoozefunctie steeds vaker. En telkens als ze de rotonde ziet verschijnen, stelt ze zich voor hoe het zou zijn om gewoon door te rijden en een ander leven te beginnen.

“Gatsby believed in the green light, the orgastic future that year by year recedes before us.” Step into the dazzling, deceptive world of the 1920s—a world bathed in champagne, jazz, and whispered secrets. In The Great Gatsby, F. Scott Fitzgerald invites us to peer beyond the shimmering curtain of the American Dream, exposing the illusions that lie at its glittering heart. This is not just a love story. It is a haunting elegy for a generation intoxicated by wealth, ambition, and the desperate need to reinvent oneself.

We're in East Harlem, in the mid-eighties, and the large and formidable (some say crazy woman) Twin Johnson discovers the body of Anita's boy, Tyrone, on the sidewalk. She does just what her uncle, who runs his basement crack den as a family business, warned her never to do: she calls the police, setting in motion a cycle of events that expand the consciousness of this struggling community. Anita, a postal worker, army widow, and church lady, is determined to solve her son's murder, but her quest for justice rattles the neighborhood.

Everything is changing for Gabe. His writing career is seeing some traction, his relationships are blossoming, and the time has come to move to a new, bigger house. Krystal and Liz are ready to commit to a new life living with and dating him. But Gabe was never under the impression that loving five women simultaneously was ever going to be easy.