Títulos em Pós-Apocalíptico

Toby, a survivor of the man-made plague that has swept the earth, is telling stories. Stories left over from the old world, and stories that will determine a new one. Listening hard is young Blackbeard, one of the innocent Crakers, the species designed to replace humanity. Their reluctant prophet, Jimmy-the-Snowman, is in a coma, so they've chosen a new hero—Zeb, the street-smart man Toby loves. As clever Pigoons attack their fragile garden and malevolent Painballers scheme, the small band of survivors will need more than stories.

The sun brightens in the east, reddening the blue-grey haze that marks the distant ocean. The vultures roosting on the hydro poles fan out their wings to dry them. The air smells faintly of burning. The waterless flood—a man-made plague—has ended the world. But two young women have survived: Ren, a young dancer trapped where she worked, in an upmarket sex club (the cleanest dirty girls in town); and Toby, who watches and waits from her rooftop garden. Is anyone else out there?

Months after the Waterless Flood pandemic has wiped out most of humanity, Toby and Ren have rescued their friend Amanda from the vicious Painballers. They return to the MaddAddamite cob house, newly fortified against man and giant pigoon alike. Accompanying them are the Crakers, the gentle, quasi-human species engineered by the brilliant but deceased Crake. Their reluctant prophet, Snowman-the-Jimmy, is recovering from a debilitating fever, so it's left to Toby to preach the Craker theology, with Crake as Creator.

It's been centuries since the robots of Panga gained self-awareness and laid down their tools; centuries since they wandered, en masse, into the wilderness, never to be seen again; centuries since they faded into myth and urban legend. One day, the life of a tea monk is upended by the arrival of a robot, there to honor the old promise of checking in. The robot cannot go back until the question of "what do people need?" is answered. But the answer to that question depends on who you ask, and how.

In 2007, the Center for Automation in Nanobiotech (CAN) outlined the hardware and software platforms that would one day allow robots smaller than human cells to make medical diagnoses, conduct repairs, and even self-propagate. In the same year, the CBS network re-aired a program about the effects of propranolol on sufferers of extreme trauma. A simple pill, it had been discovered, could wipe out the memory of any traumatic event. At almost the same moment in humanity’s broad history, mankind discovered the means for bringing about its utter downfall. And the ability to forget it ever happened.

The world outside has grown toxic, the view of it limited, talk of it forbidden. The remnants of humanity live underground in a single silo. But there are always those who hope, who dream. These are the dangerous people, the residents who infect others with their optimism. Their punishment is simple. They are given the very thing they want: They are allowed to go outside.

The narrator of Atwood's riveting novel calls himself Snowman. When the story opens, he is sleeping in a tree, wearing an old bedsheet, mourning the loss of his beloved Oryx and his best friend Crake, and slowly starving to death. He searches for supplies in a wasteland where insects proliferate and pigoons and wolvogs ravage the pleeblands, where ordinary people once lived, and the Compounds that sheltered the extraordinary. As he tries to piece together what has taken place, the narrative shifts to decades earlier. How did everything fall apart so quickly?

Estamos em 2017 ... Cientistas descobrem um planeta vermelho em rota de colisão com a Terra. Depois de muito pânico nos quatro cantos do mundo, eles asseguram que o astro passaria a uma distância segura. E todos ficam tranquilos acreditando que nada iria acontecer... Uma profecia esquecida do Apocalipse, reiterada por outros profetas modernos, ressurge...

Muitos anos se passaram desde que a maior colônia de sobreviventes do Apocalipse zumbi se transferiu para Ilhabela. Separada do continente por uma faixa de 1 km de mar atlântico, a ilha surge como um ambiente seguro para as novas gerações, estrategicamente distante das ameaças da Senhora dos Mortos e sua horda de zumbis. Desde então, muitas coisas mudaram. Personagens importantes morreram, e novos combatentes foram treinados para erguer a comunidade e recriar o sistema de administração e leis. Parecia que o mundo estava retomando o seu curso de paz.

Durante décadas, essa frase permeou o dia a dia de todos os habitantes da megalópole Seattle-Portland, controlada pelo regime autoritário da Delegação. A maior forma de controle, no entanto, vinha do Insight, um implante ocular que permitia acompanhar tudo o que era feito e dito pelos cidadãos, punindo os que saíam das regras e recompensando os que as seguiam. Mas isso foi há muito tempo: uma revolução tirou a Delegação do poder, libertando todos da vigilância do Insight.

Bristlebrook is up in smoke, my brutes are dead, and Sam’s camp is a powder keg begging for a flame. Injured and furious over their losses, the surviving hunters are preoccupied with their own problems. Their factions and allegiances. Their internal wars and pissing contests. The new world they want to forge. They don’t look twice at their meek little captive.

Escucha ahora el primer libro de la «Trilogía de los Tres Cuerpos», el fenómeno editorial chino que ha conquistado al mundo y ha ganado el premio Hugo 2015 a la mejor novela. El problema de los tres cuerpos es la primera novela no escrita originariamente en inglés galardonada con el premio Hugo, el Nobel del género de la ciencia ficción. Su autor, Cixin Liu, ha sido considerado el gran descubrimiento del género y es capaz de vender cuatro millones de ejemplares solamente en China y de hacerse con prescriptores de la talla de Barack Obama....

The Ministry for the Future is a masterpiece of the imagination, using fictional eyewitness accounts to tell the story of how climate change will affect us all. Its setting is not a desolate, post-apocalyptic world, but a future that is almost upon us - and in which we might just overcome the extraordinary challenges we face.

Life on the island archipelago of Prospera is everything a person could hope for. Founded by the mythical genius known as the Designer, Prospera lies hidden from the horrors of a deteriorating outside world. In this island paradise, Prospera's lucky citizens enjoy long, vigorous, and fulfilling lives- that is, until the monitors embedded in their forearms, meant to measure their physical health and psychological well-being, fall below 10 percent.

For Nick Gallows, time is everything, his most important resource as he tries to prevent the Apocalypse. Yet, time is also an enemy, a clock ticking down to the death of humanity—and faster than Nick knows. The clandestine Forebears of Ingenga snake their shadowy tendrils through every echelon of society in an effort to expedite the end, and after Nick foiled their plans once, their crosshairs have settled on him and his burgeoning guild.

O ano é 2049. O governo de uma grande nação mundial decide disparar uma arma biológica capaz de matar terroristas mesmo dentro dos mais inacessíveis esconderijos. Porém, nem tudo sai conforme os planos militares, e uma pandemia mortal se espalha pelo planeta. O destino parece certo: a total aniquilação da humanidade. E não resta muito tempo para que isso aconteça.

Não verás país nenhum, romance apocalíptico do fim dos tempos, é o maior sucesso de Ignácio de Loyola Brandão. Esta distopia convida o leitor a decifrar de novas maneiras uma situação que é mais atual do que nunca.

Days after winning OASIS Founder James Halliday's contest, Wade Watts makes a discovery that changes everything. Hidden within Halliday's vaults, waiting for his heir to find, lies a technological advancement that will once again change the world and make the OASIS a thousand times more wondrous - and addictive - than even Wade dreamed possible. With it comes a new riddle and a new quest - a last Easter egg from Halliday, hinting at a mysterious prize. And an unexpected, impossibly powerful and dangerous new rival awaits, one who'll kill millions to get what he wants.

Working at the local processing plant, Marcos is in the business of slaughtering humans - though no one calls them that anymore. His wife has left him, his father is sinking into dementia, and Marcos tries not to think too hard about how he makes a living. After all, it happened so quickly. First, it was reported that an infectious virus has made all animal meat poisonous to humans. Then governments initiated the "Transition". Now, eating human meat - "special meat" - is legal. Marcos tries to stick to numbers, consignments, processing.

Em linha com os Gedankenexperiments, ou experimentos mentais, de Albert Einstein, David Souza imagina a evolução da tecnologia aliada à evolução da dinâmica social para criar a história de Teo, habitante de “Carboxy”, apelido carinhoso dado à fusão das conurbações do Rio de Janeiro e de São Paulo no Brasil de 2038. A explosão populacional é tamanha que as pessoas são obrigadas a viver dentro de seus carros para ficar mais próximos aos seus lugares de trabalho. A privacidade e o espaço pessoal já não existem, tudo é filmado por milhares de nanodrones.